Reviving that which is Not Dead Yet
Call me crazy, but it’s generally accepted that in order for any popular franchise to deserve a reboot, it has to sit in obscurity for at least half a decade, waiting for someone with enough money, insanity, and fan-love to revive something which touched so many other fans.
Reviving that which is Not Dead Yet
by R.C. Murphy
One does not simply march into Cannes four months after dropping what was billed as the final film in a franchise and announce a new six-film deal to revive it.
But that’s exactly what Martin Moszkowicz, chairman of the board for Constantin Film, did during the international film festival. With absolutely no plan under their belt, the production company, which already owns film rights to Resident Evil, announced hopes for a six-film arc in an upcoming reboot. Variety scooped the original interview, but couldn’t get any juicy details from the chairman during their chat. Probably because no one was ready for him to jump out and announce something this big so soon.
Days after Moszkowicz’s Variety interview, Deadline dug up more dirt on this poorly-timed revival. According to them, the first film installment will be directed by James Wan (Saw, Aquaman). Wan made a name for himself in the horror industry, delivering films which on the page could become utterly ridiculous, but often end up being at the very least fun thrill-rides for the audience. I’ll never forget the night I sat to watch Dead Silence as a joke and wound up sleeping with the lights on. His work on Saw set the tone for virtually every scary flick released after 2004. It’s almost natural for anyone working in the genre to court Wan, and I don’t blame the RE team for wanting someone solid to lead the charge.
The wildcard in Constantin Film’s plan is the writer slated to bring a new voice to the franchise which earned $1.2 billion in its lifetime. Greg Russo is currently working with Wan on the upcoming Mortal Kombat revival. And that’s about it for his film writing career from what I managed to find. As a RE fan, that’s cause to raise a brow. A seemingly untested writer is handed one of the largest horror franchises with no notice and no plan from the production company besides grabbing Wan and apparently whoever he’s currently tied to professionally. A few articles said the MK script wasn’t half bad. But Constantin Film still demands massive faith from fans if they expect us to forgive rushing the original franchise into its grave, then they hand the lot to someone we’ve never heard of except that he’s working with a well-known horror director.
Wan’s name alone won’t make Resident Evil live again. Constantin Film hung the future for the reboot onto Russo’s ability to capture the magic which made the games so popular and drove the film franchise into horror history. It’s almost too much pressure to put on one person. Like someone simply walked up on Monday and said, “Here, we just told the public this is the last movie, but we’re going to have you rewrite the entire thing from the start. Don’t muck it up.” As a writer, I’d run far from that offer.
Keep in mind, there is no actual script yet. Everything has been announced, but all parties are currently focused on other productions. It’s entirely possibly Constantin Film will never get the Resident Evil reboot off the ground, or they’ll change the main production team before filming begins. These folks want to talk a big game in order to remain relevant, or simply to keep the film rights. There’s no planning behind this announcement; it’s giving me little faith in what’s to come.
Jovovich, the face of the film franchise since its inception, delivered this parting shot for the new Resident Evil team during an interview with ComicBook.com. “I would suggest that you find people that have that same passion for the property before you talk about reboots. I think if you get into this kind of genre, people are very sensitive to fakes. There’s some real fans in the sci-fi/action/horror world, and they’re not idiots. They can smell when something is done because people love it and when something is done just to monetize an opportunity.”
If you were given the monumental task of writing the first Resident Evil reboot film, what changes would you make to the universe, or do you prefer the tale laid out by the original series? Personally, I dig the idea of a reboot because they never did reach the universe’s full potential. However, the timing makes this news like dancing in the cooling ashes of a funeral pyre. It’s the ultimate case of, “Too soon, bro.”