Escorpion and the Red Hand Review for Z Nation 304 By A. Zombie
After seeing the Red Hand’s message strung across freeway overpasses, one would think Roberta’s instinct drags her far from the battle-torn warehouse nearby and the jumpy men occupying it who’re in the Red Hand’s sights. Joke’s on her. Not only is she now ensconced in a fight she has no side in, but apparently it’s being led by the guy she’s taken on as her right-hand man. Oh and there’s no weapons to be found anywhere, lest they fancy throwing bags of flaming rubber dog poo—which they don’t, to my disappointment. To say they’ve really stepped in it is an understatement. They’re surrounded by people throwing Molotov cocktails, who aren’t afraid to strap dynamite to zombies. At least no one needs to clean up these messes in the apocalypse.
One mess in desperate need of a good scrubbing is the one Murphy continuously makes for himself during his quest to better mankind . . . by making them inhuman. Until Roberta’s crew catches up, Murphy’s operation spreads pretty much unchecked. 10k wants to resist, but is incapable of breaking the compulsion to follow his maker. Enter science. Dr. Merch followed orders for a long time. She’s pretty much done being told what to do by psychotic men with inflated egos by this point. Despite constant monitoring from Murphy, she works out a way to break the compulsion, and gives it to 10k as well. Only one of them has the chance to really use their newfound freedom. In the process, the pair manage to put a serious roadblock up for Murphy’s long-term plans. The cost is a life. Time will tell if the sacrifice is enough to prevent the remaining humans from becoming zmurphed.
At the fun factory, things take a twist. The people who’d painted themselves the victims aren’t. They’re the ones being punished. This faux Escorpion fashions their persona after Robin Hood, punishing the greedy and protecting those who simply want to survive. The message reaches far, with the Red Hand’s numbers beyond what anyone can accurately tally. They certainly know how to run a guerilla-style battle, hitting hard and fast before disappearing just as quickly. There’s no evidence who’s in the militia, let alone the identity of their leader—except for one injured Red Hand member they pry for information before she dies, and her information is inconclusive. Is Escorpion 2.0 someone we’ve seen before or a new person who admires Hector’s ruthless ways? That’s a mystery for another day. Once the real bad guys are dealt with, the fight with the Red Hand is over. It’s a little too easy for our heroes. I’m leaning toward this imposter being friend, not foe.
Tensions in the Murphy Chasing Squad are tightening. Addy’s distrust of Dr. Sun nearly cost her life during this episode. Having a second Escorpion on the warpath can’t sit well with Roberta. How much does she really know about Hector? He appeared out of the blue when they reached the bar on the coast with supplies to last them all a month. If he pre-meditated providing vital gear for the bedraggled crew in their ultimate time of need, could he orchestrate the Red Hand from their midst? That’s a tad far-fetched, but this show is rife with break-neck plot twists. There’s just enough intrigue to make yet another Let’s-Get-Murphy story line to feel somewhat fresh, but if they don’t make contact soon, this season will drag on and on.
Pablo and Kelly sling beer at a dive bar in Jacksonville, FL while Ash makes himself the life of the party. For one of them, life after the deadite invasion is golden. There’s plenty of hot chicks, alcohol, and his little lizard buddy is there to play wingman. Ash’s happiness is hollow and fleeting, like a chocolate bunny left in an oven. Things are amiss with the dark side. They’re gonna need the bumbling savior once again.
Enter the deadites, and they’ve got a message from the woman in charge, “The truce is over.” Ash’s fighting skills were swapped for keg-cutting and flirting. The fights are slapstick, with Ash struggling to do the heroic moves he’d mastered over years fighting evil. The deadites, primarily a woman he’d flirted with before crap hit the fan, taunt Ash with “Ashy Slashy” rhymes. There’s only one way Ruby knows exactly how to get under his skin—she’s in Elk Grove, his hometown.
There’s no waffling around, when Ash reaches Elk Grove, he stops by the old homestead. Enter Brock Williams—Ash’s cantankerous, unsupportive father, who greets house guests by firing a warning shot past their ear. There’s no love in his heart for his wayward, murdering son or his sidekick, Pablo, but he really wants a date with Kelly. The offer is shot down before he finishes asking her out.
With nothing more than a city’s name, the gang’s gonna need some help finding Ruby. Too bad Ash is the town’s local serial killer and they want less than nothing to do with him, or his mission to save mankind. Linda Bates is the sole kind soul at the bar Ash visits looking for information. Her kindness ends where her husband’s hatred begins, though. Sheriff Thomas Emery would gladly tar and feather Ash if given the chance.
Pablo ends up proving his usefulness . . . by having wicked violent hallucinations linking his mind to the Necronomicon again. The hallucinations, and Pablo’s mind, are sharp enough to feed the gang the clues they need to find Ruby. It’s too easy. They’re totally walking into a trap.
