Chivalry is Dead: Review for iZombie 408
Chivalry is Dead:
Review for iZombie 408
by A. Zombie
Dost thou not proceed with caution? Verily, there be spoilers lurking below.
Well, this brain is pretty much the DnD brain, but without the witty break where Team Zombie sits down to play out a game. Liv drops so much ol-timey language, only renaissance faire actors can decipher everything she says after chowing down on the brain from avid LARPer, Garrett. I’d like to go on to say there’s a world of variety in this case-of-the-week, but it boils down to yet another domestic dispute which relies heavily on lack on communication in a relationship to push a rather weak plot. Okay, sure, it’s sometimes fun to have a case reflect the lives of those involved, but it’s four seasons in and the domestic dispute cases, primarily ones where the woman is the partner who steps out, are the vast majority of what we see on-screen. The case outcomes are becoming increasingly predictable in order to push all the other story lines. How does one go from a dead guy in armor, to a zombie Thunderdome, to undead LARPers, yet decide in the end to make a woman’s sex life the sole reason for murder? Find another scapegoat, writers. Women are allowed to do what they want, when they want, with their bodies. This constant commentary on how women behave without any solutions in this mythical reality is akin to duct taping a cracked window in the middle of a category 5 hurricane. Fiction gives us a way to work through these problems, yet again and again this writing team barely scratches the surface on social commentary. For a show aimed at millennials, they don’t seem to understand how they think and process messages presented via entertainment.
This is where I have to come back to Angus’ story line. The concerning thing is, even after being called out for harboring a known harasser, this team still uses takes/dialog for Angus which lean toward highly inappropriate. In this episode, Angus orders his flock to savor their high-class meal. The tone and language he uses? It could very easily be used to explain a certain sex act, right down to his command that they swallow. Blaine even makes a subtle joke to back up the entendre. What are we supposed to do with this in-your-face disregard to a known problem? Not only are we forced to endure constant poor-taste dialog from Angus, but he’s also a vital part of Blaine’s sub plot. Every time I think they can finally write him out, he’s back, being useful in ways other characters could also be, so why Angus? Why not write in someone else with the manpower to do what needs to be done and leave Angus in the well?
Blaine’s problems don’t end with his father. Boss is back in town, ready to cash in on a pay day he’s waited for since one of his guys turned state’s evidence to rat him out. Casper is the only one who knows where Boss’ remaining cash is . . . or is he, now? Peyton, also after a quick buck in order to actually help the Underground Railroad, gets to Casper first. Which our bad guys don’t realize until far, far too late. In order to get his hands on the cash, Boss needs to snag Casper during his transfer to a minimum security prison—as promised in his deal with Peyton. Blaine doesn’t keep that kind of manpower handy anymore. Boss’ associates are all dead, in jail, or just done with him. This is where Angus’ flock comes in handy. They tip the bus, eat the prisoners, and hand over Casper for Blaine to enjoy. While I am not keen on Angus’ part in the plot, the moment where Boss, Blaine, Don E., and new goon Crybaby Carl watch/commentate on the mayhem is some of the purest comedy this show’s had in a while. There’s no gore on-screen. Just the guys’ reactions. And it’s hilarious.
Infiltrating the brain-smuggling group is pretty easy for Major since he’s great at manipulating people, then failing to follow his own moral code when it matters. For the most part, all he has to do is show up, get drunk, and make sure Russ doesn’t catch wind of his true purpose. Considering Russ is always inebriated or brain-wasted, it’s stupidly easy. Great for Major since he foolishly talks to Liv in public at the Thunderdome. After he passes whatever “test” Russ has, Major gets to tag along on a rough-up job for the brain thieves. The one thing showing promise for Major despite his deep ties to Fillmore-Graves? He lies to keep the scared zombies alive, though Russ really wants to kill them.
On the Renegade side of life, Liv’s having a hard time maintaining the separation between work, home, and illegal activities. First, Peyton catches her and wants to join the good fight. Then Isobel, one of the women being smuggled, calls in a panic while Liv’s at work. Liv’s old-timey brain antics actually scare Isobel a little, not a good thing considering these people are trusting her with their lives. Yet Liv never clarifies why she’s acting so weird, leaving Isobel to worry right up until the moment they meet at the end of the episode . . . and Liv’s scratch doesn’t cure her. So while, yes, they finally have the money to proceed at full-steam ahead, either Liv can’t make new zombies, or they’ve just found the terminally-ill key to reversing the zombie condition bottled up in a frightened young lady. Honestly? This is the kind of plot development they should spend more time on. The sub-plots are usually good, but this season some of it feels like stretching just to keep up the male-oriented story lines active. Let it go, writers. Let it go. You’ve got something good with the Renegade plot. Just focus on that, please.