Much like year’s past, Hall H at San Diego Comic-Con was jam-packed, trembling in anticipation of the walker horde scheduled to shamble in over the weekend. AMC brought in the big guns, including nearly the entire cast and full producing staff, to discuss the upcoming fifth season for “The Walking Dead.”
And like year’s past, the actors stayed mum while the producers dropped what few hints they could about what to expect while the highlight of the hour was the preview clip they’d prepared.
Before we look at the clip, we’ll go over what everyone said, starting with the producers.
Will Rick and company make it out of the train car at Terminus? Duh. Producers seemed somewhat annoyed that anyone would think they’d downgrade the show’s quality to shoot an entire season inside a small set.
Where are the characters mentally after the chaos in season four? Show-runner Scott Gimple said, “Once they lost the prison—once they lost Hershel—all bets were off. And I think they did find out that you can’t come back from the things that you’ve done. You have to live with them. But also, those things that you have done make you incredibly formidable.” He went on to add, “This season is going to define the characters.”
Any flashbacks planned? It’s safe to say, yes. They plan to show how Terminus and its occupants came to be.
Robert Kirkman admits the show has taken a turn from the comics with the Terminus story line. But throughout the upcoming season, they’ll bring in more content from the comic books and bring the show back on track with them.
Gale Anne Hurd and Greg Nicotero said the makeup effects and sets are getting bigger and better. The world will continue to expand. Nicotero teased two walker makeups on the big screen—one a regular walker who has decayed with the same sort of progress we’ve seen thus far, and the second the Water-Logged walker from a scene where the survivors encounter a flooded room full of undead.
On the cast portion of the panel, Andrew Lincoln said while it was great for Rick to be reined in by Hershel, it feels right now to have his gun back and boots on.
Steven Yeun thinks Glenn’s unwavering hope will see him through the trouble ahead of the crew.
In Lauren Cohan’s opinion, Maggie will never be the same. None of them will. Even if there was a cure for the walkers, there will still be bad guys.
Newcomer Michael Cudlitz, who was slightly dazed at the number of fans in Hall H, didn’t feel pressured to become an exact replica of Abraham from the comics. The cast welcomed him with open arms.
When asked about the two sides to Michonne—the killer and the woman still mourning her losses—Danai Gurira said she loves the challenges posed by both sides, and readily admits she was afraid of the physical demands from the role.
Jokingly, panel moderator Chris Hardwick handed Melissa McBride a bouquet of flowers. Which she proceeded to march down the table to pawn them off on someone else. The cast hid. Norman Reedus wasn’t quite quick enough. When asked about Carol’s story arc from season one through season four, Melissa said, “I think the great thing about Carol is she’s kinda prepared to do anything.”
Chad L. Coleman said, “If you don’t have the heart, you can’t have the hope,” in reference to the tense confrontation between Carol and Tyreese last season, adding that Tyreese never lost sight of Carol’s humanity and bravery.
Beth is alive. Somewhere. So says Emily Kinney.
Norman Reedus was convinced he’d die during his second episode on the show and never thought he’d see Daryl make it this far.
Surprise guest—and first-time SDCC attendee—Chandler Riggs surprised the crowd in Hall H by walking on stage with a huge tub of chocolate pudding. Having grown up on the show (he’s 15 now) he said it’s been an awesome experience with great mentors in his cast mates.
We’ll let the preview clip speak for itself.
Mark your calendars. “The Walking Dead” returns to AMC on October 12th at 9 PM.
Zombie Survival Crew’s Special Forces Unit is the place for the strongest, toughest and most experienced battle-ready warriors of our team. You won’t always find them on the front lines, but you can count on them to be there when the situation calls for expertise and precision, or even when some good old-fashioned butt kicking is needed.
This week we introduce you to our Special Forces Unit’s most versatile and multi-talented members. This man has worn many hats – actor, wrestler, philanthropist, comic book hero and so much more – ZSC brigadiers, salute Special Forces Unit member Brimstone.
A man of many talents, Brimstone started his career at an early age with children’s television series Sesame Street and Romper Room. The New York City native had a career in music performing with bands such as Image, Who’s Laughing Now, and Bugsy. However, his interests soon led him down another path. At the age of 21 he launched a career in wrestling, finding his spot in the ring among leaders in sport entertainment nationally, internationally, and across the independent circuit.
Before long, Brimstone discovered a new passion, and stormed the comic book scene with an arsenal of creativity and talent! As co-founder, President and CEO of Hound Comics, Inc Brimstone launched his comic book series Brimstone and The Borderhounds on October 31, 2010 at Borders Books and within months the series was a worldwide success.
