Doc’s Stoned History: Review for Z Nation 507 by A. Zombie
Watch your backs. There’s spoilers around the corner.
Things in Newmerica spin out of control faster than George and her new support team anticipate. In order to save the budding country, the team must split up. George hitches a ride with Doc back to Altura for Dante’s trial. Roberta leads 10k, Murphy, and Addy on a new side mission: locate the bizkit factory on the outreaches of known civilization. It all sounds simple enough, but each team hits several unexpected speed bumps in their plan, threatening to leave the remaining Talkers to suffer a slow re-death.
If everyone had a history teacher like Doc, well, more people would have at least a vague clue as to how much our founding fathers let us, and themselves, down by failing to build certain assurances into the Bill of Rights from the get-go. But they’d be totally flummoxed about the actual timeline of events in the USA’s early history. This impromptu history lesson—and a surprise visit from Skeezy and Sketchy—comes to us thanks to a minor accident with a zombie, a sprained ankle, and Doc’s preferred method of medicating. A lot of it. The man has a never-ending supply. Forget Mary Poppins’ carpet bag, we need to understand the science behind Doc’s pocket stash. For, you know, medical reasons. What? It’s not like anyone’s making pills anymore and they need something to manage pain. Interspersed around Doc’s baked ideas on the formation of the United States are a lot of deep concepts about what, exactly, makes us human and why expanding that idea now before it’s too late—like the founding fathers did—may just be the thing to keep the world from devolving in yet another civil war.
But what happens when the opposing side is still ten steps ahead of you? Sometimes good intentions and hard work aren’t enough to win a battle, or even a minor skirmish. This is one of those times. Despite doing everything the right way, down to preparing a legal battle in order to save Dante, it doesn’t stop the worst from happening. Dante isn’t getting a trial. He’s already been found guilty by the Talkers behind the mayhem. They follow through with his death sentence in a brutal way . . . by making George be the one to give him mercy. So much for doing things the legal way.
Making a bizkit run isn’t as easy as rolling into town, bartering for a couple boxes, and heading back to Limbo. That anyone is daring enough to mass produce anything in the apocalypse is a surprise, but it’s the people behind the life-saving treats who are far more unexpected. Now’s about the time one remembers that the gang is in Canada, and thankfully some of the oh-so-friendly locals are behind the bizkit enterprise. Well, they will be a lot friendlier once everyone stops shooting at each other and the Talker members of the family get a little snack. I’m not sure anyone can be prepared for that twist once Mum shifts from ravenous zombie to Talker. Sure gave me whiplash.
Unfortunately, reviving Mum isn’t enough to restore the full manufacturing power of the bizkit factory. The specialty flour they switched to after brains grew scarce stopped coming in, but there’s just enough regular flour and brains lying around to whip up a batch to keep Limbo peaceful. Or at least as peaceful as any place owned and run by Murphy can be. The brain-fetching sequences might be a little too much for squeamish viewers, or mouth-watering for the undead audience. To each their own, right?
The gang has a new, new side mission. Their next stop is Heartland, where someone makes, or made, the enriched bizkit flour. They’re going far off the path to establishing Newmerica in order to provide for everyone. Hopefully people remember this when it comes time to vote again. If they can vote again.
Killing All the Books: Review for Z Nation 505 by A. Zombie
Warning: This review contains episode spoilers.
Explosions stalk Roberta and the gang from settlement to settlement, leaving behind countless casualties. All those new Talker mouths to feed deplete the already meager supplies. The rescue efforts morph drastically from reviving the newly dead to making hard decisions about whether or not it’s more humane to put the new Talkers down before they go rabid. George is not ready for this side of leadership and has a few full blow meltdowns. Then again, who really is ready to look the people they’ve promised to protect in the eye moments before ending their life for good? If not for Roberta’s guidance, George may have faltered too long, allowing a full-blown outbreak to happen within Pacifica’s fences.
It’s not like they’re not already dealing with a zombie horde. Like the other bombing, zombies somehow find their way through the fence after the initial explosion. Later, Doc discovers that the zombies are actually the cause of the explosions, not simply drawn through a sabotaged fence by the loud noises. The zombombs are brilliant, really. There’s no telling where the dead will wander, so it’s a recipe for maximum chaos. Unfortunately, that means when a stray zombomb wanders into the library, Doc is forced to try to disarm it somehow.
Doc has to work fast. Not everyone has been evacuated from the library just yet. While others triage wounded and dying outside, he, Citizen Z and Kaya scour the building. The young couple look for JZ and Nana—who are safely hunkered down in a closet in typical Nana style, so no worries. Doc tracks the wayward Z after getting a little information about the possible bombers from a new Talker. Everyone’s paths cross just in time for a group effort to lead the zombomb into an elevator shaft.
