Unfortunately, the reality during an apocalyptic scenario is that most people will not make it far with their families intact—these solo folks tend to fall to the wayside on the show quite often. Over the course of season two, we said goodbye to several mainstays from the original camp crew. We also got to know, then lost horrifically, a couple newcomers who could have gone far had they not become walker lunch.
Browse photos from the set of the two-hour series premiere of Heroes Reborn.
Otis was doomed from the get-go, to be honest. First, he accidentally shot Carl, then he volunteered to go on a supply run with Shane as backup. The latter, despite Otis attempting to make up for the accident, was probably one of the worst ideas throughout season two. He didn’t know Shane like we do. Didn’t realize that man would do literally anything to keep Lori happy. Anything meant hobbling Otis to provide cover for himself so he could escape a walker horde and deliver the supplies.
Pruitt Taylor Vince has one of Hollywood’s most recognizable faces, so it’s no surprise that after his short stint on TWD, Pruitt rolled right along with his career. Since hanging up his hat as Otis, Pruitt has filmed nearly a dozen film projects, including Beautiful Creatures, Bending the Rules, 13 Sins, Broken Blood, and Homefront alongside Jason Statham and Winona Rider. As Casper Abraham, Pruitt helped introduce everyone to a new generation of super-powered people on Heroes Reborn. Over the years, he’s had a reoccurring role on The Mentalist as J.J. LaRoche. He took a turn on HBO’s True Blood during the show’s sixth season, playing Dr. Finn, a psychologist who develops a fixation for Pam while she’s held in a vampire concentration camp. Pruitt’s next project is The Life and Death of John Gotti, also starring John Travolta and Kelly Preston.
Jeffrey DeMunn as Chuck Rhoades Sr. in Billions (Season 1, Episode 1). – Photo: JoJo Whilden/SHOWTIME – Photo ID: Billions_101_0466.R
No one, and I mean no one was prepared to say farewell to Dale Hovarth after only two seasons. Too much of the group’s stability relied on Dale to be the voice of reason. Not to mention, Jeffrey DeMunn has a calm about him in the role which reaches out to the audience. The fact that it was actions within his own group which caused Dale’s death is no accident of writing. They had to kill their conscience early in order for Rick to spiral to the point they are now. Doesn’t mean I have to like Dale’s death, though.
Freed from playing a nomad in a broken-down RV, DeMunn went on to guest star on The Good Wife, The Affair, The Blacklist, and Divorce. He teamed up with TWD creator Frank Darabont for TNT’s Mob City, co-starring Jon Bernthal and Milo Ventimiglia. DeMunn has a reoccurring role on Showtime’s Billions. He plays Charles Rhoades Sr., father to Paul Giamatti’s character. The senior Rhoades spends his time being obscenely wealthy and meddling in his son’s life. Billions has been renewed for a second season, starting February 2017.
It was no great secret back when season two aired that I could not tolerate Shane’s overly-aggressive nature, especially when it came to how he treated Lori or he decided to make safety decisions for the group, which always ended in bloodshed. Those very things lead to his death at the hands of his best friend. Oh and then, wonderful man that he was, the kid he considered a son had to kill his reanimated corpse.
But just because I couldn’t stand Shane doesn’t mean I didn’t love Jon Bernthal’s performance on the show. This is one man who left TWD and, zoom, his career skyrocketed—it’s still on a straight shot to the moon, too. Unless you’ve lived under a rock, you know Bernthal was brought into the Marvel universe to play Frank Castle on Netflix’s Daredevil. His jaw-dropping performance in the episode “Penny and Dime” pretty much guaranteed he’d land a spin-off. The Punisher hits Netflix during November 2017, which is not nearly soon enough. Need another Bernthal fix before Mr. Castle gets his own show? He also appeared in numerous films and shows since leaving TWD—Snitch, The Wolf of Wall Street, Fury, Me and Earl and the Dying Girl, and Mob City, to name a few. His other upcoming projects include Pilgrimage with Richard Armitage, The Accountant alongside Ben Affleck, Sweet Virginia, Baby Driver, and Wind River.
