Eat a Knievel: Review for iZombie 308 by A. Zombie
Didn’t anyone on the iZ team look at the optics of a jealous white guy burning a black man alive for impregnating his white girlfriend during an ill-considered prank? We’re not above the race talk in a zombie setting. We’re certainly not allowed to forget that unconscionable crimes are perpetuated against people of color all over the United States thanks to the vitriol coming from the sitting president’s supporters. Yet again I’m left to wonder if this show’s production staff is horrifically isolated from the world or if they’re willfully ignoring the negative messages laced throughout this last season in particular. They have a whole sub story about chasing down men committing zombie hate crimes, then stage a murder where a young black man is burned alive for defiling another man’s “property.” In a world with infinite possibilities, countless ways to murder, and the ability to combine any color of people in a situation, these writers opted for too many instances of white men killing people of color. Let’s not forget, the Travelers are primarily white Republican types and their first known victims were a black family.
It’s not okay for the writers to make a buck on killing people of color. It’d be great if they quit preaching that women who step out of line will lose their lives or suffer great personal loss. Just knock it off already. It’s not entertaining. You’re attacking your target demographic! There’s no rational reason to target women and people of color so often. None. If that is truly all these writers can come up with, it’s time to put iZombie to pasture and give the money to creatives who’ll bring some actual representation to women-led shows and not trot them out like a freakshow.
The gimmick of the week: Liv eats an immolated professional prankster, tries to staple a guy’s tongue, and channels her destructive nature into a weird “same brain” date with Justin—which includes impalement by lawn dart.
Fillmore-Graves is left scrambling when someone, likely Travelers, blows up the corporate helicopter with Vivian Stoll and her advisors on board. This happens moments after Stoll privately outs Major as human and demands answers, along with a sit-down with Ravi. Major gets another chance to die for zombie kind, hooray. The new commanders seem far tenser than Stoll. I wouldn’t be surprised if the first act of outright zombie/human war comes from Fillmore-Graves. That bunch has itchy trigger fingers.
Blaine hatches a plan. Boy does it work well. There’s just one catch. He had to turn zombie again in order to put everything into motion. Once Blaine is back on his feet, he wipes out all of Angus’ goons. It’s rather impressive to watch Blaine now compared to Blaine pre-human. It’s the same man. Same memories. But this Blaine is flat-out done. He’s either going to rule the city or bite a bullet. So far, everything going in his favor. Good ol’ pops isn’t as lucky. Well, I hope he can hold his breath. The upside to another hostile deBeers takeover is Don E. and Blaine teaming up again to expand on the base Angus founded with The Scratching Post and all those back office meetings.
The episode wrapped with Liv leaving Ravi alone to infiltrate the anti-zombie hate group. Yeah. Like that’s going to end well. None of this will end well. War is knocking on the door.
Some Like it Hot Mess: Review for iZombie 306 by A. Zombie
Clive wraps the case, suddenly Liv’s under no geas and is free to express her natural self. This leads me to believe the writers and production team knew the Sweet Lady Pain gimmick was a turd in the punch bowl. Yet they ran with it. For what purpose? To further deride sex workers in pop culture? Yeah, no. This isn’t something they can pass off as, “Oh, well, the brains wear off.” Liv rode Janko’s brain until she collapsed, utilizing the mercenary’s self-control to lock down her emotions after Drake’s final death. That took a while. Liv ditched the leather and whips on day two or three. She didn’t over-exert herself in any fights. Nor was she forced to heal any serious wounds. Both would take extra nutrients to heal, possibly explaining how Liv’s typical meal schedule wouldn’t be sufficient. Or we could just say, the writers messed up. They know they messed up. They went to great lengths to make us forget it by rushing Liv into a narcissist’s brain, therefore pitting her against everyone and causing drama. This is akin to tying shiny paper around nectarine tree limbs as a distraction so the birds won’t take the fruit, but truth is, the birds will always get what they want. What fans want is a show with a woman at the helm who isn’t deliberately knocked down to become the laughing stock in order to cover poor decisions from the production staff. I, for one, will keep checking this tree to see if there’s anything worthwhile to digest. There’s so much potential. It’s trapped behind a messy patriarchal wall, though.
