Yeah, the warning is right on top this week. We’ve got a lot to discuss and little time to pussyfoot around with generalizations and all that rubbish. You guys waited months for this episode. Was it worth the anger at the producers and writers who said we’d be glad for so much time to stew over who died? Do you feel cheated by the dual deaths? How about all that brain matter on the ground, was it too much? Most importantly, are any of us really feeling the emotion between Rick and Negan or will the directors continue leading it to an awkward place where it’s laughable?
I, personally, feel cheated out of the surprise. The producers showed their hands months ago when they continuously stated that the show would gradually realign with what happens in the comic books. One death talked about constantly is Negan murdering Glenn. Hell, someone just released an action figure featuring Glenn’s mangled face as it’s shown on the page—which is almost identical to what’s on screen for that heartbreaking apology to Maggie. Almost in the same breath as the realigning statements, TWD higher-ups denied that Glenn would die. Red flag. Red flags everywhere. It was raining them at SDCC 2016. Since then, I’ve spent the time away from TWD saying goodbye to my favorite character. So when Negan first hit Glenn, my reaction was a resigned sigh. Then profanity, and more sighing. The show which constantly states they want to break boundaries and do new things is still utterly predictable.
Abraham’s brutal murder wasn’t overly shocking either if one stops for even a minute to think as Negan would when sizing up his newest assets. Manipulation is his bread and butter. One look at Rick’s people and how they handled interactions with the Saviors told Negan everything he needed to know—kill Abe because he’s ride-or-die loyal, keep Daryl because he’s mentally fragile and can be manipulated just like Rick. This is easy for Negan. Twisting people’s minds to do what he wants is the sole reason he’s not rotting in a walker’s gut. So why would an astute audience willingly overlook this? Why, TWD writers, would you go for the two characters who make the most sense if your desire was to shock, surprise, and devastate? Anyone with half a brain who tunes in regularly knew we’d lose Abraham. Daryl sells too much merchandise. Rick’s demise would’ve been awesome, but ultimately disappointing because the lead-up to the murder scene was so lackluster and drawn-out. Killing a woman would’ve started a feminist war in the fanbase. Carl was a good candidate, but he’s got too much potential to carry the show forward now. Plus in Negan-sense, he’s a carrot to dangle in front of Rick to ensure good behavior. The remaining gentlemen, as much as we adore them, just wouldn’t have the same impact. I would’ve been more shocked by that scene if Negan didn’t kill anyone, but just as pissed off with the direction the show took for the season premiere.
I mean, since when is five minutes of Rick staring at a set we’ve already seen before gripping television? He’s supposed to have a breakdown during the whole axe-fetching scene. Okay, that’s believable. So why did it involve long shots of walkers shuffling through smoke cut with the footage shown at SDCC with Lucille and the main cast? The scene felt like something from an indie band’s music video—a lone, agonized man surrounded by the cheesiest surroundings ever, just to feel spooky. Then, to make the death scenes mean even less, they show clips with Rick imagining everyone else getting a kiss upside the dome from Lucille. Why? We already know what he’s thinking. A good actor can do that, and Andrew Lincoln is no slouch when it comes to his face betraying every thought in Rick’s head.
They wanted to come into the Negan Era with a loud noise. In order to make noise, the plot’s gotta move faster than a snail’s pace. Inertia. Ever hear of it? The ball doesn’t roll and keep rolling without a hell of a push. It took the show fifteen minutes to get to the murders. I almost turned it off, thinking they’d strung us along for yet another week, and I was done if that were the case. It wasn’t, but the scene is buried so far in the episode, it does no good other than to turn stomachs. The only reason the scene is hidden in the episode is because of the backlash from the season six cliffhanger. Many fans felt as I did; we’ll watch the opening scene for season seven to learn who died and move on to another, more entertaining show which actually strives to write coherently. In a direct thumb-nosing to the noise-makers speaking against the cliffhanger, they cut together the episode just to make us wait through a couple commercial breaks. How nice of them to ensure the show makes a buck from a group who’re pretty likely to throw out their TWD fan badges after learning who died. I’m not tossing my badge in the fire just yet because I have hope the Negan era will smooth out, but it’s a near thing after this episode.