When everyone is safely outside, Altura finally shows up to help. But they’re only helping the humans. And they didn’t bring any bizkits for the newly turned. In order to not be in the dark about Altura’s plans anymore, Roberta sends Citizen Z, Kaya, and their family with the other humans to be her eyes on the inside. With nothing else to do, Pacifica’s remaining citizens take on the arduous task of reorganizing the murdered books.
If they’re going to stop the bombings, Roberta and George need to find Dante and get his story. With Doc by their side, they strike out into the world, once again looking for the missing Talker. Or any answers about the bombings and zombie attacks at all. They’re working with less than nothing since each time they settle into a new base of operations, it’s blown up.
Back in Altura, 10k still isn’t coping with the loss of his hand well. Shooting practice leaves him even more certain he’ll never recover his skills with a gun. The crude hook hand isn’t comfortable and is hard to operate. Instead of continuing to take his frustrations out on Red, 10k goes for a walk. During his walk he encounters Altura henchmen corralling a zombie in a warehouse filled to the rafters with the undead. And then he’s accidentally locked in a van with them. Guess that hook came in handy afterall.
The Obliged: Review for The Walking Dead 904 by R.C. Murphy
Watch out, there’s a horde ahead! A horde of episode spoilers, that is.
Sometimes a dream just isn’t obtainable. Could be because said dream cannot be done with the means at hand. Other times Nature puts Her foot down and reminds one of their place in the world. In the case of Rick’s precious bridge, both forces wind up closing down construction. First, over half of the workforce walks out. Then the former Saviors rob the Kingdom and there’s a firefight with numerous casualties. All that bad news comes after the biggest blow of all—the newly risen river will wash away the bridge supports long before the remaining laborers can finish repairs. Everyone from the camp has a near-death, or actual death, experience during this doomed build. Sometimes escaping one near-death situation leads one right into the path of another, though.
And sometimes that path is cut by the people whom you trust the most.
This particular trip started back when Maggie made it clear that Negan’s survival was the final nail in the coffin of her open cooperation with Alexandria, particularly their leader, Rick. She’s had nearly two years since then to subvert certain fail-safe systems put in place to keep her activities in check. Her most important weapon being Rick’s good pal Daryl. Maggie’s second most important weapon is her rage. It keeps her focused on her mission, despite Jesus’ best efforts. While Maggie rides toward Alexandria, Rick is led astray by Daryl. Their inevitable physical encounter over Negan’s fate isn’t all that satisfying when it’s cut short by the pair falling into a pit. While it’s not his original plan, Daryl still gets the job done, delaying Rick long enough for Maggie to get to Alexandria.
The price for Maggie’s “justice” comes at the episode’s end, when shortly after scrambling from the pit, Rick opts to lead the walkers away from the main road on horseback instead of cutting off Maggie’s mission. At a crossroads with heavy debris, Rick accidentally leads one horde into another, spooking his horse. Our hero is impaled, and we’re left to wonder if this is finally it for Rick. We know he’s leaving, just not how he’s leaving. The production team has said it’s not death, but things aren’t looking too promising for Rick’s continued survival at this point.
What does Maggie hope to get out of her scheme? Will she even follow through? Guess we’ll have to wait and see.
Then there’s Michonne, who is barely hanging in there by the skin of her teeth. While the bridge crew works, she remains in Alexandria to make sure everything runs as it should. Unfortunately, not even the mental drain from being everyone’s stern voice of reason is enough to exhaust Michonne, allowing her a good night’s rest. To blow off steam, she does what any woman would do; she decapitates zombies in the middle of the night. One of her daytime chores puts her in charge of forcing Negan to eat during his hunger strike. They make a deal. All she has to do is chat with a lonely man for a little while. Negan digs his mental hooks deep during the conversation. The theme for Michonne’s story arc in this episode is how her life is so similar to Negan’s. There’s even a moment early in the episode where after finding a lynched zombie, Michonne’s attacked and forced to use a baseball bat to defend herself. The hunger strike ends when she admits they have similarities, however her outlook on the future is far, far better than his. We glimpse where Negan’s head is really at during the end of their second conversation when Michonne reveals that Lucille is still in the field where the final battle took place.
In the junkyard, Gabriel does his best to make what are surely his final moments with Anne as pleasant as possible. If one ignores the fact that she’s about to turn him into a walker as payment for transportation on some creepy sounding guy’s helicopter. The lord must have blessed that man’s tongue. All Gabriel’s talk about forgiveness gets to Anne. Instead of turning him, she knocks him out and runs. The only trace of her left behind is a note pinned into Gabriel’s coat.