Liv isn’t the only woman on the show getting this flavor of treatment in the writers’ room. Peyton still suffers barbs from Ravi over her personal life, only for every crappy thing he’s said to be proven right so Peyton is obligated to apologize. Apologize to the man so obsessed over who she’s kissing, he hopped in bed with a woman he detests? Are you kidding? But, it happens. This week’s case is centered on the victim, Yvonne, and her affair with a married club owner, with a jealous coworker red herring. Who actually offed the self-centered party girl? The roommate she screwed over. A woman, by the way. Not one of the sexually-motivated angles Clive and Liv investigate produces a lick of information. I dare not go back to count how many of the women who’ve died on the show were given a similar treatment, but off the top of my head it’s already too many. And when the victims themselves aren’t interesting sexually—because of race, weight, age, etc.—a side character, like Rhonda in episode 304, is tapped to fill the position. Could we not?
For a fun writing exercise, I’d like iZ writers to pen a script which has no mention whatsoever of sex. It happens in shows lead by men all the time! Why is it any different for Liv? She’s a zombie! That’s rather interesting on its own. Add in her career choice and it’s a story all in itself. With so much story fodder, why the obsession with the women on the show having sex? This isn’t how you present women’s sexual liberty. Go back to the drawing board.
Major is back to his puppy-dog-esque self after taking the cure. Ravi isn’t as calm. He obsessively tests Major’s memory. He’s so desperate to save his bro, he asks Liv—doped on dingbat brain—to take shifts watching their human-again friend. Which, of course, she doesn’t even bother trying to do. In an attempt to do one last good thing before he loses himself, Major takes an unannounced trip to visit his family. Cue panic. Flailing. And a big ol’ truth bomb dropped on Peyton like a load from a rhino’s backend. Blaine faked it. Well, most of it. The cure does indeed strip memories, but it’s more like a hard reboot than a full wipe. It took a couple days for Blaine to remember his old ways, and he hated it. He hid the truth to start over. Great news for Major, but Blaine’s lies put Peyton in an awful position yet again.
A functional cure also means Liv can finally stop being a pawn for whatever weird fantasies the writers are working out on the page.
Or not. See, the cure’s gone missing. There’s only one real suspect in Team Zombie’s mind.
Don E. has a regular at his bar who’s flat-out tired of the brain game and wants out without eating the end of a pistol. Being the ultimate businessman, Don E. skips over to the morgue to present Ravi with a lucrative deal, they split the money from the rich guy and hand over the cure. No go. Ravi has a finite amount of serum and probably has names to go with most of them on his mental list. Obviously there’s a demand for the cure. Who’s always around when there’s an opportunity to exploit? Yeah, Don E. is the usual suspect this season. But in this case, he’s the scapegoat when Blaine absconds with the remaining syringes of the serum. It looks like he’s going to make a new designer drug for the dead set based off the blue memory goo. So why take the cure, too? My guess is population control. Slip the cure into his drug and watch Angus lose his brain-munching customer base. It’s Blaine, the sky’s the limit with his scheming ways. He may surprise me.
Eat, Pray, Liv: Review for iZombie 303 by A. Zombie
Ravi tells Major he’s got a few weeks left before he must take the cure or die. By the episode’s end, I’m certain that time frame is far, far shorter. This guillotine over Major’s memories is held by a single strand on a frayed rope. He knows it. The painful truth is right there in his eyes while watching Liv play that ridiculous dancing game with his new work pal, Justin. One might mistake it as a nudge toward a rekindled relationship. It just so happens that happy friends are one thing Major has lacked since the zombie thing started, and if he’s going out soon, he might as well do as Liv’s brain-influenced babbling suggests—live in the moment. In the moment doesn’t include bland, bagged brain mush. He and Justin break the feeding protocol to imbibe in the real thing. I’m digging this happier Major. How long until he’s forced to take the cure? What if the memory serum doesn’t work—we’ll talk testing ethics later—and he’s rebooted while serving in a zombie mercenary squad? There’s no real good outcome unless Ravi’s serum does indeed reverse the memory snafu, but that opens a whole new world of problems for Major’s future.
