A couple years ago director Yeon Sang-ho made a name for himself within the horror genre with his unexpected hit Train to Busan (2016). It’s a well-earned spot. Busan had the potential to be just another locked “house” style zombie film. Instead it took the genre and gave it a fantastic, brutal twist. This is the kind of film you watch alone first to get the shouting out of your system, then show it to friends while watching their reaction. Despite how odd it feels to call a movie with so much blood refreshing, Busan is so different from the zombie media released in the last few years, it really does put a little pep in my step just knowing there’s still new ways to tell the age-old apocalypse story.
In the beginning of August, several reports appeared stating that Sang-ho has begun early pre-production for a sequel to his zombie masterpiece. When I say early, I mean really early. Contracts are still being drafted. There is a script, and the vague filming date of sometime early in 2019. Oh, and a name: Bando (Peninsula).
Sang-ho has clarified a few things about the upcoming film. Keep in mind, this is a second-hand translation, so some details may be off. “It is an extension of Train to Busan, after the virus has spread throughout Korea, but the characters are not the same. It shares the same world view and is a zombie action film that deals with the aftermath on the peninsula of what happened in Train To Busan.”
Fans of the original knew that the old cast probably wouldn’t make a return, but hope springs eternal for some reporters, it seems. Hopefully whoever they do bring onboard to star in Bando has a similar magnetic energy as Busan‘s Gong Yoo, Ma Dong-seok, and Jung Yu-mi.
We’ll keep you updated if this movie does indeed begin production next year. Want to watch Train to Busan? It is currently available to stream via Netflix.
Earlier this summer we dropped some news about Jonathan Maberry‘s expansive franchise, V-Wars making the jump to the small screen. Netflix wasted no time getting the cast together to film up in Canada.
Which means it should come as no surprise that the air date for this show seems just as hasty.
Reports coming from, of all places, CatCon, say that the show’s star Ian Somerhalder suggested a premiere date as soon as March or April 2019. The franchise’s author repeated the statement when asked about the premiere on Twitter early in August. So there you have it, the newest man-eating nightmare will descend upon the living in no time at all, barring any production glitches or differing news from Netflix itself.
Speaking of glitches . . . . If you’re a fan who enjoys watching behind-the-scenes footage while the scenes are still being shot, some of the stars, like Adrian Holmes, have taken to Instagram to document their time on set. Which is how we got my favorite bit of news so far: Someone accidentally locked the keys in one of the show’s cop cars. No worries, they found someone to unlock the door and save the day without calling the actual police. Other from-the-set news includes the first look at Somerhalder’s character, Dr. Luther Swann. For anyone who wasn’t a The Vampire Diaries fan, you won’t understand why it’s a little weird to see Somerhalder in a on-set photo looking, well, like a regular human. He hit everyone’s radar on the flat side of the heartbeat, so it’s interesting to see him representing the living in his new series.
In a recent interview with PopSugar, the show’s star revealed why he just couldn’t stay away from the potential he sees in V-Wars. “[V-Wars] has a message. I loved my experience and my family on The Vampire Diaries, but [with V-Wars] we get to tackle real, social issues without bludgeoning people over the head.” Somerhalder went on to add, “There’s no rating on the show, so it’s actually a lot more realistic. The way things happen in life, you can show. The social issues that you’re not able to address in network television, you can intertwine them into a fictional narrative that actually is not that far away from the truth. It is a genre show, but the performances are so grounded in truth that they’re hair-raising. We’re working very, very hard, and I hope you guys like it.”
Can’t wait to see the cast or Jonathan Maberry’s words in action? You might want to take a look at the program for New York Comic Con closer to the event’s starting date. Maberry announced his attendance at the event earlier this month and suggested that the show’s cast may also be there that weekend. In what capacity, I’m not sure. None are on the official guest list as of this moment and it’s too far out for the panel schedule to be released. NYCC takes place in NYC at the Javits Center on October 4-7.
We’ll be back with more V-Wars news when it happens. Hopefully there’s some real promo shots in the near future. The Instagram snapshots are fun, but I don’t think we’ve gotten a real look at these characters just yet.
Rated: TV-MA (Contains violence, gore, and adult language)
Starring: Martin Freeman, Simone Landers, Susie Porter, Caren Pistorius, and Anthony Hayes
When we think about current affairs in genre films, the adage has ventured far from, “Less is more.” With streaming services like Netflix dipping their toes in the game, we’ve seen stronger and stronger independent horror films popping up like mushrooms after rain. Given such support, filmmakers seem to be willing to venture further from the standard ho-hum zombie flick. Cargo is not a movie you’ll watch through your fingertips. But that’s not to say the movie lacks anything. The emotional and cultural depth are what put it on new level. So while this movie has less, well, everything than something like World War Z, it’s not one to overlook because it’s, “Just another indie movie.”
Even Netflix doesn’t believe in it, giving me a sixty-something percentage on the compatibility scale, despite my watch history being almost entirely genre films—including several indies with similar vibes, but inferior cinematography.
Here’s the plot rundown:
Australia’s coastline and major cities teem with people infected by a cannibalistic virus. Aboriginal people still connected to the old ways make their way to their ancestral homes seeking refuge from the “ghosts” haunting the plains. Other lucky souls make it away from the worst by sticking to the waterways.
