Doc Flew Over the Cuckoo’s Nest Review for Z Nation 306 By A. Zombie
All the usual violent diagnosis patients make an appearance in the supporting cast: Paranoid Delusion, Kleptomania, Dissociative Disorder, Obsessive Compulsive Disorder, etc. The patients are kept in line by Nurse Ratched, who’s just as cracked as the guy who thinks he’s Elvis. Doc finds himself in a bad spot until Ratched makes an offer he’d be idiotic to refuse—diagnose the patients properly and she’ll not only let him go, but he can help them. Doc’s keen insight, and actual expertise at psychoanalysis, get him out of the most immediate pickle rather easily. Things don’t continue as planned when Ratched introduces Doc to their newest, and wildest, patient.
While the Serenity Falls gang misjudged Doc, they totally got it right when they trussed up their newest patient and locked him in a padded room. 10k may not see Red and 5k anymore, but he’s madder than the Hatter without a clean cup. Coherency is a lost art once 10k opens his mouth. Doc is quick to cover for him, claiming the kid has Ten-Kay Fever and disavowing any knowledge of his new patient. At least one of them is in a position to help. For the most part, 10k is a barely animated potato sack. The vaccine in his system is wearing off. He struggles constantly with thoughts of Murphy loyalty and his need to free himself from control before warning Roberta.
Warning anyone may be a ways off. Ratched is convinced Doc will be their guiding light. However, she still thinks her methods are best when it comes to the more violent patients. Lobotomy is the word of the day. Bob, a depressed man with brain damage, is Ratched’s constant guinea pig for new techniques. There’s more holes in his brain than in a good sourdough loaf. He’s given a new lobotomy to prepare for 10k’s possible emergency surgery. 10k is not responding to treatment and something has to be done before the seizures kill him.
Like, oh, Ratched actually handing out medication instead of snacks during med time. Every single bottle of pills and vial of whatever is blocked by a hallway teeming with zombies. Never fear, Doc and Elvis are ready to take on the Shocker Zombies in Ward Z. Are they quick enough? 10k takes a turn for the worst while they’re grabbing the meds. Liddy, the paranoid patient, and Ratched wheel 10k into the surgical suite.
Bad luck, Doc. The man with OCD, Re-Pete as they call him, is in charge of unlocking the doors in order for Doc to escape incoming zombies and get to his buddy before the nurse turns him into a shambling meatsack like Bob. Winona, the kleptomaniac, ends up being a solid ally during these moments. Actually, she’d make a decent addition to the main team. Her thieving skills are beyond anything the gang’s got in their wheelhouse. But it’s Bob who gets the MVP award for the episode after disposing of Ratched in his gloriously stiff, Frankenstein’s Monster-esque way.
The remaining action in the episode is basically Doc wrangling cats. He wants desperately to save everyone from the zombies slowly ripping through the hasty barricades over the hospital’s exits. They all make it outside in one piece to find the sole vehicle left on the ground, a small bus. Winona wastes no time hot-wiring it after Doc finally turns everyone in the right direction.
Unfortunately, Doc and 10k aren’t on the bus when she drives away from the encroaching zombies. With his wobbly charge in tow, Doc makes a run for it. Where they’re going, no one knows. They’re getting close to Murphy, though. With 10k returned to the fold, though desperate to hide his zmurphed status, it shouldn’t be too hard to trap their prey. Right? Yeah, we all know they’ll foul this up, too. It’s just how the show rolls.
A New Mission Review for Z Nation 302 By A. Zombie
Ditching some of the played-out character story lines may be wise rolling into season three. They’ve brought in another surviving “super-power” with the Chinese. They number only two-hundred-thousand total, but they’ve at least got functional technology—sign me up for one of those laser-guided zombie grenades. Murphy and the unknown hacker did their parts to kill the communication network which would have eventually allowed the scattered American survivors to band together. What Dr. Sun Mei, Lt. Mong, and their people don’t have, and what their tech cannot give them, is a cure. Their mission is simple: Capture Murphy and fashion a cure from his blood. It’s the same thing tried by so many. There is no cure just sitting in his blood. But they’ll try to synthesize one anyway or die trying. Hope is a powerful tool.