Deep inside the Borderlands a seemingly endless well of creative merchandise was discovered
Borderhounds has a line of branded merchandise including Eastsport Backpacks – not too shabby for creating a Go-Bag, in case you were wondering – Troll Lord Games for Brimstone RPG’s, Demeter Fragrances (Cologne/Perfume), 3 Coconut Monkey (Vinyl/Plush Toys), Dragon Song Forge (Brimstone Swords), Serenity Custom Drums and… food.
Lots of food. Spicy, hot and sweet.
Brimstone has labels under CaJohn’s Fiery Foods and The Jerky Connection, (Brimstone’s jerky is a perfect addition to any go-bag for tasty on the road rations), ButterWinks Cookies for the sweet tooth and a multi-award winning line of gourmet hot sauces and spicy seasonings.… are you hungry yet? Check out Food Hound: Tidbits for more palate-pleasers!
When Brimstone is not watching over the Barren Wastelands, brewing up a new hot sauce flavor or developing yet another brilliant plot for worldwide domination, he can be found at various conventions and events across the United States. As proof that even the toughest of tough guys can also have a heart of gold, Brimstone also volunteers his time aiding numerous charities and causes, including: RADD (Rockers Actors and Athletes Against Driving Drunk), and Project Meridian Foundation.
You never know Brimstone might be cooking up next! Follow along on his Facebook Page and check out his website www.entrancetohell.com for news, updates and more.
If you’re just joining us for this series, please check out our previous Commander Monday reports!
Just when we thought we’d get to see the world outside Roarton, our hopes—like Kieren’s—were dashed. With the Vicar’s death, changes are afoot. None of them beneficial for the undead. Before we get into what happens in the episode, let’s have a quick rundown.
From BBC:
Kieren’s dreams of escape are left in tatters when Maxine imposes an Undead travel ban on Roarton, also introducing stringent measures for PDS Sufferers to pay back their debt to society. However, being thrust together with Simon on Maxine’s ‘Give Back’ scheme has its benefits. The two have a connection, and Kieren agrees to go to Simon’s Undead party that night, where Simon makes a surprising declaration.
Jem is troubled at school. A 19-year-old amongst 16-year-olds, she feels completely alienated, until she’s revealed to be an ex-HVF war hero. Jem’s reputation soars and she is befriended by the popular girls. However, when a PDS prank goes wrong, resulting in a terrifying rabid in the corridors, Jem is humiliated in front of her classmates. She gravitates to Gary, finding solace in a world she understands – hunting rabids in the woods. But it’s here that disaster strikes.
Kieren’s escape route is blocked. He’s denied what he considers a chance to start again in a city that may or may not allow him to be himself, unlike the small minds in Roarton. Given the fact that his father insisted to send him on his way with a French-themed breakfast—complete with awful “French” music, berets, French-pressed coffee, and French toast (the latter two Kieren can’t even enjoy)—the poor kid needs to get away. Instead he’s ordered back to town after being refused a train ticket. Amy, too even though she wasn’t trying to leave. She tagged along to convince Kieren to stay, acting on Simon’s orders. Most of what Amy has to say comes from the heart, though. Kieren is running away from his problems. He isn’t trying to fix anything. This trip isn’t so much about finding himself as putting distance between him and the painful emotions in Roarton—his parents’ failure to understand who he really is, the town’s small-minded anti-gay sentiment, and Rick’s second and final death. Try as he might to start over, Kieren’s problems start and end with his inability to accept himself. He’s hiding behind layers of makeup, lies, and evasion.
Amy said it best: “How many miles will you have to travel to be able to take it all off?”
What’s so special about the undead in Roarton? This underlying question has filtered through the first episodes for series two. The longer they pull out this question, it becomes more and more apparent that Kieren is the man of the hour. Everyone is focused on him, from Simon and his mission passed down from the Undead Prophet to Maxine and her hush-hush info search through the town records. Could Kieren be the first risen? What does that mean for the PDS community?
The government plans to use PDS sufferers as slave labor. They’ve concocted a scheme in which the undead “give back” to their communities after leaving rehab. If they’re good, their cases are reviewed after six months and their rights as a living person renewed. It sounds almost reasonable. Until you stop and really think about it. They’re making people who had no control over their return from the dead earn a place in society again as though they’re car thieves and drug addicts. We make criminals work community service hours in order to prove they can be trusted and let off the leash, so to speak. And there is no guarantee PDS people will actually regain their rights. The law is written to only promise their cases be reviewed, nothing more. It’s entirely possible that every PDS sufferer whose case is reviewed in six months is ordered to complete more “give back” hours. A reality Kieren is now considering after a talk with Simon.
Naughty Phillip, the newest council member in Roarton, has been visiting PDS prostitutes. But not necessarily for the obvious reason. He’s using them to replicate his fleeting relationship with Amy. Which I’m pretty sure was a just a one-night-stand. Someone is watching him. They know what he’s up to. The fall-out from his nightly visits will rattle the council again.