Jimmy wanted desperately to be the hero he felt Beth deserved to protect her gentle soul during the apocalypse. In a way, he fulfilled his dream, but at too-high a cost. We mostly saw Jimmy in the background, helping the Greene family tend to the farm or giving Beth emotional support. He did get his hands dirty gathering walkers to keep in the barn where they couldn’t attack anyone—until Shane let them all out. During the chaos after Shane was killed, walkers swarm the Greene farm. Jimmy was in the thick of it, using Dale’s RV as cover to shoot walkers, then driving it over to help Rick and Carl get off the barn roof. Unfortunately, an RV is not a tank. They broke in and Jimmy became supper.
James Allen McCune is just as generous and kind as Jimmy, but still has a heartbeat. Post-TWD, he went on to appear in Snitch, Congratulations!, and the made for TV movie Anna Nicole. James joined the cast for Showtime’s Shameless during their fourth season as Matty Baker. In some seriously exciting—and surprising—news, James was introduced as the star of a brand new film, The Woods, which is actually Blair Witch, a direct sequel to The Blair Witch Project. James plays brother to Heather, the missing woman from TBWP. The film’s real title and plot was made public during San Diego Comic-Con when the cast and filmmakers were in attendance to screen the film. Blair Witch will have a wide release on September 16th after showing at the Toronto International Film Festival on September 11th.
October is finally here. For some of you, you won’t understand the huge breath of relief some of us took on Sunday night when we curled up on the couch and tuned into AMC at nine o’clock. Okay, relief may not quite be the right word, given the amount of bloodshed in the season premiere of The Walking Dead, but you get the gist. No more counting down days. No more stalking websites for behind-the-scenes interviews and pictures. The time has come to catch up with Rick, Daryl, T-Dog, Andrea, and the other survivors on the show.
Season three picks up a few months after where season two left off. The opening sequence, with its lack of dialog, spoke volumes about what has happened in their lives since Rick put his boot down and declared the beginning of the Ricktatorship. There was also an amazing pullback shot to unveil the first walker of the season. For all of those who complained there weren’t enough zombies in the last season, your wishes have been granted. There was no way to keep a body count in this episode, not even on the re-watch.
One huge difference in the group dynamic, everyone carries their own weight. Even Carl is given the task of standing guard while the others discuss where to go next on their never-ending quest to find enough supplies to keep them fed and safe. Not only does Carl stand guard, he’s handling a gun and hasn’t managed to shoot his foot or someone who is actually alive. Amazing, considering months earlier he couldn’t hit the broad side of a barn and the group was nearly torn apart over the fact that he’d been given a gun at all outside of target practice. Yeah, a lot of folks will think, “Sure, put the kid in charge of dangerous things” and laugh. But, hey, at least they’re at a prison. Hopefully the place is big enough; he’ll stay inside like he’s told.
The other huge change in the group, they’re moving and thinking like a paramilitary unit now. Months of constant moving have ground down the rough edges from personalities clashing and created a fluid hive mind, lead by Rick. Daryl stands at Rick’s right hand. Glenn and T-Dog are on the left. And Maggie is seriously holding her own with the men during fight scenes. No one is superfluous…without reason. Quit yelling. We all know there’s one character fans love to hate. We’ll get to her later.
What I’m talking about is the efficiency in how the group moves into the prison. It is almost too easy. Rick got them all worked up, spoon fed them pretty stories to rile them up and get them to keep putting one exhausted foot in front of the other. He turned the prison into an oasis—a goal too good to be true in the eyes of tired and starving travelers. Will they find their oasis in the prison or is the proverbial desert stretching out in front of them with no water in sight?
Since leaving the farm, the group has technically been split. Andrea didn’t make it out in the mad dash to the cars and was left behind to fight her way through the woods. When the end seemed to be coming for her, someone stepped out of the shadows and saved her—Michonne. Michonne is ruthless in the way she kills. She doesn’t waste energy in movement. She does what is needed to ensure she isn’t bit and moves on. There is probably a lot of severed zombie heads left in her wake. Michonne also seriously cares for Andrea. They’ve bonded over the months they’ve been on their own path of survival. Well, Michonne, Andrea, and the pet zombies. There’s a band name for someone to use.