Roberta isn’t the only one making new friends. Citizen Z is out of the blizzard, and into some strange woman’s bed. In what can only be described as a desperate attempt to get the resident geek character laid at last, we’re introduced to Kaya. She’s the one who dragged Citizen Z and Dog through the storm. She also shared body heat to keep the scrawny dude alive. Not to make it awkward while he’s wandering around naked, but her family lives with her; they don’t speak and have the personality of furniture. So, like before, Citizen Z’s story line is filler to toss the ridiculous jokes they couldn’t cram in Murphy or Doc’s dialog. But at least he speaks to more than a dog now.
We’re introduced to a new class of human—Enders. These lunatics want to kill and end everyone’s suffering, undead and alive alike. These Enders see an opportunity to get ahead in the world just a little after Dr. Sun orders her air support to drop her supplies. The delivery has everything, even a vehicle, whatever’s necessary to launch another Great Murphy Hunt. Catch is, that’s the last of their gear. If someone else claims it, the Chinese and anyone who’d benefit from Dr. Sun’s possible cure are good as dead.
The episode is a really drawn out race to the gear, with the main conflict lasting only a blink once everyone finally makes it to the warehouse where the supplies landed. Things progress predictably. The casualties are many, but only one person of any importance keels over.
The episode sets up the three new missions ruling the season’s plot. First mission: Roberta, Addy, Doc, Hector, and Dr. Sun will obtain enough of Murphy’s blood to make a working cure. Mission two: Murphy will take Dr. Sun’s equipment and create a way to spread his blended human/zombie genes in order to stop humanity from devolving, and the undead from devouring each other. Lastly, The Man and his Zona handlers have a mission of their own: Bring in Murphy and use him as their personal fountain of youth.
Why are you gnashing your teeth, readers? I covered everything important. Oh, 10k! Well, about him . . . .
Wonder if he’ll see the irony after a few days enthralled by the big blue guy. I also called this huge character change at the end of his first scene in the episode, though they held off exposing the bite mark until the very end. It shows Murphy has a soft spot for the kid, but also his ability to use anyone and everyone to see his will done.
You all ready for the Murphy World Order? It’s coming. He’s ruthless enough to see his plan through. With his hybrids at his back, not even The Man can touch him. Bring on our blue overlord.
A. Zombie Reviews . . . Dead Set Episodes 1 & 2 By A. Zombie
I’ll tell you right now, two episodes into Dead Set and I still have nothing emotionally invested in the show’s contestants. That’s not to say I haven’t found someone to root for during the end days—Kelly steals every scene she’s in, vastly improving what could have been five episodes of uninspiring reality stars wandering around until they were eaten.
I’d totally cheer if they were all eaten. I might even wave pompoms.
The show opens with a typical afternoon leading up to another eviction from the BB house, as dictated by fan votes. The household prepares, some touching up their nails, others banging out their nerves behind closed doors. In the production office, Kelly delivers an endless stream of coffee to the crew. The producer, Patrick, demonstrates what a skuzzball he really is while cutting together highlight reels for the event and barking orders at his frazzled staff. Nothing is amiss until we catch snippets from news reports—strange deaths, attacks on police, etc. The reports grow in severity, leading Patrick to worry his precious eviction episode will be preempted in favor of a news bulletin. God forbid.
Eventually, the chaos reaches the remote location for the BB house and production office. The first zombie to arrive is a company driver—injured and brought to the studio by a production assistant who was sent with him to fetch a guest for the show. From there, the infection spreads through the gathered BB fans. By the time the evicted housemate, Pippa, makes it to the interview room, most of the crowd has turned. It takes mere minutes for the undead to overrun the offices.
The housemates hear the screams and think Pippa is a smash hit with the crowd. They crack open a few bottles, a few drinks to celebrate surviving to see another eviction night.
Little do they know, they’re probably the only ones celebrating in the UK.
The real story isn’t the housemates or their skeezy producer. Kelly provides the heartbeat, and common sense, for the show. While her love life is a feature in the beginning, it’s a non-issue by the time the second episode rolls out. There are a few amazing solo scenes with Kelly doing whatever it takes to survive. It’s not until she takes refuge in the BB house with the remaining cast that we realize she’s the entire braintrust. Where they are keen to believe for as long as possible that the weird things going on are staged, she’s ready to beat anyone to death who so much as looks undead. She’s also the only one with a plan to get medical supplies when a housemate is bitten.