The major focus of the episode wasn’t so much Kieren and the other PDS trapped in town—who make the most of it by partying and getting high on lamb’s brains—but Jem’s continuing failure to seek treatment for her PTSD. She has a fleeting moment where everything seems okay. The kids at school find out she’s a HVF “hero” and the harassment turns into a form of worship. She’s bringing friends home to hang out. Going out to spend time with the girls. Sure, Jem still suffers hallucinations, but they’re easier to brush off. Until an idiot PDS kid gets his hands on Blue Oblivion and turns rabid at school. Of course everyone will think sending the hero in to kill the rabid undead is a good idea. They don’t understand what it was like for Jem—who was only fourteen during her first mission—during the rising. Of course she panics at the school. Fails to dispatch the “rotter”, which is a good thing because the drug does wear off. Something we hadn’t seen before. Instead of talking it out, getting help for her PTSD, Jem decides to arm up and resume patrolling for rotters. And kills an innocent PDS boy who had the biggest crush on her.
The next episode should be interesting. There’s a lot secrets in the air and given what Jem’s done, what Kieren is beginning to understand about the way his people are being treated, a whole world of chaos is about to fall on Roarton. Hang on to your hats.
Ideally, when plotting your escape routes it’s best to remain on the road. Venturing into the landscape is dangerous, full of unknown dangers from more than just the undead. In reality, you’ll need resources like flowing water, edible vegetation, and game animals who shy away from busy roads. Once away from the beaten path, it’s easy to get turned around and lose sight of your escape route. Relying on GPS during the apocalypse (or heck, even driving through Texas today) isn’t a good plan. We have no clue how long technology will continue to run post undead uprising. Now it the time to start honing your navigation skills. Below are some tips and tricks to keep you from relying on breadcrumbs to find your way.
Learn How to Read a Map
We’re all about being prepared, which means you should know well in advance what escape routes you plan to take.
Make sure you have a map, or numerous maps, in your go bag covering the locations you must travel through. Take a little time to study them. Find roads that take you near moving water sources so you can top up on fresh water and have a chance to bathe, catch fish, and gather edible vegetation growing nearby.
An easy map-reading guide:
Check the map key. It’ll tell you what various symbols mean. Important for navigating via landmarks or finding towns/cities large enough to safely resupply.
Learn how to gauge distance using the map scale. For 1:24,000 scale maps, one inch equals 2,000 feet. For 1:25,000 maps, 5 centimeters equals 1,250 meters. Most maps are drawn on grids to help facilitate calculations.
For the most part, maps are color coded the same: Black – man-made structures, roads, train tracks, pipelines, and property boundaries. Brown – topographic features such as contour lines. Green – Vegetation features, like forests. Blue – Rivers, lakes, streams, swamps, water reserves. Red: Main roads, highways, and sometimes tunnels or survey lines.
Use Major Landmarks
Once you’re on the road, keep going for as long as possible before making a pit stop, especially if the area you’re traveling through is mostly wilderness. It’s no good putting yourself in unnecessary danger for a drink of water when you’ve got a full supply in the car. But once supplies start running low or you can’t stand the body odor of your traveling companions, take a few vital steps before heading into the woods:
Find a spot in the road nearest to the body of water you seek.
Double check with your map to make sure the water source is a river, large stream, or lake. Swamps and the like are stagnant and chock-full of harmful bacteria that won’t boil out using emergency purification techniques.
Locate at least two major landmarks on the map, and then make visual confirmation from the point where you leave your car. This gives your brain something physical to work from while calculating which direction to walk on your return trip.
Note which direction the sun is moving.
Calculating Distance
Using the map scale, judge how far your trip will take you from the road. Keep hikes short. Not only will this reduce exposure to danger, but it’ll use less energy to take a 30 minute hike compared to a 2 hour hike. Less energy means fewer calories burned. It’ll make your food supplies last longer. Also be mindful of the time of day. Schedule your trip so you have ample time to return before dark. Improvised camping is dangerous. You don’t know what native beasts lurk in the woods. Without proper shelter, you could wake up cuddling a snake. Or not wake up at all in the belly of a desperate, hungry mountain lion.
Map and Compass Work
The easiest way to navigate new territory is with a map and compass to keep yourself oriented, even after scouting a few major landmarks. I won’t pretend to be an expert here. Heck, I get lost in the mall all the time. But that’s what the internet is for. Here’s a link to an excerpt from The Backpackers Field Manual by Rick Curtis that covers the basics of map and compass work.
Navigating without a compass
While we don’t advise leaving your compass at home once you’re on the run from the undead, accidents happen. Things get lost or broken in the shuffle. The dog ate your compass. Whatever. So on the off-chance you’re stuck without, here’s a couple simple ways to find north so you aren’t a lost babe in the woods, Hansel.