Okay, fine, we’ll discuss the Lori Problem. This is similar to the Shane Problem, but with more hair, an incoming baby, and a lot more crying. Long gone are the days when Lori could bat her eyelashes at Rick and convince him to do her bidding. He’s done buying her snake oil treatments for a better life in the Zombiepocalypse. Rick tried things her way and lost his best friend in the process. But he isn’t dwelling on it. Rick is pushing the group forward. Lori just wants to dig up the pain they left rotting in a field on the farm. Her baby is due any day and it is very apparent that Lori is not mentally prepared for it at all. She is still focused on herself and how others perceive her. Can she change her focus once the baby comes or will she spend all of her time worried over whether or not the kid looks like her husband?
The final scene of the Walking Dead premiere left a lot hanging in the balance, more than I’m comfortable with, actually. Any time this show leaves a cliffhanger, fans end up rather upset or disturbed. Despite the potential for fan-angst, what is to come in the season—the Governor, the prison and everything else—promises to be amazing.
What are you looking forward to during the third season of The Walking Dead? Let us know in the comments below.
Temperamental and rash, Andrea is determined to prove herself. But she remains prone to emotional outbursts that cloud better judgment, and result in foolish half-thought actions. That Andrea does have natural strength and the gumption to use it make her missteps all the more painful to watch. And often in the case of her fellow survivors, that pain is literal.
Who is Andrea? She is a character from The Walking Dead—a series of graphic novels by Robert Kirkman turned into one of the world’s hottest cable television shows by AMC and an insanely talented production crew. They have created cast of characters I have a great deal of love for:
If you aren’t watching the show you should be. From the moment the show begins viewers are taken on the undead ride of a lifetime, watching a cast of beleaguered humans fight not only to survive, but to retain that which makes us most human.
And it is Andrea—more than any other character on the show—that has left me screaming at my television set in equal parts empathy, rage and frustration.
Andrea is The Walking Dead’s most deadly female. Unlike the other women in the main survivor group she is very able to pull the trigger—and this ability is a vital component to both individual, and group, survival. But she is struggling to develop the mental maturity to deal with the new realities of a zombie-infested world. She has the guts. Her physical reactions to danger are never brought into question. Once the proverbial mess hits the fan, she is transformed into a tough-as-nails woman who does whatever is needed of her to draw her next breath. It remains to be seen whether she will survive long enough to become the face of “female power” on the show.
[***WARNING: Spoilers ahead***]
Andrea is a survivor. Anyone who has been through a war zone, natural disaster or other catastrophic event can tell you, no individual really knows how they’ll react in a life-threatening situation until they’re staring down the barrel of an AK-47. Some people freeze, some panic. Some go into survival mode to just get through it, while others become something akin to a battled-hardened army officer—alert, organized, able to take command of the situation. Andrea is able—no doubt thanks in no small part to massive adrenaline rushes—to batten down the emotional hatches and get through jut about anything.
But Andrea’s survival methods are also somewhat dangerous.
She is willing to push herself, but may take on more than she can handle. When walkers bit, infected and killed her last surviving family member, Andrea showed the depth of her constitution. She stayed by her sister Amy’s side—wracked with fear, guilt, sorrow and rage—until the zombification process took hold. It was Andrea who pulled the trigger to end Amy’s zombie existence. It was a moment of great strength, one that most of us would hope our loved ones would have were we to fall to a zombie horde. But it cost Andrea dearly, left her flailing and lashing out….and, yes, potentially dangerous to the other survivors.
She doesn’t listen. In the rush to demonstrate her ability to do more than wash the group’s laundry, Andrea ignored the entreaties of others in the group to take a shot at a possible walker headed towards Herschel’s farm. Now if we ignore the fact that the shot she took was aimed at one of the fan favorites Daryl Dixon and set off a pretty massive outpouring of hate, it remains a stupid move, at best. One walker. A half-dozen able-bodied men with weapons moving to intercept said walker. Why on earth would anyone consider it a good idea to take the shot and risk alerting every zombie for miles? Andrea’s desire to prove herself could cost the group lives.
Andrea is out for revenge. Few of us ever have someone specific to blame when a loved one dies; a mainstay of the human condition that can cause debilitating levels of sorrow. Andrea knows who killed her sister. Walkers. And she will take out every walker she can. In order to avoid the pitfalls usually associated with revenge, Andrea has to find a way to channel her pain strategically and not take ill-advised pot shots at ear-necklace-wearing rednecks.
