Say Yes: Review for The Walking Dead 712
Did we say goodbye to Rick during this week’s fight for supplies?
Of course not.
Don’t get comfortable with the pacing on TWD.
Review for The Walking Dead 712
by R.C. Murphy
Warning: Episode Spoilers Below.
Just when one thinks they’ve finally picked up speed, everything grinds to a halt so Rick can get in bed with a freaky gun-obsessed cult . . . oh, and Michonne, of course. Skip the pre-credits scene. It’s pretty much just sex cut with clips with them grabbing supplies. Has there been this much sex on-screen since the Lori/Shane era? Why now? It’s not the action-break fans need to deal with the lack-of-momentum in the plot. I got more enjoyment from the couple’s silly moments than the intimate scenes. Laughter leaves them more vulnerable than sex—they weren’t attacked mid-coitus, they fell through the roof during a light-hearted scouting mission. TWD writers are desperate to make Richonne work. Like Gretchen’s quest for Fetch, it’s just not happening. Do I hate the idea of their relationship? No. That being said, the writers spend so much time forcing them into “couple situations” that the characters never mature in their affection organically. I just don’t see love there. I see a gimmick.
We know they hump and grab gear, but really the main goal for the mission is guns. Which they find by funny happenstance while chasing a deer they spotted near camp. There’s a large compound not far from their van and they missed it. Huh. Anyway, they find a fenced-off building, which may have been military, along with a carnival. Uhh, okay. Sure. Stranger things have happened—like Alexandria’s scouts and the entirety of the Saviors magically missing a dump covering several square miles with twenty or thirty foot tall rubbish piles. The episode’s point is, Rick gets guns dropped in his lap. They do have to work for it. Kinda. There’s a lot of things magically going right for them that make the effort laughable. All-in-all, they kill a few dozen walkers, grab a van-load of food and guns, then take off to fulfill the new deal. There’s one moment where Michonne fully believes Rick, not the random deer, is zombie lunch. As always, it’s a death tease. When the moment is rehashed later to get the feels out, Rick babbles about them all being on a suicide mission to save the future. Why don’t I see these two in a relationship? When Michonne admits the depth of her love, Rick deflects and focuses on his self-appointed savior gig.
Meanwhile in Alexandria, Rosita has a series of self-important hissy fits. The tantrum culminates with Rosita stealing a rifle and convincing Sasha to go on a suicide mission of their own. Why don’t fans have many favorite characters outside the original quarry crew? Because the rest come on the stage with one foot already in the grave. Everyone has that same death wish mentality. Sasha has been there, done that. Do we need her to be the flaming moron agreeing to aid Rosita just because they slept with the same man? Nah. Women don’t work that way. Besides, Sasha matured from her death-beckoning days. Matter of fact, if she wanted, she could lead Hilltop—in part with Maggie, or on her onesies. The point is, Sasha still has potential. Rosita hasn’t shown the same kind of potential since she became the Angry Spurned Woman in the community. Anger is one-dimensional when used as the backbone for building a character. Pigeonhole someone in that stereotype too long and they just take up space in the plot. It may be time to say goodbye to Rosita. I just hope she doesn’t take Sasha out with her.
Jadis and her people . . . already over it. She and Rick haggle over the gun delivery—it’s not enough to arm her large group. Let’s be honest, this whole story line exists to enable Rick’s wanderlust and suicidal tendencies. If this all actually leads to genuine war with the Saviors, I’ll be surprised. More importantly, if the Jadis deal goes as planned at all, it’d be a miracle. I have zero faith in Rick’s judgement calls.
In the next episode, Carol jumps back in the fight. Maybe she can put some oomph back in the show.