Looks like we’re saying goodbye to quite a few characters. Either that or this universe is about to expand again.
Escape from Altura: Review for Z Nation 503 by A. Zombie
Before you jump into the chaos, just be aware there’s episode spoilers below.
Our harbingers of doom have done it yet again. The moment they mosey into a functioning slice of civilization, it eventually implodes around them. Yet in this case, they’re not the actual cause; they’re just in the wrong place at the wrong time. The bombing, the tensions in the camp, they were already in motion when Doc, 10k, and Sarge arrived. Someone else intentionally sabotaged Altura’s safety net and subsequently the vote to bring all humans, alive or undead, together as a nation again. That someone must have known true equality was coming and cut it off at the pass the hard way.
Getting to the root of who planted the bomb has to take a backseat for a while. Fallout from the bombing leaves a drastic shift in the living/dead ratio. Massive trauma compounded with awakening hungers makes the new Talkers rise ravenous. And who’s there calmly talking the freshly turned down from the ledge like a pro? George handles everyone with genuine concern in her eyes, diffusing the first of many problems to arise after the bomb with hardly a tremble in her voice. Citizen Z and the others help as much as they can given the bizkit shortage and their own superficial injuries. What else can they do? Not much, but Citizen Z does provide possible footage of the bomber . . . only it’s confiscated by Estes before they rewind to the right moment.
I’m going to tip-toe out on the ledge and guess that Estes is a Talker. All of the bombing and blaming Dante is a ploy to keep humans separate from the undead so at some point it’ll be easier to create a zombie-driven society with enslaved humans. The only reason to segregate is to eventually use ones power over the others; since humans are mortal and therefore seen as inferior by some Talkers, they embrace the idea that natural progression put them at the top of the food chain, so they should be the only leaders. It makes sense if one realizes Estes’ entourage are all undead. Yes, he does lock up Altura’s Talkers, but the everyday person in the colony is poor, a person of color, etc. Only the “useful” or rich Talkers are allowed freedom. This whole plot is white nationalism painted with zombie colors.
With Altura compromised and Dante on the run from Estes, the gang takes their leave from their new home. Again. Unfortunately, not everyone makes it out the fence before the starved Talkers turn. It was only a matter of time before our next hard goodbye, and that time has come. During the final push to make it through the damaged fence, 10k, Red, and Sarge are cornered. There’s too many for them to fight and nowhere to run. 10k is bit, but before the zombies drag him down, Red cuts off his injured hand and Sarge charges in to knock the undead back. This is not like any of her fights before. There’s no escape. Sarge goes out on her own terms, though, using a grenade to clear the horde so the others can survive.
On the road to the most likely refuge for Dante, Roberta and the others find evidence of a larger plot in the form of tortured, burned Talkers bound and left for dead. Also on the road is a lone Murphy, who ran when lockdown was called. I shouldn’t say alone, he has a follower. A helpful follower, at that. The blend army still lives! In a much, much smaller form. But they seem to be well organized and overjoyed to have their leader back. At least someone’s day wasn’t completely awful from dawn to dusk. Maybe they can even help the gang with their newfound Estes problem.
A New Beginning: Review for The Walking Dead 901 by R.C. Murphy
You know the drill. There’s a ton of spoilers in this review, so proceed accordingly.
Despite the show being back on the air during its normal time frame, it feels like we were away from Rick and the gang for way too long. Or maybe it’s just that 2018 feels like 10 years packed in a single year’s box, held together with cheap packing tape. The Walking Dead gives fans a good way to vanish from the real world for a little while, as it always has. But did the production team manage to grab the waning attention of fans burnt out by the exhausting All Out War story line?
I’m honestly not sure this premiere is strong enough on its own to do that, and it’s a little worrying considering what all we know for sure is coming down the pipeline as far as actor departures from the show.
The bulk of this episode deals with an idea the producers introduced at SDCC this summer: Reclaiming old technology in order to ensure a future for their communities. In the opening montage, it’s clear that Sanctuary’s corn crop failed. The factory’s dirt is sour. All they can do with the produce is turn it into biofuel, and the yield isn’t nearly enough to keep everyone driving out to source supplies to fully replenish Negan’s former home sweet home nearly 2 years after the war ended. To speed up the process of healing the ground, they need a better, faster way to plow. There’s also a few other things they need, so everyone’s off to Washington D.C. to raid the Smithsonian. Makes perfect sense. How many scouting teams would’ve had the time or energy to take things like covered wagons before now? Aside from some minor walker damage, everything in the museum is intact.