Never Eat Soggy Waffles. This is a mnemonic, a cheeky phrase used to memorize North, East, South, and West going clockwise. So once you’re facing North, East is to your right, South behind you, and West to your left.
Watch the sun: It rises in the East and sets to the West. If you don’t have time to watch the sun, there’s a quick-ish method to determine which way it’s moving:
Find a tall stick and set it in the ground.
Mark the top of the stick’s shadow with a rock (or whatever’s handy).
Wait 15 minutes.
Now mark the stick’s shadow with another rock.
Put your left foot near the first rock, your right near the second. Now you’re facing north.
Using the stars: This takes a little more work, depending on visibility and your location. In the Northern Hemisphere, there’s two ways to find the North Star (Polaris).
Big Dipper method: First, find the bugger. Then using the two stars forming the side of the ladle away from the handle, mentally draw a straight line until you hit a super bright star. That’s Polaris.
Little Dipper method: Polaris is the final star in the Little Dipper’s handle. Super easy to navigate by, if you can find it.
There you have it, a few tips to prevent you from getting lost in your quest to find food and water while on the run from zombies.
The final episode in the short first season of BBC’s “In the Flesh” is a doozy. Grab your Kleenex, a favorite stuffed animal, and something to muffle your sobs before you watch. I’ll wait . . . . Got yourself together? Then let’s get to it.
From BBC:
After visiting the supermarket where he used to hunt with Amy, Kieren remembers that Jem once spared his life. Together, brother and sister confront the demons in their pasts and visit Mr. and Mrs. Lancaster. Kieren feels momentarily better, but then has to say goodbye to Amy who is leaving Roarton in search of The Prophet. Will Kieren and Rick be able to find peace and acceptance as PDS sufferers in this highly-charged new world?
On the heels of the previous episode, we see Rick ditch Kieren in favor of driving back into town with his father, Bill. Of course, Bill takes advantage of this. Thinks he’s got his son firmly on his side when it comes to his position on PDS victims. The problem is, Bill still doesn’t see his son as one of the undead. As long as Rick keeps up appearances, he continues to treat Rick like he always has and Kieren is the devil. Sadly, that’s how Bill has always seen Kieren. Because he had the audacity to love Rick. Just like Bill can’t accept Kieren’s PDS, he also couldn’t tolerate the love Rick shared with the boy. Though never stated outright, Rick’s decision to go into the army was instigated by his father. As was the fact that Rick left without a word to Kieren, and none of ‘Ren’s letters reached his friend while he was in the service.
Where Bill failed to accept reality, Jem, Kieren, and their mother Sue have begun to adapt to the new reality. Sue attends a counseling group for parents of PDS victims, where she’s finally able to vocalize her anger over her son’s suicide. Once it’s out of her system, she can move onto the idea of a new start with him. Jem and Kieren make a pilgrimage to the house of his final victim on the heels of a flashback showing that Jem spared his life when he was rabid. She was the sole reason ‘Ren and Amy went into the rehab facility when the standing HVF orders in Roarton were to kill Rotters on sight. Somehow, through seeing the hope and pain Lisa’s parents deal with every day, the siblings are able to finally bond—their guilt is a better glue than all the yelling and fighting that’s gone on since he came home. Guilt gave them equal footing. A way to see the world from the same vantage point. Which is a good thing, because by the end of the episode, Kieren’s going to need as much support from his family as possible. But more on that later.
Say goodbye to Amy. Hopefully not for good, though. After a council mandate stating all PDS households be marked, one of the HVF members tasked with the job takes extreme offense to Amy’s acceptance of her new lifestyle. He attacks her, in her own bedroom, and forces her to put on the flesh-toned makeup all PDS victims are presented with when released from the rehab facility. It’s a stark reminder that, though seemingly free to do as she wishes, Amy has no one to protect her. She lives alone. There’s no family to step in on her behalf. If she stays in Roarton, either she denies her new identity and covers up, or the HVF put her down like a rabid Rotter. For them, there’s no distinction between a treated PDS victim and the rabid animals out in the woods. They’re so tied up in what the undead uprising means in relation to their faith, they can’t begin to see the truth—this is a second chance for many to do things right in their lives. Or have a life at all, in Amy’s case.
The last portion of the episode were difficult to watch. When Rick finally strips off the human disguise he’d hidden behind since returning home and refuses to kill Kieren, Bill snaps. We don’t know how bad it is until Rick’s truly dead body is found propped against the Walker family home. And of course Kieren is the one to find his best friend’s corpse. Back at the Macy house, Bill goes through a psychotic snap, forcing himself to forget Rick’s return as a PDS victim. To him, it’s been five years since he saw his son. But not really. He knows what he did. Bill can’t face his actions. Lies to his wife. It isn’t until Kieren confronts him about it that we see how far gone Bill truly is. He’s bought the Vicar’s bull. Fully believes this round of undead visitors is temporary—there will be a second rising, one where only those who deserve it will return to life as true humans, not PDS. Something snaps Bill out of it, blood on his hands from the fight with Kieren. Bill runs from the argument, from his wife’s mourning. Only to wind up with a chest full of lead, a gift from a man whose wife Bill shot down in the first episode.
