Talk about some male-centric bull going on this season. All of this—the pointless side quests, bickering, endless run of suicidal assassins—happened because Rick couldn’t grow a pair when Maggie looked at him after Glenn’s death and said they had to fight.
Hearts Still Beating:
Review for The Walking Dead 708
by R.C. Murphy
Watch out, there! Episode spoilers lurk in this review.
It took seven additional episodes for Rick to realize a woman was right. Not only that, Michonne has echoed the sentiment the entire time, only backing down when he’d momentarily convinced her things would work out. Rick is surrounded by women telling him to stop being a door mat. Does he listen? Nope. Not until several other people kick the bucket and Negan gets the chance to show off for the people who didn’t witness the murders Rick obviously failed to explain in great detail. Are the writers intentionally adding misogyny to Rick’s bag of tricks? Why take seven episodes to do the only thing which makes sense, unless it’s to prove Rick can think for himself without some chick butting in? Maggie calls for war and she’s too emotional to make a rational decision. Rick has two friggen corpses right outside his house and when he jumps to, “We have to declare war,” it’s completely natural to believe he’s in his right mind. Because men handle death better. Because Maggie’s marriage deemed her an emotional risk. Because the writers have no clue how to actually cobble together an interesting war story which doesn’t revolve around men with guns at the helm. I called it weeks ago; Maggie should be the general in this army. Rick is so wishy-washy, he sparkles. That is not who you want leading the charge against Negan.
Everyone on a suicide mission, please stand up. Whoa. That’s a lot of ill-advised—nah, you know what? It’s dumb. It’s idiotic to have half the main fighting force split and scamper off like little mercenary rats. Defying the odds, they all head in different directions, but still manage to find what they want. Carl didn’t want to be marched home by his shirt collar, that’s for sure. But he still got a couple shots off in Negan’s presence, and let’s not forget the man himself admitted to being afraid of Carl’s particular brand of crazy. Rosita got the easiest commute when Negan happened to show up just as she’s obtained her precious bullet. And, as predicted, she throws away her shot. Well, unless you count Lucille’s non-fatal wound. On top of blowing her chance to kill Negan, Rosita more or less hands Eugene to the Saviors—a new bullet-making toy Negan happens to find on the road—and Olivia’s skull is ventilated by Arat during the search for the bullet-maker. The “Let’s Kill Negan” chemical isn’t just in the water in Alexandria.
Richard interrupts a short catch-up chat between Morgan and Carol, petitioning her to appeal to Ezekiel about going to war—though it took him ten minutes to get to the point. Carol’s reaction is exactly what we expect; she’s out of the war game and just wants to be left alone to read on the couch. Morgan isn’t all-aboard the war train, either. Richard won’t let the idea go, and with how the episode ends, he’ll get his war soon enough. Michonne is the only one to leave on a suicide mission and come back without taking a shot at her target, because she chose not to endanger herself or her people by foolishly attacking an armed body large enough to steal the stubborn from her spine. The only action Michonne sees after kidnapping the Savior, Isabelle, is when the woman instructs her on the best method of survival—shoot Isabelle, take the truck, go home, and hide the truck so well no Savior ever finds their missing property and comes for answers.
On the other side of the fence, there’s people like Gabriel, who just want to keep everyone alive and as happy as possible. We also have the token sympathizer, Spencer. It doesn’t take long for him to figure out the game, especially after the blonde Savior, Laura, all but shags him there by the truck for a job well done fetching supplies. With his newfound momentum, Spencer spruces up for a man-date with Negan, complete with a bottle of whiskey in tow. The pair hit it off so well, they opt to play a game of pool out in the gorgeous weather. The town gathers to watch, and it does not a thing to still Spencer’s tongue. What’s galling is the writers failing to have anyone step up and tell Spencer to shut his entitled, bratty mouth. Yes, Negan shuts him up in his way, but there’s a couple dozen people standing around who know Rick can’t realistically be held accountable for the Monroe family’s deaths. It’s ludicrous to bring most of the cast in and use them as wallpaper for a scene we see coming fifteen minutes in advance. Mix it up a little. Want to show dissention in Rick’s ranks? Use the crowd in the scene, not as props. Let them speak for once. Why drag around the remaining handful of Alexandria characters and not use them? Looking back at seasons past, there’s only one or two people left from each main safe-haven Rick visited. Why? Because character development is a luxury one doesn’t possess when driven by a network to make everything bigger and better. More blood! More fighting! But, god, please no more getting to know the guy who lives three houses down from Rick. He might just have some insight, but we’ll never know because he could be replaced with a cardboard standee and it’d be just the same as it is now. Unless that guy goes batty and kills everyone, he’ll never get a chance to be more than a generic-named background noisemaker.
In the episode’s big moment, they brought everyone together in Alexandria to silently watch Spencer do the dumb thing and get dead. Surprise. Not. Snooze.
Pro tip, writers: Stop holding the dreaded relationship conversation right before you plan to kill a character. It gives the death away every single time.
Rick and Aaron bring supplies, but fail to remove a rude note from one tub. Aaron receives the punishment for such insolence while Rick wrings his hands. Who does that? Who finds an offensive note and thinks, “Let’s leave this here for the psychos to find.” The same guy who keeps racking up debt from an overlord because he can’t keep his people in line. We’ve known for years that Rick isn’t a leader. Spencer just went about trying to depose him the wrong way.
Michonne comes back to tell Rick they have to kill Negan. He has the gall to say he knows. See my first paragraph again if you need a refresher on, “The friggen man just can’t admit the women are right.” We end the episode in Hilltop with a lot of hugs. Why, though, is there two minutes of awkward reaction shots before they head inside? Why is Rosita with the war council when she screwed up so much? Do we care that Daryl and Jesus made it to Hilltop? Nah, I care more that Daryl bludgeoned Fat Joey for no real reason while pretending his decision to murder was better than any decision Joey would’ve made in his future—all a pretense to bring Daryl back to his more aggressive form, which won’t work when the character has no substance to work from.
They’re promising war when TWD returns in February. I’ll assume all the gut-wrenching moments the actors and producers warned us about are in the final episodes, because nothing I saw in these eight wowed me and made me think anyone in the TWD camp gave a crap about making a quality story.