The plan to get it all out, not so much.
This episode, like so many before it, is plagued with basic logic errors so great, one cannot help but yell at the television. There’s a vast difference in writing a tense scene in which a beloved character has a close call, and writing a series of foolish calls that are obviously wrong while still (still!) presenting the person giving the orders as the best possible leader for these people. This problem continues into the next set of problems while getting their loot home. How on earth did they create this relay network, yet when it comes to actually planning and executing what should be a moderately easy mission, they do things like fail to make sure all the bridges are secure? The latter oversight cost Ken his life. Always know your exits. It’s a basic lesson all women, police, and military learn.
Perhaps it’s because of all the bad calls that the power struggle is more pronounced this season. The first problem comes from everyone’s need to put an outside in charge of Sanctuary to keep the dissidents in line. Daryl wants out. Being in the building triggers his PTSD, but he stops just shy of admitting as much to Rick. Carol, however, hears and understands why Daryl needs to get away from there. Not sure she’s going to have much better luck, not with guys like Justin lurking on the fringes with his passive aggressive quips, and the constant reminders that someone in the community actively wants Negan back. The second problem comes to light curtesy of the unchecked, crumbling bridge. Turns out Hilltop has it good. Really good. They’re flush with people, produce, and ideas. And for this entire time, they’ve been loaning out supplies right and left to keep everyone afloat. Yet everyone defers to Rick. He gets the praise. Maggie, in a moment I wish to frame and mount on a wall, point-blank tells Rick that the power dynamic will change because she knows her worth, and that of the people under her care. Rick, to his credit, acknowledges it and doesn’t seem all that torn up to have a little pushback. The third problem is proof that Maggie needs the spine of steel we saw in her conversation with Rick because someone’s out for her head. I’ll give you one guess who it is. Gregory was never going to let the election results stand, and Maggie should have known he’d take a funeral as a chance to plot against her. In another show of power, Maggie hangs Gregory in the middle of town using one of the most painful methods ever. It’d take a brave fool to go toe to toe with her anytime soon.
A quick note to wrap up . . . . Can we have a spin-off romantic comedy with Carol and Ezekiel? Seriously, all I want is to see these two happily joking with each other until the end of time. No cameos. No walkers. Just a blissful couple in an empty world being adorable. It’s been a rough year. We deserve this one nice thing.
Well, Syfy did it again. They withheld information about the starting date for Z Nation until a month before the premiere. Which is a tad annoying, given how supportive the fanbase has been since day one. You’d think they would be eager to share the good news with us, like in the past when the schedule was usually sorted around July. However, over the last few years, there’s been less and less press for the show from any official sources which aren’t the producers’ Twitter pages or behind-the-scenes selfies from the cast. Matter of fact, so few outlets have snagged this news, the only way to verify beyond social media that Z Nation does indeed return on October 5th was to find the little note on the show’s website banner.
The same frustration about the late announcement for the premiere date stretches over to the fact that there’s still no full trailer online, despite there being one floating around in the ether that was shown at SDCC in July. The best we have since then is a teaser attached to the announcement for the season five premiere. It is only available on Twitter from an official source, so that’s the link you get. At least it’s something to get us ready for next month, right?
In the teaser we’re given a glimpse at the latest generation of zombie, Talkers. There’s also a good look at a couple new characters. For most of the teaser, Katy O’Brian, as George St. Clair, gives Operation Bitemark the lowdown on the Talkers. In other clips, a man in a black hat and Warren face off with a zombie, and Murphy and 10k have their first encounter with a Talker. Bet Murphy’s surprised he’s not the only supernatural creature capable of holding a conversation anymore.
We’ll be back with news about Roberta and the gang soon. A. Zombie will bring you reviews for Z Nation after season five begins on October 5th at 9 PM.
Yipee Ki Brain, Motherscratcher!: Review for iZombie 410 by A. Zombie
Where you going, punk? Don’t you know there’s episode spoilers in this neighborhood?
Major is the new hero is town. Well, at least in the Fillmore-Graves building. How long will his cohorts hold him in high esteem once they learn his ex-girlfriend is Renegade? What about his roommate, the underground zombie doctor? Sure Chase Graves trusts Major with literally his life right now, but he’s also a man about to watch everything he built crumble because he failed Dictatorship 101—which clearly states a leader should make sure he’s got a steady food supply for his people, or they’ll kill him. History is rift with leaders given a violent boot from the timeline when they couldn’t provide. Chase leans hard on Major to fix all his problems, and may even force the former Team Zombie member onto the guillotine before his own well-groomed head hits the steel. It’s clear after the final confrontation with Liv, Levon, and Major that he’s very much on the wrong side of history, here. His former friends will not be merciful if they all survive the chaos about to erupt from the religious corner of the city. His only hope is to get Roche to give up his boss. It won’t be easy. These guys are working a serious game, with the police and Fillmore-Graves completely unaware they’ve even sat down at the chess board.