There is a delicate dance to the life Andrea is molding herself to fit. She must remain level-headed enough to take clean, precise shots at the walkers. However, being able to say, “Now is not the time to fight” and retreat with the people she’s now sworn to protect is a huge skill to utilize. Can Andrea continue to grow into the ultimate zombie slayer? Will she be able to look past her thirst for revenge to do what is needed for the betterment of the group? She is unpredictable at best, downright dangerous to herself at worst. If Andrea falls into the darkness, nothing Dale or the others do will pull her out of a self-destructive tailspin. It is the danger we all face when put into world-altering events.
Everyone, whether fictional or flesh and blood, needs a person they can go to in times of emotional turmoil. That person holds up a mirror to reflect their true self. Without them, we are doomed to keep repeating mistakes, or worse, destroying who we really are by trying to pretend we’re someone different and going against our nature. Dale is that man. He speaks the truth, no matter how hard it is to hear.
If you aren’t watching the show you should be. From the moment the show begins viewers are taken on the undead ride of a lifetime, watching a cast of beleaguered humans fight not only to survive, but to retain that which makes us most human.
Dale is The Walking Dead’s yoda…or Gandalf, if you prefer. Wise and caring, Dale acts as an elder statesman within the group –tending to group members’ emotional wellbeing, settling disputes and providing a sense of stability and direction in a world gone mad. But as we’ve seen in season two Dale, played so beautifully by Jeffrey DeMunn, is only human. His wisdom is of great value, but—truthfully—is sometimes compromised by his own feelings.
[***WARNING: Spoilers ahead***]
He is a dying breed. More so than the others in the main survivors group Dale –an elder well-educated, worldly man who chooses to remain optimistic and forward thinking—may truly be the last of his kind in the post-zombiepocalyptic world. The group needs Dale, desperately, to keep them morally and ethically grounded. He may not be perfect, no one is, but Dale is the personification of those characteristics from the “old way of living” that must.be.protected. to truly maintain the humanity that binds us all.
Dale sees all. The other members of the main survivors group try repeatedly to get one over on him, to fly under the Dale radar so they don’t have to own up to their behavior. It rarely, if ever, works. T-Dog, for instance, tried desperately to hide how severe his injuries were in the first episodes of the season. In his infection-fueled fever T-Dog became uber paranoid about his place in the group. Who would want to rely on a crippled minority and an old fart, right? Dale set him straight, showing him exactly where he was needed, while also trying what he could to tend to the more pressing matter, the fever about to fry his friend’s brain. In that moment, Dale became like a father to T-Dog. Sometimes we need our parents, even when we don’t realize it.
Dale may not be able to pull the trigger…but is still susceptible to the horrors within. In Shane, Dale finally found the one soul he cannot follow down their chosen path. Shane’s methods in ensuring the people he cares for are shocking to some. He is the trigger man Dale could never be. At the same time, during their confrontations in season two, it is apparent Dale wants to reach that level of practicality Shane is at, the one where he could do to Shane what Shane did to Otis and be able to justify it by saying he did it to keep Andrea safe. But would it really be an effort to neutralize the competition? We still don’t know if Dale’s fatherly nature has given away to more when it comes to her…and how far it could take him.
There was a moment in the season one finale where I literally bit a hole in my index finger to keep from screaming. Dale did what I hope all of us would do in a difficult situation to protect our common humanity. He chose to make the ultimate sacrifice. Andrea later accused him of being selfish. I disagree. Dale’s decision to remain behind at the soon-to-explode CDC if Andrea was staying was a moment of true bravery—one we could all aspire to having (though maybe not in such dire circumstances).
As with many of The Walking Dead characters—and most people in the real world—Dale is defined by the choices he makes. That he consistently errs on the side of traditional morality makes him a force to be reckoned with. He is the group’s greatest defender…the protector of their collective soul.
The mid-season finale for season 2 of The Walking Dead had a lot riding on it. I’m not talking about character drama, either. This first half of the season needed to live up to audience’s expectations. We were given a grab-you-by-the-throat first season of TWD. With only six episodes to make an impact, the creators and writers drove the plot and us hard, fast, and dirty. The pacing became a huge part of the appeal. With more episodes to play with, the pacing has suffered greatly. And unfortunately, it is turning people away. Episode 7 had to snag viewers attention again before the break. Did it succeed?