The thing with Ravi and Peyton? The plot went to the place it never should have. Why? So Peyton could say some deep, insightful things and be all grr-arg, woman power! And then they turn around and have Ravi learn absolutely nothing from forcing Peyton into a corner where she had to defend not only her right to make decisions for herself, but her right to have sex at all with anyone who isn’t Ravi. The cap on the entire ridiculous story is after Ravi is a sex-paranoid nutjob in front of Team Zombie while professing his love, Peyton goes to him and appears to at least somewhat forgive him with a kiss. But wait, he’s already slept with the woman he swears he hates more than snails hate salt. Why even trot out this moral lesson? All men will see is that Ravi still has sex with an attractive woman, so what’s the problem with how he treated Peyton? You don’t get to berate someone in front of their friends about who they sleep with, mortify them, and win a prize. To assume Ravi can have whoever he wants, whenever he wants because he said he’s sorry is precisely how this show continues to perpetuate unhealthy romantic expectations. It’s obvious in the weird sub plot stating Liv can’t be happy in bed because she’s secretly unhappy and guilt-ridden over her brain-eating. It’s the way Peyton has been used as a fire hydrant in a dog park since the get-go, men marking their territory right and left. It’s Major caring more about women he barely knows, but the two closest to him are constantly in danger, sometimes through his own doing. It’s the writers assuming every non-STEM employed woman Liv eats is secretly a slut, crazy, or too caught up in “being a woman” to have a career. For a show with a woman on all the advertising, it does a crap job at representing them. I know not one woman who would’ve kissed a man after what Ravi said when he emotionally blackmailed Blaine into taking the memory cure. Not. One. A few certainly would’ve punched him, instead. With a fist, not lips. Got that, iZ writers?
Let’s get to the case for the week. Topher is a mindfulness teacher, focused on helping others look past negative thoughts, to live in the moment without fear. During his solo meditation, someone introduces his personal Shambhala to a Buddha statue. Clive and Liv dig up a far different past for the Zen guy. Once upon a time, he was a venture capitalist with partners Mitch and Devon. Things went sideways, someone turned to drugs for start-up money, and Mitch spent years in jail while the other two moved on to become legitimate businessmen and mindfulness coaches. It doesn’t take a genius to solve the crime once they look past the red herring a “random” homeless guy tosses in their way. Topher’s brain is one of the better personalities foisted on Liv, honestly. His case just isn’t that intriguing.
While Liv and Clive seize Mitch’s future moments to pay for his newest crime, Blaine is having one hell of a week. The last problem on his list is the potentially harmful serum Ravi bullied him into testing. The first problem, really the only real problem Blaine should worry about if he were his old self, is Angus. The old man wastes no time letting Blaine know he’s back from the deep freeze, in part as a test, but mostly to see the fear of God in his son’s eyes. Disappointing day for Angus; Blaine only fears the man he used to be, the horrible person he’s forced to face every time someone coughs up a story he can’t remember. After getting his money back from Blaine, Angus sinks it all into a restaurant. His new business will eclipse the under-the-table brain biz Blaine’s running in the mortuary’s basement. We’re talking top of the line service. For the right price, Angus’ new associate, Dino, will secure any brain their customers desire. Don E. is way out of his element, and seriously missing Blaine, but tries to be clever enough not to get dead. That may require more work than he thought. Angus won’t wait for word-of-mouth advertising. Nope. Don E. will make customers to fill Angus’ demands. If everyone thought Stoll had a bad idea for zombies taking over Seattle, DeBeers is about to make it a thousand times worse.
That’s if Katty Kupps doesn’t expose zombies to humans before they do it themselves. She’s close to connecting the dots. Too close. Seattle is a zombie powder keg. Isn’t it great?
