One Cut of the Dead Woos Critics
by R.C. Murphy
It is super rare for critics to agree on anything. It is absolutely unheard of for every critic I’ve seen thus far to gush over a foreign-made zombie/comedy flick with a ton of found-footage style camerawork tacked onto the beginning.
What is this miracle film bringing the masses together despite the chaos in the world?
One Cut of the Dead is a 2017 Japanese zombedy from writer/director/editor Shinichiro Ueda. Somehow the film lurked under everyone’s noses until it started the film festival circuit. Since then, it’s everywhere. Folks who generally snub the genre can’t stop praising the fun they had during their screening. Honestly, it feels somewhat like a dream the last few months as more and more information drops about OCotD. This can’t be real. The masses do not just rave about a low budget zombie film on this level. There has to be a catch, right? Not one that I can find. Currently the film has a 100% rating on Rotten Tomatoes, IMDb users give it 8/10 stars, and the Google users rating is 91%. It’s not just critics hyping the piece anymore. Everyone’s onboard to ride the fun train to zombie slaughter town.
The key here is that the movie hooks viewers from the beginning. Opening with a single-take scene, it drops right into the middle of a harried director’s attempt to make a low budget zombie film. There’s problems everywhere, including a leading lady who can’t manage a single decent take of one particular scene. Bad acting quickly drops to their least important problem as real zombies invade the set and they’re forced to fight them off. Yes, this sounds impossible to produce as an uncut scene, yet there it is. If the footage from the trailer is any indication, the camerawork and editing during this opening sequence is some of the best from the genre in years.
Possible spoilers below!
What keeps viewers engaged is when Udea flips the plot on its head, taking the timeline back to show how the film crew got to that impressive zombie sequence. It’s a solid look at how filmmaking can be a comedy of errors at every turn, yet still provide a way for a person to reach above their station in the world to create something life-altering. Some critics call the non-zombie sections charming and heartwarming, again proving that this film is breaking all the rules of the genre.
Unfortunately, there’s no US distributor yet, so the only way to catch One Cut of the Dead is via a film festival. I highly doubt it’ll go long without landing on a streaming platform, though. We’ll totally be back with that news when it drops.