The zombies themselves are minimally made-up, background creatures relying on pale faces, a few wounds, and blood to convey the undead message. We see a few hero zombies with better makeup, mostly in the second episode. There’s great detail in the close-up gore shots, though they’re so shaky, it’s like a toddler was thrown into the fight scenes with a Go Pro strapped to their head. These are also some seriously fast undead. It raises the stakes drastically when the living cannot outrun the dead. Something missing from other shows relying on compelling characters to drive the plot. Who needs to relate to the characters? Just give us zombie action.
While I’m enjoying Kelly’s story, and it’s the only reason I’ll watch the three remaining episodes, this would be much more entertaining with a better-written cast behind her. Patrick is a toad, utterly disgusting and should’ve died in the initial murders. The housemates barely have a brain cell between them. It makes their scenes difficult to endure to get to the actual story. Hopefully with Kelly breaking the barrier between the BB production team and the housemates, it’ll make their scenes bearable.
Oh, the Monroe Family. You gave us hope for sane, rational characters and left way too soon. I honestly feel these actors were given the short straw with characters who were never going to make it out of that particular location. Too many great actors are brought in for one place and left to the wayside when Rick’s movable feast shuffles on to bloodier pastures.
The first to go was Daniel Bonjour’s character Aiden. Boy, he didn’t get a nice, clean death. Skewered and disemboweled. Ouch. Daniel fared far better than his TWD counterpart once he wrapped his two episodes. He’s gone on to film several TV appearances, including an episode of MTV’s Teen Wolf. Taking on the world of video games, he voices several characters in Hitman. Daniel starred alongside Will Arnett in the Netflix original Flaked. Coming up in October, Daniel will star in Frequency on The CW. The show is inspired by the film with the same name. Daniel can be found occasionally at various conventions with the Walking Dead family, meeting and enjoying the company of genre fans/creators.
Reg, like many on TWD, died doing the right thing. Steve Coulter left Alexandria behind and filmed the third installment in the Insidious film series. He also reunited with James Wan and his team to film The Conjuring 2. Not one to sit idle, Steve reprised a recurring role on Banshee recently, as well as appearing in Sick People, Ashby with Mickey Rourke, Extraction alongside action star Bruce Willis, and he has numerous other projects in the works. When he’s not on set, Steve travels the globe to attend conventions with fellow TWD cast members.
A natural leader, Deanna Monroe was the figurehead every fan wants Rick to become. She was also the kind of giving, thoughtful leader Rick can never become. With Deanna’s death, there’s a serious lack of good leadership examples left on the show. Since leaving TWD, Tovah Feldshuh’s hard work on the show has been honored with a Saturn Award nomination for Best Supporting Actress on a TV Series. She is currently on The CW’s Crazy Ex-Girlfriend as Rachel Bloom’s overbearing mother Naomi. The show is a musical-comedy, putting Tovah far, far away from the land of blood ‘n guts for now. Though she does still occasionally visit the Dark Side while attending horror conventions.
Rated: R (Strong language, graphic violence, and gore) Starring: Vegar Hoel, Ørjan Gamst, Martin Starr, Jocelyn De Boer Synopsis: If the worst day of your life consisted of accidentally killing your girlfriend with an axe, chain-sawing your own arm off, and watching in horror as your closest friends were devoured by a zombified Nazi battalion, you’d have to assume that things couldn’t get much worse. In Martin’s case, that was only the beginning. [Official Synopsis]
Most of the film is Martin sprinting here and there to save everyone’s bacon with his accidental zombie mojo. He’s joined by the Zombie Squad and a random guy he reanimated who dies in several horrific ways, only to revive again. They eventually figure out that in order to defeat the Nazis, they must fight fire with fire and revive some Russian soldiers. Sure. That makes sense. Whatever, Martin needs an army and there happens to be a frozen one not far away.
There’s a load of fighting in the film. Fear not, those who want blood and gore. All the fake blood in Europe went into the numerous full-scale fight scenes and many more skirmishes. What I love about the filmmakers? They didn’t avoid daylight. The fighting pretty much all takes place out in a brightly lit field.
All that light means the makeup must be on point. They did not disappoint. A few designs didn’t stand up to the harsh glare—looking at you, Russian dudes. But the tried-and-true Nazi zombies were brilliantly detailed, along with the mundane zombies turned along the way. The death gags were insane. So many were wrong to the point I couldn’t stop laughing. This is how you add laugh beats to violence. Just silly, unexpected intestine humor to bring up the mood before more blood flies.