Too many to count have found their way to the great zombie-free haven in the sky. If one thought other shows were out for main cast blood, while compiling this series, I discovered it has the highest main character death rate, and the secondary characters who’ve bitten the dust likewise captured the audience’s heartstrings. Rarely is a death on this show a “good riddance they’re gone” moment. It just so happens that the adventure-of-the-week storytelling style lends wonderfully to writing many, many deaths because next week, the main cast will find someone else to help them or hunt them. Not to get caught in a pattern, the show’s writers also aren’t afraid to tap side characters to make a comeback, like Sketchy and Skeezy. Unfortunately for those we’re revisiting now, that is not an option.
The cuts to what fans assumed would be the main cast came fast and hard in the first season. One episode in, we lost the commander for the troop trusted—kinda—with the task of saving humanity via Murphy’s inoculated blood. Lt. Mark Hammond didn’t have any surviving Delta Force members at his back, but he required the same discipline from the ragtag group he conscripted for the operation. They weren’t quite prepared for such a daunting task, and when Hammond stepped in to take care of a super-speedy zombie baby, he was caught off-guard and eaten. At least he left humanity’s hope in mostly capable hands.
Harold Perrineau played a brief, but vitally important part of Z Nation. In no time at all, Perrineau hit the small screen again, ditching the fatigues for wings and a tense friendship with DC Comic’s surly demonologist on the woefully short-lived Fox show Constantine. After the disappointment at Fox, Perrineau went on to appear on The Mysteries of Laura, Golaith, and Criminal Minds. Currently, he’s set to appear on the TNT dramedy Claws which stars Niecy Nash (Reno 911!) and premieres in June. Fans can also catch him in Without Ward, out later this summer, and I’m Not Here, also starring J.K. Simmons, Sebastian Stan, and Mandy Moore.
Losing a leader so early kept fans on their toes, waiting for the ax to fall again. Sure enough, six episodes down the road, they knee-capped the audience with feels and sacrificed Charles Garnett to the greater good. Garnett proved to have the compassion necessary to lead the mission without sacrificing an ounce of bravery. He got them far, but not far enough. In the end, Garnett’s commitment to saving mankind was greater than his selfish desire to love again during the world’s demise. He took a bullet meant for Murphy, and for his generosity, Roberta gave Garnett mercy so he could find peace in death.
Bringing the fallen leader to life was Tom Everett Scott. Since waving goodbye to the Zs, he’s appeared on How to Get Away with Murder, Criminal Minds, Elementary, and most recently Scott appears on the breakout Netflix show 13 Reasons Why portraying Mr. Down. As Queen Elizabeth’s advisor William Cecil, Scott first appeared in the latter half of Reign‘s second season and made regular appearances throughout the third season. Scott was also a regular on MTV’s Scream: The TV Series. On the big screen, fans can find him in La La Land, Sister Cities,and The Last Word, as well as in the upcoming flicks Collusions, Diary of a Wimpy Kid: The Long Haul, and Danger One.
STARZ presents the Los Angeles premiere of ‘Ash Vs Evil Dead’ – Arrivals Featuring: Pisay Pao Where: Los Angeles, California, United States When: 29 Oct 2015 Credit: Charlie Steffens/WENN.com
Hope as I might, Cassandra didn’t last terribly long on the show, and the latter half of her time was spent enthralled to Murphy, therefore stripping her of pretty much everything which made her such a wonderful character. Someone had to be the example of how Murphy’s bite worked, she drew the short straw by nearly dying from an infection and found herself the recipient of one of Murphy’s rare altruistic moments. His bite saved her, yet doomed her to a mindless life. When her feral behavior became too much, when the group couldn’t control her without Murphy’s interference, 10k stepped in and gave Cassandra mercy.
Post Z Nation has been pretty chill for Pisay Pao. She’s traveled the country making appearances at conventions, meeting fans, and reuniting with the Operation Bitemark gang. When not on the road, she’s working and auditioning.