The violence in the episode really struck some sour notes across the fandom. Every complaint I see is met with a laugh. Fans derided the writers when there wasn’t enough undead violence. They scream for blood anytime a character or group disrespects the main cast. Yet the bad guy, who we’ve been warned about constantly since the show began by fans of the comics, comes in and does exactly what he’s supposed to, and it’s suddenly too much for the delicate flowers planted on their couches. Take up gardening if you can’t handle fake blood on a show centered on how messed up humanity is without actual rules to govern it. Were the close-ups too much? Possibly. I’m not one to judge. Horror and gore are my jam. I only started watching TWD to see what KNB FX could do with extended time to develop creatures and death gags; they’ve yet to disappoint. I will state that wanting a show built on the premise of killing things in order to survive to shy away from gruesome murders is like expecting a unicorn to lick away your tears while curing cancer. It won’t happen.
For the most part, we already knew what’d happen plot wise: Someone dies, Rick and Negan have a long moment to deal with Rick’s stubbornness, the Alexandria crew is absorbed by the Saviors, and Maggie wants blood, but she’s in no position to even walk, let alone lead a war. Daryl as the cause of Glenn’s death was the lone surprise for me—as I stated, I saw the death coming, just not how it’d happen. We’ve waited since Merle’s death for Daryl to be relevant to the plot again and now I want him to be the next big death on the show. Why? Because Daryl knew dang well that someone else, not him, would die for that single punch. They all knew Negan’s M.O. by that point. Abe died because of Rick’s hubris, yet that wasn’t lesson enough for everyone’s apocalyptic savior? Yeah, no. I’m beyond done with their failed attempts to make Daryl into an actual character. He’s been a two-dimensional promotional tool for so long, they’ve forgotten the character has a brain.
Now that the clunky season opener is behind us, maybe the ball will roll through season seven better. But, wait, we’ve still got a whole ‘nother group to introduce over at The Kingdom. If that episode is as awkward and poorly timed as the Negan/Rick glare-downs in the RV, I don’t know how much longer they can continue to pretend they know how to produce a show, let alone write one with so much potential for real depth and ability to shine a light on the massive problems in today’s society. They keep dropping the ball. I’m tired of waiting for someone in the TWD production office to finally pick it up and run it in for a touchdown. It’s time they returned to giving fans entertainment of substance instead of shilling the Walking Dead name and filling their coffers.
Temperamental and rash, Andrea is determined to prove herself. But she remains prone to emotional outbursts that cloud better judgment, and result in foolish half-thought actions. That Andrea does have natural strength and the gumption to use it make her missteps all the more painful to watch. And often in the case of her fellow survivors, that pain is literal.
Who is Andrea? She is a character from The Walking Dead—a series of graphic novels by Robert Kirkman turned into one of the world’s hottest cable television shows by AMC and an insanely talented production crew. They have created cast of characters I have a great deal of love for:
If you aren’t watching the show you should be. From the moment the show begins viewers are taken on the undead ride of a lifetime, watching a cast of beleaguered humans fight not only to survive, but to retain that which makes us most human.
And it is Andrea—more than any other character on the show—that has left me screaming at my television set in equal parts empathy, rage and frustration.
Andrea is The Walking Dead’s most deadly female. Unlike the other women in the main survivor group she is very able to pull the trigger—and this ability is a vital component to both individual, and group, survival. But she is struggling to develop the mental maturity to deal with the new realities of a zombie-infested world. She has the guts. Her physical reactions to danger are never brought into question. Once the proverbial mess hits the fan, she is transformed into a tough-as-nails woman who does whatever is needed of her to draw her next breath. It remains to be seen whether she will survive long enough to become the face of “female power” on the show.
[***WARNING: Spoilers ahead***]
Andrea is a survivor. Anyone who has been through a war zone, natural disaster or other catastrophic event can tell you, no individual really knows how they’ll react in a life-threatening situation until they’re staring down the barrel of an AK-47. Some people freeze, some panic. Some go into survival mode to just get through it, while others become something akin to a battled-hardened army officer—alert, organized, able to take command of the situation. Andrea is able—no doubt thanks in no small part to massive adrenaline rushes—to batten down the emotional hatches and get through jut about anything.
But Andrea’s survival methods are also somewhat dangerous.
She is willing to push herself, but may take on more than she can handle. When walkers bit, infected and killed her last surviving family member, Andrea showed the depth of her constitution. She stayed by her sister Amy’s side—wracked with fear, guilt, sorrow and rage—until the zombification process took hold. It was Andrea who pulled the trigger to end Amy’s zombie existence. It was a moment of great strength, one that most of us would hope our loved ones would have were we to fall to a zombie horde. But it cost Andrea dearly, left her flailing and lashing out….and, yes, potentially dangerous to the other survivors.