The local cop side story bogged things down a little. For the most part, they’re slap-stick comedic relief. It’s like the streams crossed somewhere and a story line from Hot Fuzz came over to screw with the timing. They did have a few good laugh lines.
Overall, I’m giving Dead Snow: Red vs Dead four bars of Nazi gold out of five. This series continues to amuse me while never failing to stun visually. It’s something to show your friends which won’t make them groan and walk from the room.
Week three’s departed cast members were two of the hardest to deal with. The Greene family started out on rocky feet with the whole barn thing, but by the time Hershel and Beth met their demise, they’d become integral to the team’s survival.
I’ll be honest, Hershel’s death hit me the hardest of any since the show began. Combined with the genuine good guy Scott has proven to be over and over again during his convention appearances—where he’s often one of the last to leave because he strives to thank every volunteer—and it really felt like losing Hershel meant losing a weekly dose of Scott in our lives. Luckily, he’s not one to rest on his laurels. While still traveling for conventions, Scott has also filmed episodes for Bosch, and had a recurring role on A&E’s Damien. Currently, Scott is working on a Netflix original, The OA, slated to release later in the year.
When Daryl carried Beth Greene from the hospital, many, many hearts shattered. Beth was one of the last gentle souls, the one who stayed behind to care for the baby, the one to sing a song when the silence grew too heavy. Emily Kinney took on some vastly different roles after her time on TWD ended. On Arrow and The Flash, Emily was Brie Larvan, a pun-heavy villain with a fondness for bees. For her role on Showtime’s Masters of Sex, Emily stepped far away from the small-town country girl vibe she used as Beth. She also appeared in several episodes of Cinemax’s historical drama The Knick. Conviction is a new legal drama releasing Fall 2016 from ABC starring Hayley Atwell, Shawn Ashmore, and Emily Kinney. When Emily isn’t filming, she’s recording music—her album This is War dropped in late 2015—and performing, often at horror convictions where she also meets fans.
The Asylum stepped into some large footprints when they opted to take a zombie film and set it in a Jurassic Park situation. They went for broke, too, holding nothing back when it came to zombie gags, perfectly placed irony, and an attempt to tell a coherent story through most of the film. It really held in there until they’d killed off so many characters, the hero, Ellen, basically had to say, “Forget everyone, I’ll do it myself.” Which still fits the theme laid out in just about every dino-flick when women finally have enough dying and get things done. There’s the usual parallels—mocking the infamous t-rex chase with infected lions, one character ditching the others and running, children coping way better than adults about man-eating animals, etc.—which make the film tolerable. The plot is simple, characters are just deep enough to provide tension, and the sense of funny-wrong doesn’t miss the mark. While there are times where plot points are dragged out for too long, it’s not so bad it bogs down the 90-minute format.
The easiest way to get to know characters where all your effort on a film is spent figuring the logistics of zombie apes is to trap them in vehicles throughout the three acts to do info dumps. It isn’t ideal, but for films like this, it isn’t about the characters so much as putting characters in outlandish situations to see if stereotype personalities will make it out alive. This movie has an okay mix of decent characters and some which needed serious reconfiguring just so fans don’t spitefully throw a beer at the screen when they finally shut up and die. Even Ellen, who we are supposed to like in the end, has character traits which can just stop happening in everything always forevermore, especially her need to repeat how much she feels she’s failing a dead guy. Family obligation isn’t the only reason a wealthy woman would show remorse for So Many Dead People.
The other main characters are the zombie animals. As with all Asylum features, don’t place your bets on being blown away by the computer graphics. There’s a few great shots featuring the lead gorilla character, reaction shots for smaller zombie monkeys, but for the most part the undead characters are blurry and laughable. When the zombie giraffes stepped on screen, I gave up and laughed through the entire thing. It’d take Marvel-sized budgeting to fully render the amount of shots needed to make the zombies work. When it came to fight scenes, they made it even simpler. The actors clutched wadded faux fur for the small animal attacks, and batted away a hand puppet for the terrifying zombie giraffe scenes. The humans who are attacked get slightly better zombie treatment. My favorite gag involves the nesting instincts of a bald eagle. You’ll know when you see it.
Zoombies gets three gnawed cow hooves out of five. It’s a decent Saturday night drink-and-watch with friends.