Doc Flew Over the Cuckoo’s Nest Review for Z Nation 306 By A. Zombie
All the usual violent diagnosis patients make an appearance in the supporting cast: Paranoid Delusion, Kleptomania, Dissociative Disorder, Obsessive Compulsive Disorder, etc. The patients are kept in line by Nurse Ratched, who’s just as cracked as the guy who thinks he’s Elvis. Doc finds himself in a bad spot until Ratched makes an offer he’d be idiotic to refuse—diagnose the patients properly and she’ll not only let him go, but he can help them. Doc’s keen insight, and actual expertise at psychoanalysis, get him out of the most immediate pickle rather easily. Things don’t continue as planned when Ratched introduces Doc to their newest, and wildest, patient.
While the Serenity Falls gang misjudged Doc, they totally got it right when they trussed up their newest patient and locked him in a padded room. 10k may not see Red and 5k anymore, but he’s madder than the Hatter without a clean cup. Coherency is a lost art once 10k opens his mouth. Doc is quick to cover for him, claiming the kid has Ten-Kay Fever and disavowing any knowledge of his new patient. At least one of them is in a position to help. For the most part, 10k is a barely animated potato sack. The vaccine in his system is wearing off. He struggles constantly with thoughts of Murphy loyalty and his need to free himself from control before warning Roberta.
Warning anyone may be a ways off. Ratched is convinced Doc will be their guiding light. However, she still thinks her methods are best when it comes to the more violent patients. Lobotomy is the word of the day. Bob, a depressed man with brain damage, is Ratched’s constant guinea pig for new techniques. There’s more holes in his brain than in a good sourdough loaf. He’s given a new lobotomy to prepare for 10k’s possible emergency surgery. 10k is not responding to treatment and something has to be done before the seizures kill him.
Like, oh, Ratched actually handing out medication instead of snacks during med time. Every single bottle of pills and vial of whatever is blocked by a hallway teeming with zombies. Never fear, Doc and Elvis are ready to take on the Shocker Zombies in Ward Z. Are they quick enough? 10k takes a turn for the worst while they’re grabbing the meds. Liddy, the paranoid patient, and Ratched wheel 10k into the surgical suite.
Bad luck, Doc. The man with OCD, Re-Pete as they call him, is in charge of unlocking the doors in order for Doc to escape incoming zombies and get to his buddy before the nurse turns him into a shambling meatsack like Bob. Winona, the kleptomaniac, ends up being a solid ally during these moments. Actually, she’d make a decent addition to the main team. Her thieving skills are beyond anything the gang’s got in their wheelhouse. But it’s Bob who gets the MVP award for the episode after disposing of Ratched in his gloriously stiff, Frankenstein’s Monster-esque way.
The remaining action in the episode is basically Doc wrangling cats. He wants desperately to save everyone from the zombies slowly ripping through the hasty barricades over the hospital’s exits. They all make it outside in one piece to find the sole vehicle left on the ground, a small bus. Winona wastes no time hot-wiring it after Doc finally turns everyone in the right direction.
Unfortunately, Doc and 10k aren’t on the bus when she drives away from the encroaching zombies. With his wobbly charge in tow, Doc makes a run for it. Where they’re going, no one knows. They’re getting close to Murphy, though. With 10k returned to the fold, though desperate to hide his zmurphed status, it shouldn’t be too hard to trap their prey. Right? Yeah, we all know they’ll foul this up, too. It’s just how the show rolls.
A New Mission Review for Z Nation 302 By A. Zombie
Ditching some of the played-out character story lines may be wise rolling into season three. They’ve brought in another surviving “super-power” with the Chinese. They number only two-hundred-thousand total, but they’ve at least got functional technology—sign me up for one of those laser-guided zombie grenades. Murphy and the unknown hacker did their parts to kill the communication network which would have eventually allowed the scattered American survivors to band together. What Dr. Sun Mei, Lt. Mong, and their people don’t have, and what their tech cannot give them, is a cure. Their mission is simple: Capture Murphy and fashion a cure from his blood. It’s the same thing tried by so many. There is no cure just sitting in his blood. But they’ll try to synthesize one anyway or die trying. Hope is a powerful tool.
