Duel: Review for Z Nation 313
Hope you were ready for forty-something minutes of tug-of-war over a kid. That’s pretty much the entire episode—various ways Addy and The Man beat each other in order to claim Lucy as their prize. We do get to check in with Doc, and he rejoins Addy at the end so they’ll roll into the finale together. Other than his few scenes, it’s all about Lucy’s ill-fated road trip to the coast.
There’s even a shopping trip. It’s a real action-packed episode.
Review for Z Nation 313
by A. Zombie
Addy tracks The Man and Lucy to a boatyard. The girl plays with new zombie friends, and has no clue where her captor went. Great. Convenient. Time to run. By the way, anytime in the episode you think Addy and Lucy will get away, they make it no more than half a mile before they’re caught again. It’s beyond frustrating. Not just as a fan, but as someone who really does not enjoy watching the hero get their backside handed to them at all turns, especially when there’s someone more than capable of helping standing ten feet away flapping their hands. I fail to grasp how The Murphy’s daughter, raised on tales with her father’s heroic feats to save humanity, would allow the woman she calls an aunt to be beaten within an inch of her life. It makes no sense that she’d stand up to The Man when they’re alone, but the minute Addy steps on stage, Lucy is an infant needing rescue.
That side thought took wings and flew. Unlike this episode.
During one of their half-mile trips, the ladies stop to replace Lucy’s too-small clothes. Just what every horror fan wants, ten minutes trapped in a department store with a moody tween and her zombie pals. Lucy has no interest in clothes fit for survival. She has no grasp of danger because the undead, the main threat in the apocalypse, treat her like a princess. So why bother grabbing heavy clothes to protect her skin? Addy does manage to find suitable clothes for Lucy; a leather jacket for protection, as well.
While Lucy laments their so-boring task, she pries Addy for information about her parents, particularly her mother. They have similar conversations throughout the episode, with Addy dancing a jog around the truth for as long as possible. Who wants to be the person to tell a child their father is an egocentric jerk with a messiah complex? On top of that, no one needs to be the person to detail how a child’s mother died. But this is TV, and Lucy harps on her unstable identity because she was raised an orphan. The only way Addy sees to work toward peace of mind for the girl is to stop telling fairy tales. Gone is the king and his pie-baking queen. Lucy knows now that her mother killed a lot of zombies to keep her safe—zombies Lucy sees as innocent since no one knew they just wanted to be near the baby, not kill her.
Lucy’s interactions with the zombies take a bizarre twist in this episode. With her sudden maturity, she’s more in tune with how the undead think instead of just ordering them around like self-propelling dolls. For her, the undead are intelligent companions. Addy believes it’s the girl’s wild imagination at work, failing to understand Lucy isn’t drawing names and life stories from thin air. The girl’s powers are pretty heavy-hitting. Though, whoever decided a glass-shattering scream would be her main method to summon zombies needs to sit in a room listening to nothing but Nickleback turned up to eleven for twenty-four hours. Surely there was another power gimmick which wouldn’t result in a migraine for every viewer. Let’s hope with Lucy’s newest growth spurt taking her to a teenager that the screaming fits will fall to the wayside. She does seem far more like her parents—calm but dangerous when cornered—toward the episode’s end.
There’s a couple decent fight scenes between Addy and The Man. As I said before, the episode is one long fight with breaks to teach Lucy how to human. For the most part, Addy hold her own, delivering quite a bit of hurt during their clashes. She even gets the chance to almost kill him, though a bulletproof vest saves his life. But when each fight inevitably ends the same way, with Addy knocked down/out and The Man dragging Lucy away, it’s no longer fun to hop from brawl to brawl. It becomes a chore to watch The Man go from fighting to torturing Addy. There’s a line between incapacitating a powerful character enough to believe they couldn’t mount a rescue at the last minute and beating a woman within an inch of death—dislocating her shoulder and drowning her because it looks cool to nearly kill a lead character. But it gets the point across: No matter what Addy does, she can’t save Lucy alone.
Well, I didn’t think the finale would revolve around Lucy’s abduction, but here we are. I’d anticipated the clash in Murphytown to be what swings us into the fourth season. It just makes sense to send off with a civil war. However, if Zona is finally stepping onstage as a real danger, shifting the plot from Operation Bitemark infighting to joining forces against a new big bad makes sense. But is Zona really enough of a threat if they’ve only got one mercenary at their disposal and Murphy’s built an army? The Man is good; not that good, though.