During week two of our series, we take a moment to peek in on Emma Bell and Laurie Holden, the women who brought us the sibling bond most hope they’ll have during the apocalypse. But with, you know, way more time together and less things trying to kill you.
Amy Harrison didn’t last long on TWD. Her death sets off a world of hurt for her sister, Andrea. They were pretty balanced together. Without Amy’s light, Andrea walked murky paths which inevitably lead to her demise as well.
After leaving Amy behind, Emma Bell appeared in Final Destination 5, and guest starred on several shows, including The CW’S Arrow. She went on to star in a few short films, the TV film Midnight Sun, and a couple indie movies. When TNT brought the revival of Dallas back for a second season, Emma came on board to play Emma Brown. A role she held through the show’s third and final season. Emma stars opposite Cynthia Nixon as the young version of Emily Dickinson in A Quiet Passion. Dating in the social media age isn’t a snap, as the characters on the go90 original show Relationship Status discover. Emma played Claire on the show, which also stars Shawn Ashmore and Molly Burnett. Earlier in June, Emma announced via Twitter that she guest starred on an episode of Rizzoli and Isles during the drama’s final season. Taking to Instagram, she’s given a couple behind-the-scene peeks as she directs the short Scratch.
As Andrea Harrison, Laurie Holden lasted a little while longer in the apocalypse than her on-screen sibling. Unfortunately, Andrea left the TWD world during the season three finale. In a striking change of pace, Laurie’s next role came in Dumb and Dumber To opposite Jim Carrey and Jeff Daniels. She went on to guest star on prime time dramas Major Crimes and Chicago Fire. Stepping behind the camera, Laurie produced The Time of Their Lives and Honeytrap. The Abolitionists documents OURrescue.org and their teams as they liberate enslaved children around the world. Laurie is a vocal human rights activist and steps in to help rescue trafficking victims in the film.
You know what? I don’t just miss the characters. The actors behind the fallen survivors are talented, caring people who get pigeon-holed into this one moment in their career. Many have gone on to do amazing things since. It’s time we took a look back at some of the show’s more memorable deceased characters and played catch-up with the actors who brought them to life.
This week, we’re reuniting with the Peletier family.
Adam Minarovich played abusive Ed Peletier opposite Melissa McBride’s meek season one version of Carol. Since his character was eaten in a tent at the quarry campsite, he’s gone on to guest star on Banshee, One Tree Hill, Rectify, and Gang Related. Not only does he have a strong on-screen presence, Adam has written several short film scripts, co-wrote Remnants which stars Tom Sizemore, and penned Pawn Shop Chronicles starring fellow TWD star Norman Reedus along with Paul Walker and Elijah Wood. Adam also has roles in these films, proving his never-tiring spirit. A spirit he’s taken on the road to appear at horror/comic conventions and meet fans.
We all wept when Sophie Peletier shuffled from the Greene family’s barn during the second season’s mid-season finale. Madison Lintz brought youthful light to a dark, dreary show. When her character was turned zombie, it’d take a few seasons to find another actor capable of bringing the same energy. After her final send-off, Madison filmed After as the younger version of the lead character Ana. She was also in Parental Guidance with Billy Crystal and Bette Middler and appeared on an episode of Nashville. School took precedence for a little while. Then she landed a role as Maddie, daughter to the namesake on Amazon’s original show Bosch, which was just picked up for a third season. During downtime from filming the show, she starred in Tell Me Your Name, a horror film with a demonic twist. Madison occasionally travels the country to appear at conventions, but remains focused on finishing school.
Next week, we take a look at the women behind ill-fated sisters, Amy and Andrea.
Warning, the following contains show spoilers and a strong opinion.
I’m a die-hard fangirl. When a show gets my attention, I hang on to the bitter end—anyone who saw my reaction to True Blood‘s final season know what happens when a show lets me down like a frayed guide rope while climbing Half Dome. At least that show started pretty strong. This show never really found its footing. Every time I thought they’d stepped up to the plate, wanted to be good horror, they failed to follow through. In the two episodes before the mid-season break, they lean toward the macabre. First with Celia’s guests in the cellar. Then they opened the mid-season finale with Ofelia’s face peeling off, only for it to be a dream. The cellar bit? We saw the same plot on TWD when they found the walkers in the Greene’s barn, put there because Hershel believed they weren’t lost causes. Celia saw it as evolution, driven by divine intervention in the form of zombies. Both think the undead are worth our love and care. No part of me was surprised to discover Celia ran a freaky suicide/mercenary side business. Nor did the religious slant surprise me. When they steered the Doomed Ship Lollipop toward Baja, I knew they’d use the culture this heavily. Why not? It gives them the perfect scapegoat to rehash the tiresome but-they’re-family plot. On Z Nation the Zeroes, based just south of the border, worship death. I guess FtWD thought they could do something similar and have it work as anything but somewhat insulting to an entire culture’s intelligence just because they’re constantly portrayed as chill with Death.