Liv herself is pretty uninspiring this episode. The Brain of the Week belongs to Detective Benedetto, the epitome of scumball LEO. This charming chap was capped giving confession at church. Clive’s got three main suspects, all of whom were involved in a crime with a huge loot hidden somewhere in the city, according to AJ, one of said suspects. AJ claims Benedetto must’ve been killed because he wants the loot for himself. The theory sticks, seeing as Liv’s pretty much useless on this guy’s brain. She can’t even really work the case after whacking one suspect with a fish. Thanks to this, we never see any more action from the case unless it’s through Clive’s enthusiastic retellings. He gets the guy, by the way. And it is funny as hell to watch Clive fling himself around to replay his big off-screen fights.
Since Liv’s off the case, she spends way more time taking care of Renegade’s duties in this episode than in previous. It doesn’t seem like much, since most of the work is done in a montage, but she’s pretty serious about the trafficking thing, even on the brain. Everything’s running smoothly. Even one of her coyotes feels secure enough to announce he’s getting married. Then Fillmore-Graves happens. Curtis, the newly engaged guy, is nabbed and threatened by Chase himself. Curtis spills a cover story about Brother Love, which buys Levon enough time to get Liv for a rescue mission. Only, Renegade’s blessing comes with their scratch, and that’s the only thing Liv can give Curtis in the end thanks to FG’s security measures at the safe house.
The one person Liv still can’t save is Isobel, who’s now officially staying in Seattle to run tests with her mother’s blessing. Over a month-long montage, we see Ravi performing virtually every non-evasive test possible. Unfortunately, they all yield answers he could’ve predicted. Nothing special jumps out from her tests screaming it’s the key to a cure. Ravi’s upset about it, but what can he do? Well, he can start by not becoming a helicopter parent to a teenage girl overnight. Thanks to some serious binge-watching, Isobel has a huge crush on one of the actors from Liv and Ravi’s favorite show, Zombie High. With Liv on a brain with the impulse control of a gnat, she sets up a date for Isobel, sending Ravi into a full-blown meltdown. Why? Because Isobel’s finally feeling her mortality and being reminded that she’ll likely never fall in love every time she sees her new adult guardians flirting can’t be doing good things for her mental health. The post-date scene with Ravi policing Isobel’s right to her own body is pretty much what I expected from this writing team. At least they’re clear on the messages they send to women.
Parenting takes a vastly different form when we hop over to see how Blaine is dealing with Angus and his flock. By all rights, Blaine should just catapult his father over the wall and be done with the manipulative bastard. Somehow, some way, Angus manages to get back in his boy’s head. Blaine takes up the offer to join his father at church. He even plays a song for the congregation! A few flattering words likening Blaine to Jesus and the guy is putty for his father to shape into a new weapon. Wonder if Lambert will report Blaine’s activities to Graves, or if he likewise will fall under Angus’ influence. That’d be a huge shift in power for the city, and the city cannot handle a power struggle so soon after the mass zombie creations.
Mac-Liv-Moore: Review for iZombie 409 by A. Zombie
Watch your step. This review contains mad episode spoilers.
Another week, another bland white man for Liv to eat. This time around, it’s a rapper, which she eats in the world’s whitest definition of a wrap I’ve ever seen. Where’s the greens? Some mustard? This guy’s so boring, they tell us ahead of time by having mayonnaise as the only flavoring in his “final meal.” Liv’s turn as a rapper is probably the least inspired story gimmick yet. Here’s another case with a story where they could’ve picked literally any other victim, but chose white man #492 to inform how we see Liv’s world. When do we get to see her world through someone more like Liv? Or, you know, Liv herself? Surely she has to be tired of constantly yanking around her loved ones’ emotions in the name of the job. Why can’t Liv have a brain tube vacation and police the old fashioned way? This is a Seattle teaming with known zombies. She can’t be the only one willing to allocate the extra time for the cause. By the way, does she get bonus pay for these duties now since it does impact literally her every waking second while on a case? I’m just saying, pay the woman for the actual effort expended, not just her in-morgue hours.