Bill reaped what he sowed. Unfortunately, he took his son with him and almost took Kieren down as well. One good thing came from the tragedy—the Walker family finally pulled their heads out of the sand and talked openly and honestly about everything that’s happened since Kieren’s suicide. They’re in a better place emotionally. How long will peace last, though? There’s still the Vicar, who wields manipulation better than a surgeon with a scalpel. He won’t stand for PDS people being in Roarton.
We’ll revisit this quaint town soon with the first episode of season two. Maybe things will be better for the undead. One can only hope.
These little visits with the not-so-nice people of Roarton have become the highlight of my week. What are they up to in the second episode of BBC’s “In the Flesh”? Lies, lies, and—surprise—more lies.
From BBC:
Feeling trapped at home, Kieren escapes to his grave where he is reunited with his old hunting partner, Amy Dyer, who persuades him to take a dangerous day trip. After fleeing when he is spotted, Kieren discovers that Rick, his former best mate who died in Afghanistan, is back in town and is persuaded by Amy to go and see him at partisan local pub, The Legion. After an awkward reunion, Kieren finds himself on an HVF hunting mission in the woods, where the night patrol has reported live rabid zombies roaming free.
Which liar to tackle first? Might as well make that liars and point out the Swiss cheese logic fueling the Walker Family. Kieren is being treated like a mental case from the good ol’ days, back when the mentally disturbed were treated with ice baths, overdoses of opiates, and left to wallow in their filth until such time as they became mindless zombies, easily manipulated by doctors. Once they were free from the asylum, their families secreted them away. A dirty family secret best left locked in the cellar. Jem, despite still hating her brother for killing himself, knows the lies their parents feed Kieren are wrong and will only hurt him. She’s constantly talked over in this episode, and at some points walked out of the room before she says anything to undermine the fantasy Sue and Steve have created for their new way of existing. They’re living in a yacht on the Nile, so far removed from reality it’s going to bite them in the backside like a starving crocodile.
Which is exactly what happens when they leave Kieren alone in the house for the afternoon. He gets cabin fever and takes a walk. To a cemetery. Because all well-adjusted zombies like to take a stroll to their own grave. Except Kieren isn’t well-adjusted. He’s an emotionally traumatized and bullied teen who thought he’d finally ended his pain when he cut his wrists four years ago. Not only did he return, but was dumped right back into the same awful place which forced him to take his life. And this time there’s no way out. No friend to buffer him from the cruelest alpha-male jockstraps walking around Roarton. He’s an artist, or was before his death. Small town men don’t understand him. Small town women don’t trust him to be capable of providing for them. Aside from his seriously dysfunctional and lying family, he’s alone.
Enter Amy—who’s a few crumbs short of a cookie and doesn’t care. Really, she doesn’t. In a breath of fresh, possibly insane air, she swoops in and saves Kieren from being, well, himself. She points a shining mirror at his life. Questions everything he’s done since returning home. Amy even invades his home, spills a bunch of lie-abolishing truth about PDS people on his family’s dinner conversation, and makes him seriously think about his quality of life and the lies he’s allowed his parents to live in.
“They don’t like admitting that I’m—”
“What? The undead?”
“Yeah.”
“Shouldn’t they start getting used to it?”
“No.”
“Shouldn’t you start getting used to it?”
She’s also the only person who’s stopped and really talked to Kieren about his suicide. Not blame him and hate him like Jem, but try to understand why he did it. Show a little sympathy for the decision he made. And then point out how stupid he was to waste the life he’d been given, when she’d had no choice—dead from leukemia before ever truly living.
Every PDS person returning to normal life needs their own Amy. Rick Macy, son of HVF leader Bill Macy, could learn a lot from her. From the second he steps off the transport truck, he’s telling similar lies to the one’s the Walkers peddle with every single breath. Rick tries too hard to be normal, to make his father believe nothing’s changed—because Rick knows the second he acts like a zombie, his father won’t respect him. Zombies are not normal. They won’t make their father’s proud. They can’t continue the family name. What good is a dead person to a man like Bill Macy? So Rick lies. He commits self-harming actions, like drinking and eating even though PDS bodies cannot process anything they ingest and get violently ill. The one good thing Rick accomplishes amidst his lies and acts of normalcy is reclaiming his position as buffer in Kieren’s life. But does Kieren really need that buffer now that Amy made him stop and examine where his future could lead?