Andy, his wife Kay, and their infant daughter Rosie are supremely lucky to have a houseboat and a smaller motor boat at their disposal. But food is scarce. Scavenging for supplies comes at a steep cost. With a 48-hour timer on Kay’s final moments, Andy makes the call to find help at the nearest town. Kay never makes it after they cross paths with a wandering ghost on the road. Andy winds up infected in the chaos. The ghost isn’t alone, trailed by his daughter Thoomi. The pair are on the lam, Thoomi fearing her people will put her father to rest without giving the Clever Man a chance to reunite his soul with his ghost. Which, ultimately, they do while the girl is imprisoned by Vic.
Vic, the man with a plan for “after” the apocalypse, will get his way no matter what—just ask his wife-not-wife, Lorraine. Andy likewise has a run-in with Vic, also ending with his imprisonment. Together, Andy and Thoomi escape with Rosie. They help each other across the unforgiving Australian landscape in search of anywhere safe for Rosie to grow up. Eventually Thoomi’s home is the only logical choice. Getting there will take every last bit of life left in Thoomi and Andy.
Right out the gate, one can’t help but wonder over how well the filmmakers utilize Australia as the setting in general. With so few city or building locations for the characters to return to, it makes sense to use what they have in abundance to fill in the gaps and establish the groundwork for a seriously well-shot movie. As said earlier, you won’t watch this one through your fingers, and that’s because you won’t want to miss a second of the gorgeous Australian landscape.
The cast makes acting in a location-heavy genre flick look easy, and it’s far, far from it. On this shoot in particular, the weather was downright terrifying, but one would never know that from the way everything’s edited together, aided massively by the seemingly effortless acting from the leads. Freeman and Landers are on the exact opposite ends of the experience spectrum, yet you’d never know it unless you looked further into the film. Their skill and ability to use it to forge a bond on-screen is what makes Cargo so compelling in the second half. Despite the audience knowing early on how things will probably end, they’ll still find themselves rooting for the duo to win against this unseen foe.
Said foe isn’t unseen for long. The zombie effects are a far cry from what we’ve seen lately. I know I say that at least once a year, but this time it’s real, dang-it. For one thing, these zombies are a little goopy. Their blood is gelatinous, discolored, and ample. Each victim undergoes a slow change, suffering seizures and leaking goop until their orifices seal over with it, which signals the final death and transformation. The eye and mouth sealing effect is downright nasty. World’s worst eye boogers. As for the rest of the makeup? The zombies are generally pale with oozing wounds, relying heavily on movement and the crusty face to sell the idea. It works for what this is, and that’s not a grand zombie chase across the countryside. It’s two broken families desperately finding a way to make sure the next generation sees the future, and that’s nearly impossible because mankind’s corruption has rotted the world so much, even the dead are wrong.
A breath of fresh air, Cargo far exceeded my expectations. I’m going to give it four smoldering corpses out of five. Grab a few friends and treat them to just under two hours of quality time together watching this movie. It’s a great way to take a break from the corruption rotting the real world.
For weeks, I’ve kept my eye on a different variety of teeth-gnashing undead staging an invasion. As more and more news pours in about this threat, I feel compelled to warn you all about the newest vampire menace.
Coming from Netflix sometime in the near future is V-Wars, based on the 2012 book edited by Jonathan Maberry. V-Wars spawned three follow-up books, as well as a game and comic book series.
About V-Wars the book (via jonathanmaberry.com):
They are already here. They hide among us. They hunt us. They feed on us. They ARE us. V-Wars is the chronicle of the first Vampire War. From the savage murders committed by the patient zero of the plague to full-out battles with vampire terrorist cells, these are the stories of the most terrifying war mankind has ever faced! With stories by Gregory Frost, Nancy Holder, John Everson, Yvonne Navarro, Scott Nicholson, and more.
Bringing the beleaguered characters to life on the small screen are Ian Somerhalder (The Vampire Diaries), as Dr. Luther Swann. Coming in to play Swann’s best friend Michael Fayne is Arrow‘s Adrian Holmes. Peter Outerbridge will add his particular spin to one of the untrustworthy characters, elegant yet duplicitous Homeland Security Team member and science expert Calix Niklos. Rounding out the currently released cast list is Jacky Lai (Beyond), who will play Kaylee Vo, a hard-hustling reporter who’ll do anything to land the biggest story of her life, but when she does, it puts her in the path of dangerous enemies.
About V-Wars the series:
Dr. Luther Swann is in for the fight of his life when a virus is released via melting polar ice—thanks, climate change. The disease turns his best friend, Michael Fayne, into a ravenous predator who isn’t afraid to sate his newfound hunger. This terrible disease spreads; more and more are transformed. Humanity crumbles, leaving normal people fighting the rapidly expanding vampire population. Swann struggles to understand what’s happening, while Fayne sets himself up as a powerful vampire leader.
24’s Brad Turner is set to direct the pilot episode for the series. He will stay on to act as an executive producer under showrunners William Laurin and Glenn Davis—both of whom produced Syfy’s Aftermath series. Season one of V-Wars will contain 10 hour-long episodes.
Filming is currently underway, with locations in Sudbury, ON and the Toronto area. Maberry and Holmes have dropped some pictures and video from the first week of filming on Instagram, if you want to take a peek at the behind-the-scenes process.
We’ll update you, dear brigadiers, when the vampires announce their invasion day.