Barry is a talented mechanic and family man whose life is torn apart on the eve of a zombie apocalypse. His sister, Brooke, is kidnapped by a sinister team of gas-mask wearing soldiers & experimented on by a psychotic doctor. While Brooke plans her escape Barry goes out on the road to find her & teams up with Benny, a fellow survivor – together they must arm themselves and prepare to battle their way through hordes of flesh-eating monsters in a harsh Australian bushland.
Starring: Jay Gallagher, Bianca Bradley, Leon Burchill, and Keith Agius
Rated: Not Rated (Contains violence, adult language, and mild nudity)
Synopsis: Barry is a talented mechanic and family man whose life is torn apart on the eve of a zombie apocalypse. His sister, Brooke, is kidnapped by a sinister team of gas-mask wearing soldiers & experimented on by a psychotic doctor. While Brooke plans her escape Barry goes out on the road to find her & teams up with Benny, a fellow survivor – together they must arm themselves and prepare to battle their way through hordes of flesh-eating monsters in a harsh Australian bushland. [Synopsis written by Kiah Roache-Turner and Tristan Roache-Turner]
This film came through the food slot on my cell door a while ago . . . and was promptly lost under a bone pile in the corner. I found it today and decided to give it a go—it’s not often I’m given the chance to watch a zombie flick from another country and I had hopes this would be an Australian La Horde in some way. Spoilers: It isn’t. Nor did it deliver a Mad Max vibe, as billed in the majority of press written by their marketing team. Homemade safety gear does not automatically make a film a skip away from entering the Thunderdome. Pair all this with a disjointed story telling gimmick for the first forty–five minutes and the film falls a little flat. Once they get past the getting-to-know-you bit with the characters and setting the apocalypse, it’s a tolerable hack-n-slash flick with enough comedic moments to overlook some flaws. I mean, how can one dislike a film with golden phrases like mouth farts?
One thing the movie has for it is an original approach to the ecological repercussions of the undead during the apocalypse. Surely people turning into freaky creatures at the drop of a hat means other things are wrong. Turns out, whatever airborne virus changes humans also makes combustible materials inert. How’s a guy supposed to save the day if he can’t drive? Simple, use zombies as fuel. The gas they emit is highly flammable. And smells like farts. That’s a key take-away from the film.
Okay. Not really.
As much as I enjoyed the witty banter between characters, there’s not a lot of depth to anyone except Barry. His story through the first half is gut-wrenching. However, once he gets back on track to finding his sister, the story unravels into a series of deaths designed to have little to no actual impact on the hero until he pairs up with Benny. Side note: There’s three lead characters with similar names. It’s like they got stuck on the B section in a baby-naming book while penning the script. Barry’s sister, Brooke, becomes the sole female survivor in the story. As such, she’s bogged down by metaphysical gifts to make her unique and special, and more powerful to the men holding her captive. It’s like the writers couldn’t fathom an everyday woman capable of escaping. While, yes, Brooke’s ability to control zombies is pretty neat, it becomes a plot crutch, leading to several long moments where she’s supposed to call the undead and leaves the action to happen around her, without the only woman on screen really doing anything aside from standing and scowling.
The hero zombie makeup is pretty decent, featuring sunken eye sockets and mild wounds since most zombies turn without being bitten thanks to the zombie gas in the air. However, there’s a few background zombies who get close-ups and their splotchy greasepaint makeup breaks the continuity established for the dead. It’s jarring to see four zombies in a row in detailed FX makeup with full-face appliances, only to zoom in one another which looks like their makeup took maybe fifteen minutes to apply in the back of a car with a palm-sized mirror.
Overall, Wyrmwood proved slightly disappointing. I wanted something grander, crafted with care for the genre. What they delivered needed more time in editing to make it flow better and maybe a few reshoots to elaborate more on everyone except Benny. I give the film three decaying hearts out of five. It’s an okay film to add to your zombie-flick marathon come October.