Discovering Ash inside an asylum really isn’t a stretch of the imagination. Which is why it’s the perfect mind game for Baal to play on the strong-chinned hero. In the guise of Doctor Peacock, Baal attempts to coach Ash in the best ways to handle his thirty-year delusion. There’s quite a bit of talking in the episode, all gaslighting Ash to make him feel crazier. Anyone who’s been in similar situation may find themselves unbelievably frustrated by the episode’s conclusion. A manipulative person can do so much more damage to someone than an army of deadites.
Review for Ash vs Evil Dead 207
by A. Zombie
Campbell’s performance in the episode is pretty stellar, especially in the moments Ash honestly cannot tell which way is up and who is who. He didn’t fall back on the manic crazy we usually see when Campbell’s character’s snap. There’s genuine concern coming from Ash, particularly when it comes to maintaining the safety of the Ghostbeaters while in the grips of Baal’s hallucinations. He’s vulnerable. When Linda comes in to visit, he acts unclean or unworthy of her care, recoiling from her touch. It’s refreshing to see so much depth from the character when the season started with nothing but hedonism.
Then there’s the Ashy Slashy puppet show. The promos were cringe-worthy, practically promising half an hour of Campbell arguing with his hand while alternating with innuendos aplenty. Camp is what the franchise eats for breakfast, but an entire puppet episode for a horror show is too much. Luckily, someone realized that and cut the Ashy Slashy puppet’s bits into two sections. What could’ve been overwhelming is quite palatable, if you’re okay with a foul-mouthed puppet talking about sexual functions. My main beef with the entire gag is the moments when it’s obvious Campbell isn’t operating the puppet. Either that or Campbell has forearms nearly four feet long. While I’m all for giving puppeteers a job, the way they choreographed movement to disguise it only made it that much more obvious.
In the delusion, Ruby is Nurse Ratchet and wants nothing to do with Ash, as Baal would have it in reality. Her scenes are few, usually just a short exchange to drive home how much the demon lord doesn’t want Ash near “his woman.” Pablo gets some revenge, given the job of overbearing orderly in the asylum. He routinely attacks and zaps Ash with a cattle prod—all the abuse is aimed toward driving the wedge deeper between the men so Ash will fulfill Baal’s true purpose for him. The show-stealer is Kelly’s whackjob alter-ego. She’s entrancing the moment she speaks, and more so when peeking through her filthy hair. Honestly, if actors want a quick lesson in acting crazy across a wide range, just pay attention to what Dana DeLorenzo does in her first scene for the episode.
Eventually, the mind games work. Ash believes he’s killed his friends, sister, and rotted for thirty years in an asylum. He tells Dr. Peacock he’s ready to face his delusions. The good doctor has only one solution: Destroy the Necronomicon. Uhh, isn’t Pablo the book now? Ut oh.
Then again, it could all be a ploy because Ash saw something outside the window and he knows the only way to get out is to make Baal believe he’s giving in. Guess we’ll see. The team is outside the asylum, and Ash has vowed to kill the book.