It’d appear she’s done some good. When Kieren and Rick help the HVF track down a pair of rabid Rotters in the woods, he steps in and uses sound reasoning to keep first Rick, then Bill and his cronies from slaughtering the zombies. Sure, Rick is now diminished in his father’s eyes—why would anyone listen to a pansy who slit his own wrists? But Kieren may have found a purpose to his second life. If he takes Rick down a similar path, they’ll be golden.
Can Rick and Kieren break the habits hanging on from their old lives to start something better or will Bill’s grip on their lives derail the positive influence of Amy’s presence? There’s one more episode in season one of “In the Flesh.” We’ll find out which way the guys go soon.
A review of “In the Flesh” season 1 episode 1
By A. Zombie
They’re trying something a little different in the ZSC command center this summer. This time around, my assignment is to tackle the BBC’s breakout hit “In the Flesh.” Let’s not waste any time getting into episode one.
From BBC:
Partially Deceased Syndrome sufferer Kieren Walker returns home to the cauldron of Roarton, but doesn’t receive a warm welcome from all. His parents, Steve and Sue, are undoubtedly pleased to see him, but his sister, Jem, isn’t so ready to pick up where they left off when Kieren died back in 2009. Meanwhile, the zombie-hating Human Volunteer Force, led by the violent Bill Macy, are ready to take action against any PDS sufferer reintegrated on their patch.
Right out of the gate, the show is visually impressive. Detailed, but not overly done effects makeup on the undead. Fully dressed sets. The cinematography adds movement to the first moments, which could’ve been a boring one-sided walkie-talkie conversation. But they killed it when viewers realize they’ve used an age-old trope—opening a show with an action-packed dream or flashback sequence. It’s been done to death. Even with them working it into the plot, explaining that the rehabilitated zombies will suffer side-effects such as flashbacks, it’s not a strong start story-wise.
Where they catch interest is in the way they handle a beaten-to-death zombie plotline. Yes, the zombies rose from the dead. Yes, for quite some time humans were forced to fight against ravenous hordes or die. But instead of seeking to wipe out the undead population, the humans found a way to reboot a zombie’s mind with Neurotripteline and make them mostly human again. The rehabilitated zombies are slowly reintroduced into society. Sure, they have to put on colored contacts and paint their pallid flesh to resemble the living, but it’s worth it to be at home again. Much to the delight of folks in backward small towns.
That was sarcasm.
In Roarton, we’re introduced to the main cast. Some of whom we’ll no doubt grow to like or at least tolerate, like Kieren’s family. Others we can only hope will find the toothy end of a rabid rotter—slang for an untreated zombie. Of the latter are Bill Macy and his pal Vicar Oddie. Bill runs the local zombie killing group, the HVF. In its heyday, the HVF were heroes. Always on the front line against the zombies. But since the rehabilitation program and the PDS Protection Act went into law, most cities disbanded their local HVF chapters. But not good ol’ Roarton. There’s little to no official government involvement in a town so small. The Parish Council rules all, and most of them side with the HVF. Vicar Oddie has his fingers in all the pies. He knows what buttons to push to send his wild dog—Bill Macy—off on the hunt. He uses Bill’s anger after his son’s death for his own gain. Why should these zombies be allowed to come back and live with them when Bill’s son, Rick, remained dead in Afghanistan? We’re shown a brutal example of Bill’s hate toward the end of the episode. What would he do if he knew Kieren were back in town and that one of his own HVF soldiers, Jem, was protecting a zombie? Pretty sure we’ll find out soon enough.
“In the Flesh” may have fresh-faced actors in the lead roles, resembling Warm Bodies, but where the film made light out of the zombie condition—curing it with the power of love—the show shines a blinding light on the hate that can manifest when normal people are faced with something they don’t comprehend. Jem calls her brother a demon when he returns home. She refuses to believe Kieren is actually back until he tells her something only he’d know. And even then, she still hates him because she cannot understand why he killed himself four years prior. Ignorance is the perfect breeding ground for turmoil, and there’s plenty of that in Roarton.
How long until the humans turn on each other? Hate can’t be contained to just one set of people, or not-quite-people in this case. Eventually tempers will get the better of everyone.
Attention dear readers, followers and brigadiers… Vincent Ward is among us. Time to RISE AND GRIND.
Vincent joined us in 2013 during his role as Oscar on AMC’s The Walking Dead. But long before he faced the shambling horde, it was clear that Vincent was a force to be reckoned with. This multi-talented actor, filmmaker, artist and writer has appeared in many television roles, films and live stage performances.