The effects gags just aren’t worth the effort to pay attention to the story-telling anymore. In the season opener, I called them out for using the boat propeller in the face gag. Since, it’s been more of the same bland infected action. Why? They set the first half of the season on a boat. Their human bad guys were as interesting as watching leg hair grow. So where does that leave us on the tension front? Bickering and nagging, occasionally silenced by an actor in zombie makeup limply shaking his arms at the lead actresses while they flail a fishing pole at it. Some shows are salvaged by the action when the story goes bad. But when nothing happens in the story or the action? What’s the point? Then it’s just people making bad decisions, living on a yacht, and yelling at each other.
“So we’ll make one of them insane!” Nice try, guys. I’d totally buy it . . . if Chris had any actual reasons not to trust Madison and her family. At what point have they left him behind or put him second? Madison and Travis drove into a riot to save him. They made a deal with perfect strangers in order to secure safe haven until the riot passed. Nick jumped off the yacht thinking Chris wanted to swim away or drown himself. They staged a funeral so he’d have a chance to deal with his mother’s death. So why he’d snap, threaten Madison and Alicia, and run away to hold a family hostage is beyond my reasoning. Nick is a more likely choice, seeing as they laid the groundwork for it with his rampant drug use. He does some batty things, like willingly walk around covered in walker goo on numerous occasions—so much so, the original scene from TWD in “Guts” has lost its impact entirely. Now he’s fearless and buying into Celia’s bull about life eternal. Also so apparently broken, Madison—mother of the decade—asks Strand to sort her crap out while he’s digging his lover’s grave.
If I even start on how they’ve written Madison, I’ll break my keyboard. She’s by far the nosiest, indecisive, and nagging character ever to survive to season two in a show. Seeing as she’s the universal mother figure, I hate to hear what the people at the writing table say about their mothers. Somebody in that writing room needed a hug as a child.
The characters have no backgrounds. They’re all blank until they need convenient problems—Chris’ insecurity and psychosis, Daniel’s PTSD and hallucinations, Nick’s trip down sociopath lane. Alicia led the group to their first real bad guys in the season and we still know nothing about her except she’s impatient and bravery makes her do rash things. Travis has the personality of a jellyfish, only finding a backbone to salvage the weird Chris-Is-Crazypants story. Strand actually has this decent backstory, except it came too late in the game to salvage the damage done before Tom was introduced, and then swiftly killed off to avoid that whole messy gay character issue. Leaving Strand the outcast yet again, essentially a blank slate so he can resume being a prick. Instead of writing a world and characters living in it, they’re writing caricatures to manipulate how viewers see the world and what happens in it. It’s not good storytelling. There’s no consistency. Narrators, the characters driving the story, must be consistent. Someone suddenly sporting a raging case of PTSD leading him to burn a building at the behest of his dead wife just means the writers wanted to blow something up for the mid-season finale. It works for Z Nation because explosions are a part of parodying the genre. It does not work for FtWD in episode 207 when it’s painfully obvious the only reason any of this took place was to burn things on camera. Again, this entire story was lifted from TWD season two, right down to the main survivor group disbanding at the end.
So why should I keep watching? If this show refuses to stick to their characters, follow a coherent story, or just rob content from the mothership, it really isn’t worth my time. I watched in the hopes that someone would bring another quality genre show into viewers’ living rooms since TWD is bogged down by expectations. What I got was essentially the discarded ideas from the main show, stretched beyond believability, and crammed into a glitzy, Hollywood setting. The grand settings are an attempt to mask everything the show lacks. All it did was tie their hands trying to make zombies work on water. I mean, there are ways, but it requires thinking outside the box. AMC didn’t buy outside-the-box. They wanted TWD, but with a longer name. What they can’t buy is my time.
This is the last review I’ll scribble for FtWD. There’s no salvaging the mess they’ve made. I’m jumping ship before it gets worse.