They wasted no time jumping into the major issue at hand: the barn. Glenn’s loyalty is seriously tested in his budding relationship with Maggie. He is torn between keeping secrets he’s sworn to by someone he just met, but feels a deep connection with, or manning up and telling the group of people that have helped him survive this long. In the end, I think he chose correctly and I think Maggie understands he did what he had to. She’s beginning to realize Hershel’s way of coping with the changes in the world aren’t the only way to do things. It only took her nearly being turned into a walker at the pharmacy to figure it out, though. Sometimes it takes a close call that rattles your world to see clearly.
The debate between Rick and Hershel about the occupants of the barn brought up a very good question: In a situation like the zombie apocalypse, is it naive to assume that all humans should band together to protect each other? Rick clings on to the hope that despite their differences in opinion, his crew and Hershel’s family can still coexist, all in the name of being safe. But from what we’ve seen, Rick forcing the issue of banding together has caused more issues. Hershel pulls his family and supplies in closer to his chest. He flat-out refuses any help from the other survivors. There’s a line in the sand, or rather a trench that’s filled with the fires of hell. Hershel cannot bring himself to even approach the line and consider the two factions becoming one group. They question his faith, the way he’s done things since even before the walkers came into existence. For someone living on the edge, that is as dangerous as approaching a zombie unarmed. In Hershel’s world it is his way or go away. No one is allowed to question him.
In the face-off between Dale and Shane we see glimpses of the same ruthless attempt to cling to control from both of the men. Unfortunately Dale isn’t a fighter. He will protect. He will give sage advice and be there if you need someone to unload all of your issues on, but he isn’t a trigger man. He tries to stand up for what he believes is the right thing and is cowed by Shane’s overwhelming presence. Does he see logic in the way Shane is handling things? Probably not. Dale isn’t a fool, though. He knows the kind of man Shane is. He also knows he can rely on that cold inner core Shane possesses to get things done, even if it scares the heck out of him.
Someone I thought would always keep that cold core is Daryl. This season has turned my perception of the mighty squirrel hunter on ear. He’s deep. Emotional. Caring. And completely clueless on how to make any sort of relationship with others work. Each time he opens up, he instantly shuts down and reverts to the “old” Daryl. Carol is the only person to consistently see into his heart, but not even she is safe from the out lash of self-loathing Daryl dives in to. He constantly slips back into the mindset likely formed by his lack of a real family unit. Why love yourself when no one else seems to give a damn? Carol cares and makes it very clear he can’t push her away. Will this tentative step towards an actual connection with another person (one not a figment of his imagination) lead to something more?
[Caution: spoilers below. If you have not watched the episode yet, walk away.]
I’d be remiss if I didn’t talk about the final scene of the episode. Everything in the last six episodes came to a boiling point. Shane gave all of that anger, frustration, and lack of forward movement a voice. A very loud voice. I may not be on Team Shane, but he did what he thought he had to do to keep the family he wishes were his safe. Could he have gone about it better? Totally. It still had to be taken care of. How many more walkers would the barn have held? Did Hershel honestly think he could keep going for god knows how long simply shoving the undead away under a metaphorical rug? Eventually the rug gets so lumpy you trip and crack your head open. I think Hershel would have gone on until he himself became infected. He was so set in his idea that the zombies are still living that he couldn’t see the danger staring at him.
Even with Shane being the voice of the turmoil on the farm, it ended up being Rick who took care of the most difficult part of the entire season thus far. My own frustration came to a head when Sophia emerged from the barn. They’ve been searching so hard for so long and she’d been maybe a hundred yards away the whole time. When I sat to think about the episode, I had to wonder if Hershel realized that one of the walkers he’d captured was the little girl they were all looking for. Were his protests to leave the barn alone multifaceted? We know he thought he was keeping his “sick” family safe, but had he been hiding the truth of Sophia’s condition as well?
For as many questions as the mid-season finale (finally) answered, it posed a ton of others. Will Rick move his crew off the farm? Can Hershel look past his faith to see the world for how it really is? What will Maggie and Glenn do? I could go on and on with the questions rattling around my head. Which I probably will considering it is a very long wait until February when the second half of The Walking Dead season 2 kicks off.
This week The Walking Dead seemed to be missing something. They covered a lot of ground as far as addressing each characters plot arc but there was a key something missing. Oh, I know. Action.