One half of a feuding rap duo and his girlfriend are shot, then dumped on Ravi and Liv to investigate by Fillmore-Graves. Discovering who killed the lovebirds isn’t the problem. The problem is that he’s a known zombie serial killer, and I don’t mean a phony like the Chaos Killer; this Zombie Killer started with his family. Somehow he is probably the only one who survives the bus massacre. Once free, he doesn’t go into hiding to save his own skin. Oh no. He goes back on the hunt. Fillmore-Graves decides to get to him first, putting the entire city on lockdown until they catch their prey.
The lockdown puts everyone in a tough situation. Liv and Peyton are forced to hide Isobel in plain sight at the morgue after movie night is cancelled. Not ideal for them, but Isobel loves it. She’s gleefully morbid, having come to grips with her fleeting mortality long ago thanks to her condition. That playful morbid streak is why Ravi winds up finding her in one of the body drawers and subsequently discovers her condition. Which is how, in the end, Ravi also learns that Liv is the new Renegade. It’s great that they’re telling the truth and all, but she’s a city employee with ties to the police, moonlighting as a human trafficker; at some point Clive will find out and have to make a decision about his loyalty. And now there’s a teenaged girl caught in the middle of all that who’s volunteering to maybe, possibly, become the answer to everyone’s prayers about finding a zombie cure. Because this plot doesn’t have enough going on, already, right?
In another part of the police building, the gentlemen of the group take advantage of the enforced downtime to spend some quality time together . . . playing DnD. It’s great that they all have hobbies and all, but the scene goes from funny to sexist as whoa when Michelle asks to sit in—and provide a much-needed character type—only for the men to act like she walked in on them discussing the size/shape of what’s in their pants. Their blustering dies down eventually, but Michelle’s place in their social circle probably won’t be defined by her playing skills after one of the guys catches her and Clive making out in the neighboring room. Goodness, why can’t these writers let us have something pure and good once in a while?
Fillmore-Graves isn’t playing around when it comes to finding the Zombie Killer. Every team is on-task. The only person not on the streets is Graves himself. Major’s squad is the least effective during the search mission. Probably because instead of focusing on these secondary characters like professionals, they drag the lone WoC into a domestic spat during work to yet again undermine her authority as a FG agent. If Gladwell ever gets a fair shake from this writing team, I’ll eat my shoe. They’ve done their best to make her irrelevant since day one. Why drag her in when any number of nameless FG employees could popular Major’s team? I don’t care about these characters or their failed relationship. I certainly don’t care that Major is so ineffective a leader, he can’t get them to stop fighting. The only interesting thing from that entire team is when Major just happens to be in the right place at the right time at the end to help Chase before he’s taken out by the Zombie Killer. Major being a savior isn’t new. It doesn’t require rehashing failed minor character arcs. Certain parts of this season shouldn’t have made it to the final script. It’s just too many new people, too many plot threads flapping in the wind this close to the season’s end.
The person who uses the lockdown to their best advantage has to be Blaine. He’s been sitting on a plan for a while, now’s the time to hatch it and rake in the cash. It’ll require specialized help, though, so Blaine brings in the best computer-oriented brain for Don E. to enjoy. Once his pal is on-board, they waste no time setting up a Dark Web auction for one of the cures stolen from Ravi last season. You know, the kinda-cure which leaves the patient with monthly brain cravings that hasn’t been fully tested? There’s a slight hitch in the plan; they have no definitive proof that the cure works. To no one’s real surprise, Blaine stages a snuff film in order to get video evidence for the auction site. The shocker comes when Mayor Baracus finds himself surprisingly human, and then dead for good. For those keeping score, that means Peyton is the acting mayor. Things just got super awkward in the Charles/Moore household.
The Saviors take a break from war to scrub the refuse from their ranks. The level of manipulation in this episode reaffirms how damn good Negan is as a character. But why did we have to wait this long to get into the intriguing bits of his personality? This entire season takes place in such a truncated timeframe, what feels like years to us is nothing for them and it’s just not working anymore when it comes to character development. The production cannot save the pacing with one solid episode here and there, but I’ll take what they’re offering simply because these actors are giving their all every day on set. It’s just a shame the writing isn’t reflective of what we know the actors can do. We should’ve already seen this side of Negan. JDM keeps alluding to it, doing his best to BE Negan around all this macho, chest-pounding, ridiculous fallout from the Sanctuary attack. It’s not until he confronts Simon that I feel we’ve met the real Negan. He plays his opponent like a fiddle, getting whatever information he wants from the wannabe leader in order to flush out every single backstabber lurking in the shadows. When Rick tries to get rid of his detractors, it creates hell for everyone around him. Negan does the same with cold efficiency and only the people he feels need killing wind up dead. Weird how that happens. It’s like he knows how to lead a group. Not that I condone murder, but this is the fictional apocalypse and Negan’s got the loyalist, healthiest crew in the region shown on-screen now that Rick ruined The Kingdom and Alexandria, on top of Gregory abandoning Hilltop to chase promises for his own safety over his peoples’ future.