Hailing from Cleveland, Ohio, Vincent excelled in basketball, baseball and football from a young age but turned his attention to basketball in high school. Starting off as one of the best basketball players in Ohio isn’t too shabby at all if you ask us. Fate took an unexpected twist soon afterwards, and Vincent found himself pursuing another dream: dance. Joining forces with his childhood friend, Broderick Dumas, they formed “Night and Day” a.k.a. The Twin Towers, since they both stood at nearly 6 feet 5 inches. Day & Night signed with Dr. Ease and the Ease Town Posse, and they toured with Public Enemy MC Light, X-Clan, MC Hammer, Heavy D and The Boys among others. Vincent went back to school soon afterwards and attended South-Suburban College in Chicago, Illinois under a basketball scholarship, shortly before returning to Dayton, Ohio.
And then it happened. Vincent attended a play in Dayton and the acting bug bit him hard.
With no training or experience, Vincent jumped onto the stage and auditioned. He was almost immediately cast with a touring company out of Columbus, Ohio and appeared in many productions including Black Man Rising, The Ones Who Shoot the Guns, Young Black Men are Dying and No One Seems to Care. In addition to the ever-growing list of theater performances, Vincent’s very impressive body of work includes television and film roles. We’ve spotted him in Ocean’s Eleven, caught him in several episodes of Everybody Hates Chris and The Starter Wife, House of Payne, True Blood, and of course most recently in AMC’s The Walking Dead as the courageous, dependable yet frustratingly short-lived Oscar.
Vincent is no stranger to hard work, and having already stood alongside him at several conventions we’re ecstatic to call him one of our own and have no doubts that when the dead start walking, he’ll be standing strong on the front lines with us.
Actually, the title is slightly misleading. Some of your ZSC commanders are always on the road. Traveling from city to city to touch base with brigadiers not only across the United States, but world-wide at numerous conventions. This time around, four of us are converging on Phoenix, Arizona for Phoenix Comicon. The event begins on Thursday, June 5th at 4:00 PM inside the Phoenix Convention Center.
Yellow Brigade commander Jinxie G and Orange Brigade commander R.C. Murphy will be in attendance Thursday through Sunday for the event. You can find them at booth 793 throughout the weekend (coffee runs are one of a few exceptions to this). Red Brigade commander Juliette Terzieff and Special Forces Commander Michael Rooker plan to roll into Phoenix for Sunday only. Keep an eye out for them. Shouldn’t be too hard to find those two, right?
This is a huge event, and a first-time trip for some of us. If you plan to attend, make sure to come find us. Even if it’s to say hi. Mostly, we want to make sure everyone survives the insanity sure to follow once the convention doors open. Kinda like when someone opened a certain barn we all remember from that one show. You know, the one with the staggering, rotting folks on it. Catch our drift?
Madison is most well-known in the ZSC community for her part in the now infamous and soul-wrenching barn sceneduring the second season of AMC’s The Walking Dead. Although the sweetly freckled face of young Sophia Pelletier is instantly recognizable to TWD fans worldwide, Madison has grown up right before our eyes into a beautiful and talented young woman. We’re proud to count her as one of our own.
With a smile that could melt even the hardest of hearts, Madison Lintz hails from an acting family (check out The Lintz Kids!) and is no stranger to the hard work that comes with the life. Even so, she has a seemingly inexhaustible supply of energy. Madison was first spotted at the tender age of six in a nationwide television spot for Golden Corral, and in February of 2011 she appeared in the television special It’s Supernatural before stepping up to audition for The Walking Dead. Soon afterwards, she appeared as young Ana in the film After and the television series Nashville. Madison also appeared in the film Parental Guidance and the indie film project Newborne County.
Madison will be making several convention appearances this year, including the upcoming Walker Stalker events in Boston and Atlanta.
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Kieren’s escape route is blocked. He’s denied what he considers a chance to start again in a city that may or may not allow him to be himself, unlike the small minds in Roarton. Given the fact that his father insisted to send him on his way with a French-themed breakfast—complete with awful “French” music, berets, French-pressed coffee, and French toast (the latter two Kieren can’t even enjoy)—the poor kid needs to get away. Instead he’s ordered back to town after being refused a train ticket. Amy, too even though she wasn’t trying to leave. She tagged along to convince Kieren to stay, acting on Simon’s orders. Most of what Amy has to say comes from the heart, though. Kieren is running away from his problems. He isn’t trying to fix anything. This trip isn’t so much about finding himself as putting distance between him and the painful emotions in Roarton—his parents’ failure to understand who he really is, the town’s small-minded anti-gay sentiment, and Rick’s second and final death. Try as he might to start over, Kieren’s problems start and end with his inability to accept himself. He’s hiding behind layers of makeup, lies, and evasion.
The government plans to use PDS sufferers as slave labor. They’ve concocted a scheme in which the undead “give back” to their communities after leaving rehab. If they’re good, their cases are reviewed after six months and their rights as a living person renewed. It sounds almost reasonable. Until you stop and really think about it. They’re making people who had no control over their return from the dead earn a place in society again as though they’re car thieves and drug addicts. We make criminals work community service hours in order to prove they can be trusted and let off the leash, so to speak. And there is no guarantee PDS people will actually regain their rights. The law is written to only promise their cases be reviewed, nothing more. It’s entirely possible that every PDS sufferer whose case is reviewed in six months is ordered to complete more “give back” hours. A reality Kieren is now considering after a talk with Simon.