Don’t mistake, I do enjoy watching our survivors grow and evolve to adjust to the harsh reality of the zombie apocalypse. That being said, it is a zombie apocalypse. They are fighting every day to survive. We were spoiled by the fast pace of the first season. The writers couldn’t take an entire episode to tie up all of their loose plot strings before the mid-season finale. That’s what they did here, gave us what I refer to as a “catch up” episode to put the ducks in a row in prep for next week, which from the previews promises the action we missed this week and then some. I hope.
We finally get to see Carl back on his feet this week. Right away it is painfully obvious that being shot has affected how he views the world. Carl is beginning to mature faster than we, with our modern sensibilities, think he should. But there is nothing Lori and Rick can do to stop this natural progression. He is old enough to realize their dire situation and wants to help protect the people he loves. Carl probably sees the world with truer eyes than anyone else when he tells his mother about the missing chicken, “Maybe she got eaten. Everything’s food for something else.” That’s the reality they live in. Some of the survivors simply refuse to see it.
That friggen barn is going to give me fits. Hershel’s ideals surrounding the occupants of the barn seem utterly ridiculous when put in contrast to what we’ve seen our band of nomads go through in and around Atlanta. We know these creatures are dead. We know that the synapses, those electric keys to what makes a human a human, aren’t working. All of this was covered for Rick’s crew at the CDC. There is no cure. These people aren’t sick. They are dead. Again, you can see Hershel’s faith coming in to play. He can’t kill the people he knows and loves. The guilt of putting them down would shatter the last marble he’s got rattling around in his stubborn brain. So instead of doing what we deem humane, he keeps zombie pets. To him it is the right thing because the Bible tells him not to kill. But what does the Good Book teach us about survival? Self defense? Turn the other cheek with a zombie and you’ll get a hole in your face.
Turning a blind eye to other situations can land you in the same sort of hot water, only this time the scars are emotional. Lori tries everything she can to avoid telling Rick about her pregnancy. She talks herself in endless circles about the future and what it could hold for her family. Admittedly, what set her off was the near-death of her son, Carl. As a mother I hope to never, ever be in a similar situation. Watching Lori go through it was bad enough. But… are her fears grounded? She says, “Memories are what keep me going”, then goes on to predict her unborn child’s future of nothing but pain and an early death. Life is what you make of it. If they leave the farm, they have months to find a new home base and settle in before the baby comes. There are plenty of areas similar to Hershel’s farm, in close proximity to cities with supplies, which they could move into. One has to wonder if she is worrying about her baby or what will happen if Rick entertains the idea that the baby isn’t his. She’d lose her hero, her husband, and the only one she can actually trust to keep her and Carl safe.
Dragged into the middle of Lori’s crisis is poor Glenn. He is trying, he really is, but still has a long way to go to be the hero he wants to become. The first step? Learn how to lie better. I’d play poker against Glenn any day. That lack of being able to hide the ugly truth is, unfortunately, a key tool of a leader. Sometimes you need to keep things from others to keep them calm and manageable. Rick does this often to give his crew the sense of stability they need while recovering from injuries. What Glenn isn’t lacking, though, is nerve. When the one person he really sees as his to protect is in danger, he went all Rambo. I would like to remind everyone that severing the spine does not kill a walker. Headshots, guys. Glenn nearly forgot, but it did make for an interesting zombie effect. After his hero moment, Maggie finally acknowledges what is inside his heart. She also sees how, in his effort to become more, to rise in the pack structure, Glenn could get himself good and dead.
If you paid attention to this episode, you will notice that there is one character with his nose in everything. The writers have taken Dale’s position as the “wise old man” a tad too far. We already knew that not much escapes his attention. Dale isn’t out in the woods, cut off from the core of the action. No, he stays perched on top on the RV simply watching. But it really bugs me that they felt in order to tie up all of these story lines they needed to use Dale so blatantly. He’s there when Carl expresses his desire to grow up more. Dale is the one to confront Hershel about the barn’s occupants. Heck, he even tries to help Lori about her baby issues. And the topper, Dale goes nose to nose with Shane about his erratic behavior after Otis’s death. There are other, less obvious ways to wrap things up for the mid-season finale. We didn’t need Dale to narrate it for us. He’s far too good a character to use like that.
Next week is the last episode we’ll get in 2011. There are still a lot of questions to be answered. Is Sophia still alive? Will Lori abort the pregnancy after all? Is Shane finally at the end of his rope? Guess we’ll have to wait and see.