Tension is a whole distinct character in the Savior scenes. Negan’s carefully considered course of action to reaffirm his place at the top seems so clear-cut. Seems being the key word. Dwight thinks he’s mostly in the clear, as long as he’s careful not to get wound up in Simon’s scheme. Which is, quite frankly, impossible because Simon needs his fellow leaders to back his play before someone else steps up to challenge him. At no point does Simon consider Negan’s actual fate. The look on his face when Negan pops up is worth every second watching Simon slime his way to the top. He wants to be the boss? First he’s gotta beat the boss. These post-surprise scenes are some of few in eight seasons to make me lean forward, eager for the outcome. Then comes the actual twist, putting Dwight right where he doesn’t want to be—exposed as a traitor and spoon-fed information to harm his new pals at Hilltop. Negan’s mysterious hitchhiker is Laura, the sole survivor from Dwight’s betrayal outside Alexandria. Let me tell you, her joy in exposing Dwight should be bottled and sold. Whatever comes from Dwight handing over the intentionally false map, Laura will be first in line to celebrate. Conversely, Gregory’s regret over helping Dwight may be the only mood bigger than Laura’s rabid revenge, seeing as he’s back in the prison cell at Hilltop after delivering the map.
At the end of a long day the last thing Negan wants is anyone from the opposition contacting him out of the blue. Driven by Carl’s memory, Michonne does just that and risks reading his letter to Negan over the radio. Boy is it the wrong day to approach the man. Dude snaps. He lays the end out for her nice and clear; the only way out of this is through mass casualties on Hilltop’s behalf. The Saviors didn’t pick this costly fight, but they’ll end it. Negan’s done throwing away resources butting heads with Rick.
In order to fight, the Saviors will need way more ammunition. The folks at Eugene’s outpost can only move so fast, but it’s not good enough for their boss. Let me just pause right her to say, we need to petition the showrunners so they’ll never, ever, ever show Eugene eating on-screen again. Back to matters at hand. Eugene’s workers trudge along despite the nasty food and shoddy pep talk. Even Gabriel is roped back into the production line. Things look bright for Hilltop for a while when Rosita and Daryl manage to kidnap Eugene with little incident. That is until Eugene straight up pukes on Rosita and runs. If I didn’t dislike this character before, I certainly do now. Disgusting little snake hides and just returns to his outpost like he isn’t covered in ash and God knows what.
Aaron’s self destructive streak reaches new lows as he slowly starves to death outside Oceanside. No one extends a helping hand to the outsider. When walkers find him, he’s too weak to fight them all off. But the gall of this guy comes when he passes out, wakes to his rescuers’ faces, then lays into them about avoiding the war. To cap it off, he blames them for Natania’s death. They should’ve smacked him good. I’ve heard some bull on this show, but lecturing a bunch of traumatized women for avoiding a war none of them should be involved in really takes the cake. Why must these women in particular come in to mop up Rick and Negan’s mess? Leave them alone. They’ve lost too much already.
It’s finale time. Wonder how much of this wreckage they can fix in order to transition smoothly into season nine. Probably not enough.
Do Not Send Us Astray: Review for The Walking Dead 813 by R.C. Murphy
Watch out for those episode spoilers waiting to ambush you.
Well, this episode certainly has a different tone than anything we’ve seen this season. It’s almost like they remembered that the genre is more than a bunch of angry men hitting each other. Sure, there’s a long firefight in the middle, but bookending it are a good ol ghost story and a little love note to low budget zombie flicks.
Hilltop is more than prepared for the Saviors when they finally roll in after dark. Maggie’s focus isn’t on the gift Georgie gave them. She admits after that her plan is to lure the Saviors into Hilltop so Negan dies where Glenn rests eternally. Which, you know, I get to a point. What puts her on a different level is Maggie, unlike Rick, looks at that same graveyard after the fight and knows she caused those losses. Dianne positions herself at Maggie’s side quite often, first providing encouragement, then as a source for us to check into Maggie’s emotions at the episode’s end. “What is it,” Dianne asks at the graveyard. “The cost,” Maggie replies. The price for this war is getting too high for her conscious. This last move, pushed by desperate fear on her and Rick’s behalf, has taken everything from their people. Alexandria and the Kingdom are lost. Hilltop’s remaining gardens can’t produce enough food and their stores went to the Saviors as payment. The populations of the communities combined have been wiped out, with countless more passing in this episode alone. Will this be the straw to break the alliance’s back? She may be new to the job, but Maggie doesn’t seem like the type to put her people through that kind of horror again.