Naughty Phillip, the newest council member in Roarton, has been visiting PDS prostitutes. But not necessarily for the obvious reason. He’s using them to replicate his fleeting relationship with Amy. Which I’m pretty sure was a just a one-night-stand. Someone is watching him. They know what he’s up to. The fall-out from his nightly visits will rattle the council again.
The major focus of the episode wasn’t so much Kieren and the other PDS trapped in town—who make the most of it by partying and getting high on lamb’s brains—but Jem’s continuing failure to seek treatment for her PTSD. She has a fleeting moment where everything seems okay. The kids at school find out she’s a HVF “hero” and the harassment turns into a form of worship. She’s bringing friends home to hang out. Going out to spend time with the girls. Sure, Jem still suffers hallucinations, but they’re easier to brush off. Until an idiot PDS kid gets his hands on Blue Oblivion and turns rabid at school. Of course everyone will think sending the hero in to kill the rabid undead is a good idea. They don’t understand what it was like for Jem—who was only fourteen during her first mission—during the rising. Of course she panics at the school. Fails to dispatch the “rotter”, which is a good thing because the drug does wear off. Something we hadn’t seen before. Instead of talking it out, getting help for her PTSD, Jem decides to arm up and resume patrolling for rotters. And kills an innocent PDS boy who had the biggest crush on her.
On the heels of the previous episode, we see Rick ditch Kieren in favor of driving back into town with his father, Bill. Of course, Bill takes advantage of this. Thinks he’s got his son firmly on his side when it comes to his position on PDS victims. The problem is, Bill still doesn’t see his son as one of the undead. As long as Rick keeps up appearances, he continues to treat Rick like he always has and Kieren is the devil. Sadly, that’s how Bill has always seen Kieren. Because he had the audacity to love Rick. Just like Bill can’t accept Kieren’s PDS, he also couldn’t tolerate the love Rick shared with the boy. Though never stated outright, Rick’s decision to go into the army was instigated by his father. As was the fact that Rick left without a word to Kieren, and none of ‘Ren’s letters reached his friend while he was in the service.
Say goodbye to Amy. Hopefully not for good, though. After a council mandate stating all PDS households be marked, one of the HVF members tasked with the job takes extreme offense to Amy’s acceptance of her new lifestyle. He attacks her, in her own bedroom, and forces her to put on the flesh-toned makeup all PDS victims are presented with when released from the rehab facility. It’s a stark reminder that, though seemingly free to do as she wishes, Amy has no one to protect her. She lives alone. There’s no family to step in on her behalf. If she stays in Roarton, either she denies her new identity and covers up, or the HVF put her down like a rabid Rotter. For them, there’s no distinction between a treated PDS victim and the rabid animals out in the woods. They’re so tied up in what the undead uprising means in relation to their faith, they can’t begin to see the truth—this is a second chance for many to do things right in their lives. Or have a life at all, in Amy’s case.
Right out of the gate, the show is visually impressive. Detailed, but not overly done effects makeup on the undead. Fully dressed sets. The cinematography adds movement to the first moments, which could’ve been a boring one-sided walkie-talkie conversation. But they killed it when viewers realize they’ve used an age-old trope—opening a show with an action-packed dream or flashback sequence. It’s been done to death. Even with them working it into the plot, explaining that the rehabilitated zombies will suffer side-effects such as flashbacks, it’s not a strong start story-wise.
In Roarton, we’re introduced to the main cast. Some of whom we’ll no doubt grow to like or at least tolerate, like Kieren’s family. Others we can only hope will find the toothy end of a rabid rotter—slang for an untreated zombie. Of the latter are Bill Macy and his pal Vicar Oddie. Bill runs the local zombie killing group, the HVF. In its heyday, the HVF were heroes. Always on the front line against the zombies. But since the rehabilitation program and the PDS Protection Act went into law, most cities disbanded their local HVF chapters. But not good ol’ Roarton. There’s little to no official government involvement in a town so small. The Parish Council rules all, and most of them side with the HVF. Vicar Oddie has his fingers in all the pies. He knows what buttons to push to send his wild dog—Bill Macy—off on the hunt. He uses Bill’s anger after his son’s death for his own gain. Why should these zombies be allowed to come back and live with them when Bill’s son, Rick, remained dead in Afghanistan? We’re shown a brutal example of Bill’s hate toward the end of the episode. What would he do if he knew Kieren were back in town and that one of his own HVF soldiers, Jem, was protecting a zombie? Pretty sure we’ll find out soon enough.