She doesn’t listen. In the rush to demonstrate her ability to do more than wash the group’s laundry, Andrea ignored the entreaties of others in the group to take a shot at a possible walker headed towards Herschel’s farm. Now if we ignore the fact that the shot she took was aimed at one of the fan favorites Daryl Dixon and set off a pretty massive outpouring of hate, it remains a stupid move, at best. One walker. A half-dozen able-bodied men with weapons moving to intercept said walker. Why on earth would anyone consider it a good idea to take the shot and risk alerting every zombie for miles? Andrea’s desire to prove herself could cost the group lives.
Andrea is out for revenge. Few of us ever have someone specific to blame when a loved one dies; a mainstay of the human condition that can cause debilitating levels of sorrow. Andrea knows who killed her sister. Walkers. And she will take out every walker she can. In order to avoid the pitfalls usually associated with revenge, Andrea has to find a way to channel her pain strategically and not take ill-advised pot shots at ear-necklace-wearing rednecks.
There is a delicate dance to the life Andrea is molding herself to fit. She must remain level-headed enough to take clean, precise shots at the walkers. However, being able to say, “Now is not the time to fight” and retreat with the people she’s now sworn to protect is a huge skill to utilize. Can Andrea continue to grow into the ultimate zombie slayer? Will she be able to look past her thirst for revenge to do what is needed for the betterment of the group? She is unpredictable at best, downright dangerous to herself at worst. If Andrea falls into the darkness, nothing Dale or the others do will pull her out of a self-destructive tailspin. It is the danger we all face when put into world-altering events.
He sure has balls for a Chinaman. Oh wait…he’s Korean. Whatever. What he is, is the kind of person I’d like to have at my side when the worst happens. When the horde is gathering and the body parts are flying—no matter what emotions may be racing through his adrenaline-hyped body—he remains practical, strategic, capable…and caring.
Even though Glenn isn’t really real, his innate ability to simultaneously make me smile and feel completely safe makes this young man a keeper on my post-apocalyptic wish list of companions.
If you aren’t watching the show you should be. From the moment the show begins viewers are taken on the undead ride of a lifetime, watching a cast of beleaguered humans fight not only to survive, but to retain that which makes us most human.
Glenn’s honesty and bravery are consistently challenged in this world gone mad…and every.single.time he rises to the challenge. He remains loving and very humane in the way he interacts. The world has changed, but for Glenn—played by Steven Yeun—this bloody new reality doesn’t change the compassion he has for his fellow man. Dale may be the sage within the main survivor group, but Glenn is the group’s hope personified.
[***WARNING: Spoilers ahead***]
I’d like to say it’s his youth more than anything else that causes the disparaging remarks Glenn faced early on. Daryl Dixon’s banter around Glenn’s nationality, calling him ‘short round’ and wanting to see how red Glenn’s face would get when he drank alcohol were all pretty non-PC digs that speak to how Caucasians see stereotypes about Asians. But if we’re going to go there, …and the show certainly did, Glenn does have some “common” Asian traits. He’s generally quiet and observant, the kind of guy who assesses a situation before acting. Glenn is practical and good at devising thoughtful strategies to deal with a difficult situation. Yes, he can be a little dorky, a comic geek. But as we’ve moved into the halfway point of season two even Daryl has had to admit—if just by easing up– that Glenn’s Asianness (is that a word?) helps enhance his ability to make vital contributions to the group.
Maggie said that Glenn is a leader but the group doesn’t respect him. I think she’s right, and wrong, on both counts. Whether you ascribe to the Rick or Shane school of leadership, both understand the importance of information and how it can affect group dynamics. Glenn is discreet…and apparently very eager to learn about spark plugs. But he is unable to make a judgment call on information without seeking advice. Glenn’s bravery is unrivalled within the group. Some may ask him to do questionable things that take advantage of his bravery, …but that is not necessarily a sign of disrespect or lack of value. It is a sign of need. Glenn can do these things and remain…Glenn. The longer he survives, the older he gets, the more Glenn will come to be what Maggie already sees in him.
Glenn is the best kind of team player. He’s a caretaker. Glenn values every individual in the group and is willing to use his abilities to help protect not only their physical wellbeing, but also their emotional welfare, without any real thought about what it might cost him. Some might call it naïve—and Glenn himself admitted to falling into the trap of not seeing the zombies for the threat they present—but in a very real way this makes Glenn the heart and soul of the group. Their best hope at staying human.