The fight itself perfectly illustrates why Simon is a crap leader who’ll send his people straight to their deaths. Not only has he failed to send a scout ahead to check for traps on the road, which they then drive over, but Simon follows right along with the plan set to trap them by chasing Daryl through the gate into the first ambush. He does it again when Maggie signals for the lights to be doused and smoke bombs set off. Sure, he divides up his forces, but the bulk of the Saviors are front and center for the second surprise attack from the main house’s windows. If they followed Negan’s plan, attacking with bows from outside to wound as many as possible and picking off what they could with other gore-coated weapons, the Saviors would’ve lost half a dozen men maximum. Simon can’t even claim a win here at all. It’s not his part of the Savior’s fight which yields a higher body count. Negan’s bio warfare tactic claims far more Hilltop citizens while everyone’s sleeping. He may be the bad guy, but you gotta admire his problem-solving abilities, which are so great, he doesn’t have to be within ten miles for a plan to go right.
There’s a whole lotta weird going on in Morgan’s head. I . . . I kind of like it. The flashbacks and such were getting tired, but this new approach to Morgan’s mental illness is top notch horror fuel. Ghost Gavin won’t stop badgering the guy. He’s always there, beside Morgan, ragging on him about something which is never given a name, really. I assume this is Morgan’s mind telling him he should’ve been the one to kill Gavin in the most spectacularly screwed up way imaginable. How long until others notice Morgan’s talking to the air? How can he convince his subconscious that there’s no way to re-kill a guy? This is a great twist to this character. And of course it’s coming about the time he’s jumping shows so I’ll either be forced to watch FtWD or wave goodbye to all this character development. Not today, Satan. I’ll just enjoy the time I’ve got left with Morgan and his bloody Jiminy Cricket.
The other side of Morgan’s story is where his influence has led Henry after his brother’s death. This kid’s determined to bloody his hands via vengeance. First he goes after Ezekiel and Carol for refusing to arm him to fight in the main battle. Later, the kid steals the prison cell key, takes a military grade rifle, and casually threatens a group of men like a good little terrorist in the making. This is why we must teach men that “eye for an eye” thinking will only lead to bloodshed. Justice is not a mirror to reflect the offender’s pain back onto them. That’s not how humanity as a whole decided to handle the people who are too dangerous to remain amongst us. Not only will Henry grow into the very type of man he’s trying to kill, but he’s unleashed those men back into the world when Maggie had them safely sequestered where they couldn’t cause harm. Someone get this kid in-hand, already. He’s not Carl. This isn’t even a good attempt to set up a child character with the same mentality. It’s just tossing angry male patterns into the wind, hoping it works because otherwise they’ve lost their young white man representation on a show dominated by the dumb decisions made by middle-aged white men. How will the white guys find themselves in this show without someone young and angry at everything? Yes, that’s sarcasm. It’s also to illustrate that we don’t need every stereotype on-screen in every show. The writers are blatantly writing Henry to be the new Carl in ways which will never work. All these years listening to how fans treated that character, yet none of it reflects in Henry’s story line.
Jason Douglas as Tobin, Melissa McBride as Carol Peletier – The Walking Dead _ Season 8, Episode 13 – Photo Credit: Gene Page/AMC
That final action sequence with Tobin and the others injured in the fight turning walker is aces. Some of the tensest zombie action we’ve had on the show in a while. Honestly, I’m shocked Tobin is the one to go in this episode. He’s been that one person I look for in the crowd to see whether or not Alexandria is present in certain scenes. For as little as they used him, Tobin being a constant for the Alexandrian people was reassuring. As long as he makes it, this won’t be another prison or Woodbury situation. And then he doesn’t make it. Worse yet, he turns on the people he protected. I didn’t think losing this one guy would hit so hard, but the more I think about how much I assumed he’d survive, the more my brain wants to reject reality. Carol’s reaction to Tobin’s demise is probably what pushes it over the edge. She’s genuinely gutted to see him turn. Melissa McBride yet again acts her backside off to really drag those emotions from the fans.
Will Maggie allow her people to continue this fight after she’s seen the cost? Rick will not give up until Negan’s dead, and Maggie wants that as well, but this isn’t justice anymore. Hilltop realizes that now. Can they back out of the war when they’ve become home base for an army?