Roberta isn’t the only one making new friends. Citizen Z is out of the blizzard, and into some strange woman’s bed. In what can only be described as a desperate attempt to get the resident geek character laid at last, we’re introduced to Kaya. She’s the one who dragged Citizen Z and Dog through the storm. She also shared body heat to keep the scrawny dude alive. Not to make it awkward while he’s wandering around naked, but her family lives with her; they don’t speak and have the personality of furniture. So, like before, Citizen Z’s story line is filler to toss the ridiculous jokes they couldn’t cram in Murphy or Doc’s dialog. But at least he speaks to more than a dog now.
We’re introduced to a new class of human—Enders. These lunatics want to kill and end everyone’s suffering, undead and alive alike. These Enders see an opportunity to get ahead in the world just a little after Dr. Sun orders her air support to drop her supplies. The delivery has everything, even a vehicle, whatever’s necessary to launch another Great Murphy Hunt. Catch is, that’s the last of their gear. If someone else claims it, the Chinese and anyone who’d benefit from Dr. Sun’s possible cure are good as dead.
The episode is a really drawn out race to the gear, with the main conflict lasting only a blink once everyone finally makes it to the warehouse where the supplies landed. Things progress predictably. The casualties are many, but only one person of any importance keels over.
The episode sets up the three new missions ruling the season’s plot. First mission: Roberta, Addy, Doc, Hector, and Dr. Sun will obtain enough of Murphy’s blood to make a working cure. Mission two: Murphy will take Dr. Sun’s equipment and create a way to spread his blended human/zombie genes in order to stop humanity from devolving, and the undead from devouring each other. Lastly, The Man and his Zona handlers have a mission of their own: Bring in Murphy and use him as their personal fountain of youth.
Why are you gnashing your teeth, readers? I covered everything important. Oh, 10k! Well, about him . . . .
Wonder if he’ll see the irony after a few days enthralled by the big blue guy. I also called this huge character change at the end of his first scene in the episode, though they held off exposing the bite mark until the very end. It shows Murphy has a soft spot for the kid, but also his ability to use anyone and everyone to see his will done.
You all ready for the Murphy World Order? It’s coming. He’s ruthless enough to see his plan through. With his hybrids at his back, not even The Man can touch him. Bring on our blue overlord.
A. Zombie Reviews . . . Dead Set Episodes 1 & 2 By A. Zombie
I’ll tell you right now, two episodes into Dead Set and I still have nothing emotionally invested in the show’s contestants. That’s not to say I haven’t found someone to root for during the end days—Kelly steals every scene she’s in, vastly improving what could have been five episodes of uninspiring reality stars wandering around until they were eaten.
I’d totally cheer if they were all eaten. I might even wave pompoms.
The show opens with a typical afternoon leading up to another eviction from the BB house, as dictated by fan votes. The household prepares, some touching up their nails, others banging out their nerves behind closed doors. In the production office, Kelly delivers an endless stream of coffee to the crew. The producer, Patrick, demonstrates what a skuzzball he really is while cutting together highlight reels for the event and barking orders at his frazzled staff. Nothing is amiss until we catch snippets from news reports—strange deaths, attacks on police, etc. The reports grow in severity, leading Patrick to worry his precious eviction episode will be preempted in favor of a news bulletin. God forbid.
Eventually, the chaos reaches the remote location for the BB house and production office. The first zombie to arrive is a company driver—injured and brought to the studio by a production assistant who was sent with him to fetch a guest for the show. From there, the infection spreads through the gathered BB fans. By the time the evicted housemate, Pippa, makes it to the interview room, most of the crowd has turned. It takes mere minutes for the undead to overrun the offices.
The housemates hear the screams and think Pippa is a smash hit with the crowd. They crack open a few bottles, a few drinks to celebrate surviving to see another eviction night.
Little do they know, they’re probably the only ones celebrating in the UK.