Glenn sees in Maggie the opportunity to really feel alive again. Later, he admits to Dale exactly that, that he wants to be with her to feel something other than the terror of living day to day in the world of the walkers…when he might be dead tomorrow. But this poses a huge dilemma for Glenn. He makes promises to Maggie that could potentially spell trouble for the people with whom he has been through so much. Glenn is incapable of putting Rick and the others in danger, even at the cost of his personal life. Balancing his wants and needs with that of the group, and what he views as right, is no easy feat. Yet somehow Glenn handles the situation with poise and honor.
When we first met Glenn he was doing what—if we’re all being really honest with ourselves—many would not. His willingness to risk his own life to help a stranger, a dumbass stuck in a tank surrounded by walkers, was a reflection of both youthful bravado and the principles to which Glenn holds dear. Rick asks Glenn why he has taken such a major risk. His response? “Call it foolish, naïve, hope. That if I’m ever that far up shit creek, somebody might do the same for me. Guess I’m an even bigger dumbass than you.”
Hope is the operative word in that exchange…it is Glenn.
The Walking Dead: Chupacabra (205) Reviewer: RC Murphy
This episode had a lot going for it. A. Lot. So much so that I had to sleep on an idea on how to tackle this review. Which, by the way, didn’t help one dang bit. My head is still spinning. The writers for TWD are mean, mean people. I’m just going to jump right in and hope this makes sense.
Carol broached the subject of an internal power ranking system for the original group of survivors. For Hershel’s family, it is obvious who is in charge. With the other group it gets fuzzy because there are so many males vying for that top spot. You have to look at them like a pack of wolves. As Carol sees it, and others as well, Rick and Lori are the Alpha mating pair. Where it gets murky is trying to rank the rest of the group. Who is the Omega member? That one person left to fend for them self until they prove their worth, takes the brunt of everyone’s aggression, but also is there to ease tension in their own way. Can you guys figure it out?
Glenn and Maggie get a lot of grief this episode as people begin to connect the dots and see something brewing between the two. Maggie is treated like a child, scolded for making the decision to get close to someone not approved by Hershel. He has such a tight grip on everyone who lives on that farm that the idea of one of his slipping free to interact with the newcomers tweaks his nose big time. She’s lonely and wants to reach out to feel alive again after god knows how long of simply existing. Glenn flat out admits to Dale his reason behind wanting Maggie. Any day could be his last. In a world where the dead don’t stay dead nothing is certain, least of all tomorrow. That being said, poor Glenn needs lessons in wooing a lady. Maybe Shane, the ladies man that he is, can teach him a few things. Or not. Shane can gather notches on his headboard, but none of them are meaningful relationships. I don’t think he’s capable of that.
Speaking of, Shane makes a very telling statement about the passage of time after the zombie outbreak:
“It’s like we’re old folks, the people in our story are all dead.”
They’ve been living on the run for less than a year, from what I can tell. In that time everyone they knew, except for the family and friends traveling with them, have probably been eaten, turned to walkers, or just died. A year for your life to flip completely upside down and turn “I know her” to “I knew her”. It’s really a hard concept to grasp. This also means that time is not measured in days, but resources. Rick’s guilt over leaving Sophia doesn’t cause Shane to lash out about time wasted, but people injured or killed during the hunt. Yes, people are resources, especially after you’ve established a camp and everyone has their separate duties to uphold.
I’d be remiss if I didn’t address the Dixon brothers. Honestly, when I heard Merle would be back I could not figure out how the heck the writers were going to make that one work. A lot of far-fetched things happen on the show, but the long-lost brother walking out of the shrubbery? Impossible.
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[Slight spoiler below. If you haven’t watched, turn away now.]
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That being said, how messed up does your family have to make you in order for your subconscious to kick up the image of your abusive, druggie brother to play cheerleader? I mean, it is very obvious that Merle never did anything to help Daryl, even when he was a child. Daryl has been left to fend for himself over and over again by his brother. So what the heck? Leaning on personal experience, I know how far one will go to prove to their sibling that they aren’t needed any more. Everything is moving on just fine without them there to muck up the gears. Even in the end of that scene, Daryl did not reach for Merle. He got himself out of the bad situation. Only to walk into another one that he has no control over. No Merle cheerleader to provoke him into action that time.