The real story isn’t the housemates or their skeezy producer. Kelly provides the heartbeat, and common sense, for the show. While her love life is a feature in the beginning, it’s a non-issue by the time the second episode rolls out. There are a few amazing solo scenes with Kelly doing whatever it takes to survive. It’s not until she takes refuge in the BB house with the remaining cast that we realize she’s the entire braintrust. Where they are keen to believe for as long as possible that the weird things going on are staged, she’s ready to beat anyone to death who so much as looks undead. She’s also the only one with a plan to get medical supplies when a housemate is bitten.
The zombies themselves are minimally made-up, background creatures relying on pale faces, a few wounds, and blood to convey the undead message. We see a few hero zombies with better makeup, mostly in the second episode. There’s great detail in the close-up gore shots, though they’re so shaky, it’s like a toddler was thrown into the fight scenes with a Go Pro strapped to their head. These are also some seriously fast undead. It raises the stakes drastically when the living cannot outrun the dead. Something missing from other shows relying on compelling characters to drive the plot. Who needs to relate to the characters? Just give us zombie action.
While I’m enjoying Kelly’s story, and it’s the only reason I’ll watch the three remaining episodes, this would be much more entertaining with a better-written cast behind her. Patrick is a toad, utterly disgusting and should’ve died in the initial murders. The housemates barely have a brain cell between them. It makes their scenes difficult to endure to get to the actual story. Hopefully with Kelly breaking the barrier between the BB production team and the housemates, it’ll make their scenes bearable.
Fear the walking Dead SDCC 2016 Coverage By R.C. Murphy
Taking the stage first in the two-hour Dead block in Hall H at San Diego Comic-Con, Fear the Walking Dead kicked off the festivities with the teaser for the latter half of season two.
For the most part, the trailer focus on Nick’s pilgrimage to Tijuana. He meets some kind people, some not so kind people, and even more people with a bizarre connection to the dead. It’s like he’s drawn to this stuff. Madison drags Alicia, Strand, and Ofelia around Mexico looking for Nick with no results. They wind up taking refuge in a hotel which randomly rains dead bodies. But it must be an okay place, Alicia stopped to shower. Travis and Chris’ bonding trip is off to a rocky start as son insists repeatedly that he can take care of himself against the undead or any obstacle in his way. There is a lot more close-quarters fighting with the infected on the way. Alicia does some slightly-very dangerous things to shake her undead assailants. We’ve also got more than just the gangs and weirdos in Tijuana to look out for, as well. Chris and Travis’ problems aren’t all internal for the remaining seven episodes.
Producer Gale Anne Hurd said, “We’re really going to see a lot of things you’ve never seen on television before.” Having seen the TWD trailer, that bar is pretty high. I don’t think FtWD can deliver on the spectacle coming from its sister show. However, if they can get even an ounce of the energy from that trailer to translate to each episode’s timing, I may consider watching it again.
The characters fans saw earlier in the season won’t be quite the same. Producer Dave Alpert said he’s enjoyed watching the characters turn into “battle-hardened warriors.” Kim Dickens echoed the sentiment, saying what Madison did in the mid-season finale revealed a new side to her. We’ll see a more extreme Madison from here on out, perhaps? Madison isn’t the only parent stepping to the plate. Cliff Curtis claimed Travis won’t be a sad-ass when the show returns, he’s prepared to become a, “bad ass dad.” Pretty much every actor spoke up to say their character would get a harder edge for the new episodes. Matter of fact, Mercedes Mason said she wants Ofelia to “pull a Carol” and become “a really violent butterfly.” Coleman Domingo had a different outlook for Strand. He considers Strand a symbol for Western civilization. As his character survives, he will continue to break down.
There was a new face on the panel. Danay Garcia will join the show for the remainder of season two as Luciano. She plays a part In Nick’s story line.
Will the new blood and a kick in the pants for the characters be enough to make it as interesting as the trailer promises? I sincerely hope so. There’s too much potential in that cast to continue to watch them flounder with a poorly-managed script. The danger becomes if splitting the group and the story leads to forgotten characters or story-telling shortcuts which defy what little logic these characters operate by currently. I know there’s not much sense in a guy who covers himself in zombie goo all the time, but you know what I mean. Fear the Walking Dead will continue its second season on August 21st at 9 PM on AMC.