Normally I’m all about women fighting against gender roles and branching out to do “manly things”. Unfortunately, Andrea goes about it all wrong. She is very fragile emotionally, I get that. The last few weeks of her life have been spent planning how to opt out of existence so she can join her dead. Then Daryl pops some sense into her head, but she is still torn. If she can’t leave then she wants a bigger role; she wants to move up within the “pack”, so-to-speak. Her drive to be more nearly costs someone their life. Where is that line between challenging the “norm” and knowing when to fall back and follow orders? Andrea crossed it, no doubt about that. Will this incident throw her back into where she was or can she press on with her reforming backbone?
One last note… Who the heck is in the barn?! I want to hear your theories about the barn’s occupants. Next week we’ll see if any of us were correct.
It has to be said, Greg Nicotero and his crew really, really, really outdid themselves for this episode. If you haven’t watched yet, just be prepared for a scene worse than Rick taking an ax to a decomposing walker in season one’s “Guts” episode. Oh, and don’t even think about eating. I had to leave a bowl of ice cream to melt on my side table.
With the nod to outstanding and epic grossness out of the way, lets dig into the meat of the episode. (Did you just gag a little? So did I. Promise that’s the last intestinal pun in this review.)
Can we address the Shane problem? Last week’s review lit off a small debate in the ZSC command center about whether or not Shane acted within reason given the circumstances he was in. I was hoping this week he’d give us a clear direction his head is going, but it became impossible to tell if the guilt eating him alive stems from using a good man as zombie bait or because he feels that he failed Otis in some way by leaving him behind. Later in the episode he tells Andrea that in order to kill you basically have to turn off everything that makes you human and act on instinct. The need to survive is a strong instinct, I’ll give him that. But… wasn’t there another way? A humane way at least?
This episode brought our core group of survivors back together. Once they were all gathered two people stood out, T-Dog and Daryl. T-Dog had a bad patch in the last episode, meaning he lost his ever-loving mind while burning up with a fever. Some of what he told Dale made sense in a way and that is what haunts him. The idea that because the group may see him as weak, it could cost him his spot with them. How rough would things have to get for any of them to look at T-Dog and, essentially, vote him off the “island”? He could simply be paranoid with a bit of brain fry from the infection… or maybe he’s got every right to fear being left behind.
Then you’ve got Daryl who seems from the get-go to want nothing to do with anyone on the farm, whether they are original survivors or part of the new group living there. As soon as they parked he was off into the woods alone. All of that progress he made being a decent man around Andrea vanished. Only thing I can think of is he fears opening up, at least until the Cherokee Rose. Daryl gave Carol a deeper look into himself than he has with anyone. Again he knew exactly what she needed to hear and gave it to her in this wonderfully sad story about the flower. He knows that crying won’t bring him Merle back, but also understands that Carol needs the tears to voice her grief, worry, and the sliver of hope that Sophia will come back.
Seeing where everyone ended up this episode has me rethinking what I said about Glenn last week. I assumed that he would likely jump at the chance to ride at Rick’s side again when he resumes the hero role. Only… Glenn became his own hero this week. Sure there was a lot of awkward moments where he became really goofy and cute, however you’ve got to give the man a hand at lassoing a bloated zombie like that. We know he’s not exactly a smooth talker with the ladies, but Glenn is growing out of the sidekick role if he keeps this up. Go, Glenn, go!
I’ll wrap this up with a quick thought on something Hershel said to Rick. Faith seems to play a huge part in how Hershel approaches life. He sees God’s hand in everything around him. If a rainbow forms after a storm, God sent it. A car hits a man on his way to dinner with his wife; God decided it was his time to go “home”. But, you see, I cannot fathom how his faith holds up when faced with the animated corpse of someone he knew. Is Jesus cleverly disguised in the blood splatter and we just can’t see it because the need to survive has blinded us to faith? Or is Hershel clinging to the one thing he has left to give him hope for his family? That’s got to be it. Mankind will tell themselves anything to maintain hope, even if it means believing in a miracle cure that’ll never come, from God or mankind.
It has come to our attention that there is a commonality to The Walking Dead cast made up humor, intelligence and just plain chutzpah.
Every time the Zombie Survival Crew reaches out to take on a cast member (think IronE Singleton, think Anthony Guajardo) we seem to get just a little bit more than we bargained for.
Steven Yeun is no exception!
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Steven – from all of us on the #zombiesurvivalcrew – THANK YOU for doing this, for taking the crew’s craziest questions and putting them back with panache! You will forever have an honorary spot on Command’s rapid response team!