Week three’s departed cast members were two of the hardest to deal with. The Greene family started out on rocky feet with the whole barn thing, but by the time Hershel and Beth met their demise, they’d become integral to the team’s survival.
I’ll be honest, Hershel’s death hit me the hardest of any since the show began. Combined with the genuine good guy Scott has proven to be over and over again during his convention appearances—where he’s often one of the last to leave because he strives to thank every volunteer—and it really felt like losing Hershel meant losing a weekly dose of Scott in our lives. Luckily, he’s not one to rest on his laurels. While still traveling for conventions, Scott has also filmed episodes for Bosch, and had a recurring role on A&E’s Damien. Currently, Scott is working on a Netflix original, The OA, slated to release later in the year.
When Daryl carried Beth Greene from the hospital, many, many hearts shattered. Beth was one of the last gentle souls, the one who stayed behind to care for the baby, the one to sing a song when the silence grew too heavy. Emily Kinney took on some vastly different roles after her time on TWD ended. On Arrow and The Flash, Emily was Brie Larvan, a pun-heavy villain with a fondness for bees. For her role on Showtime’s Masters of Sex, Emily stepped far away from the small-town country girl vibe she used as Beth. She also appeared in several episodes of Cinemax’s historical drama The Knick. Conviction is a new legal drama releasing Fall 2016 from ABC starring Hayley Atwell, Shawn Ashmore, and Emily Kinney. When Emily isn’t filming, she’s recording music—her album This is War dropped in late 2015—and performing, often at horror convictions where she also meets fans.
The Asylum stepped into some large footprints when they opted to take a zombie film and set it in a Jurassic Park situation. They went for broke, too, holding nothing back when it came to zombie gags, perfectly placed irony, and an attempt to tell a coherent story through most of the film. It really held in there until they’d killed off so many characters, the hero, Ellen, basically had to say, “Forget everyone, I’ll do it myself.” Which still fits the theme laid out in just about every dino-flick when women finally have enough dying and get things done. There’s the usual parallels—mocking the infamous t-rex chase with infected lions, one character ditching the others and running, children coping way better than adults about man-eating animals, etc.—which make the film tolerable. The plot is simple, characters are just deep enough to provide tension, and the sense of funny-wrong doesn’t miss the mark. While there are times where plot points are dragged out for too long, it’s not so bad it bogs down the 90-minute format.
The easiest way to get to know characters where all your effort on a film is spent figuring the logistics of zombie apes is to trap them in vehicles throughout the three acts to do info dumps. It isn’t ideal, but for films like this, it isn’t about the characters so much as putting characters in outlandish situations to see if stereotype personalities will make it out alive. This movie has an okay mix of decent characters and some which needed serious reconfiguring just so fans don’t spitefully throw a beer at the screen when they finally shut up and die. Even Ellen, who we are supposed to like in the end, has character traits which can just stop happening in everything always forevermore, especially her need to repeat how much she feels she’s failing a dead guy. Family obligation isn’t the only reason a wealthy woman would show remorse for So Many Dead People.
The other main characters are the zombie animals. As with all Asylum features, don’t place your bets on being blown away by the computer graphics. There’s a few great shots featuring the lead gorilla character, reaction shots for smaller zombie monkeys, but for the most part the undead characters are blurry and laughable. When the zombie giraffes stepped on screen, I gave up and laughed through the entire thing. It’d take Marvel-sized budgeting to fully render the amount of shots needed to make the zombies work. When it came to fight scenes, they made it even simpler. The actors clutched wadded faux fur for the small animal attacks, and batted away a hand puppet for the terrifying zombie giraffe scenes. The humans who are attacked get slightly better zombie treatment. My favorite gag involves the nesting instincts of a bald eagle. You’ll know when you see it.
Zoombies gets three gnawed cow hooves out of five. It’s a decent Saturday night drink-and-watch with friends.