It’s actually a trap for the Mother of Darkness. Ruby’s been cornered in Elk Grove’s crematorium since the freak deadite storm in Florida. Her babies, those freaky little bastards, matured into malicious demonspawn hellbent on using the Necronomicon to their own devices—personal theory, they want to summon Great Daddy Evil and get the family reunion really rolling. The only way Ruby knows to contain the new evil threat is with Ash’s help. There’s a boatload of character development for Ruby in her brief scenes. Necessary development since it’s well known the character didn’t have much on paper when Lawless took on the role for season one. As much as I enjoy watching Ash fumble through his savior complex, I want to see what Lawless can do with Ruby. There’s great potential for her to go good or evil, and that’s the real attention-grabber for season two. When it comes time to decide, will Ruby back Ash or will she fall to old ways and reign over evil once her darling problem children are disposed of?
The adult demonspawn are freaky. There’s awesome physical movement from the one who attacks Pablo, in particular. It’s easy to rely on scary makeup to push the point, but changing the way the creature moves to make it truly inhuman makes a simplistic design much more effective. They also morph into shadow creatures and take on human form, adding infinite opportunity to mix up fight scenes if these guys are going to stick around as the primary kill-target this season.
With the gang together again, they’re off to stop Ruby’s great mistake. So, what are the odds Ash annoys her so much she tries to kill him before they’ve been on the road an hour?
Murphy’s Miracle Review for Z Nation 303 By A. Zombie
Never fear, the postal service runs no matter what, or so Barney Becker from McCloud, CA would have the group believe. He’s bizarre out the gate, demanding no zombies be harmed while he helps the group get back to the Great Murphy Hunt 2.0. The town is deserted, save Becker. Plus, every last zombie follows the guy around like he’s wearing eau de Murphy. Maybe it’s the fact that he feeds them meat scraps like a pack of stray dogs at a campsite.
Probably not. Nothing’s ever that simple on this show.
Up north, but not too far north, Murphy and his mobile world-domination unit set their eyes on Spokane, WA as Ground Zero for the Murphy World Order. First, they have to get through horrible rush-hour traffic. Okay, it’s one car, but it’s in Murphy’s way and he’ll have none of it. A couple’s sick child is on the brink and the father knows they have to give her mercy. Impatient, Murphy solves all their problems by biting the girl so they can all move on with their day in gorgeous Washington. The way he talks about Spokane, one can tell he’s spent time there during far, far better days. Can you imagine tiny Murphy bullying his way down the path to see the river first? It’s almost endearing. Then the moment’s broken when 10k and Murphy butt heads yet again over this whole zmurph takeover thing. The naysaying does not a thing to color Murphy’s excitement. He practically skips into town, his sights set on the perfect building to call home. They are settling in nicely. But what’s this? Guests at the door already. Someone else wants on the zmurph side of life, and he’s not going to deny them.
Way, way up north, the housing situation isn’t nearly as ideal. Simon, a.k.a. Citizen Z, hasn’t a clue what to do. Kaya insists he can recover, get back on the air, and make a difference. The closest they come to touching the outside world is discovering a music broadcast and hearing Addy call over the radio, but it’s a one-way street. Addy doesn’t hear Simon before the battery Dr. Sun provides dies. Now everyone is officially cut off from the other groups. Not one to despair, Simon sets to fixing the one problem he knows is possible—food. Kaya, her family, and Dog join Simon for a trek through a snowstorm to the one place he knows still has supplies.
It doesn’t take long for the gang to grab the gas Becker promised, along with the side trip to contact Simon. Dr. Sun strikes out when she calls her commanders. The music Simon and Kaya find is actually a signal that the Chinese have given up and there’s no more survivors to cure.
The problems in McCloud don’t really start until Becker’s true relationship with the dead townspeople is questioned. Then the non-zombie corpses are found at the post office. Becker’s a shorts-wearing, card-carrying psychopath. Shunned by the town while they lived, his resentment boiled over on outbreak day when he realized they’d eventually become a threat. So he shot every single one. Because that makes sense if you want to keep supplies intended for a thousand-plus people for yourself while simultaneously punishing innocent people for living without pandering to your ego.
Becker deserves what he gets. In a surprising twist, Dr. Sun is the one to mete out justice this time around. Her practical, inventive nature will either be a blessing for Roberta, or a liability when their personal goals eventually clash.
The zombies are evolving on Z Nation, beyond the mad scientist mashups highlighted over the seasons—nuclear, plant, the freaky glowing-brain Zs from the season opener, etc. They recognize Becker, not the food he gives them, to the point they completely ignore the gang several times. Something of their humanity is either coming back or was always there, but the story never lent itself to this development on-screen before. Maybe the group can eventually use this information to help capture Murphy, or at the very least save their own backsides down the road. Or it’ll be an interesting story bit which is used once and dumped, much to my disappointment.
Murphy’s army is growing. How much trouble can he cause before the team tracks him down for Dr. Sun to run her experiments? Too much. The answer will always be too much trouble. We wouldn’t want Murphy to behave any other way.
A New Mission Review for Z Nation 302 By A. Zombie
Ditching some of the played-out character story lines may be wise rolling into season three. They’ve brought in another surviving “super-power” with the Chinese. They number only two-hundred-thousand total, but they’ve at least got functional technology—sign me up for one of those laser-guided zombie grenades. Murphy and the unknown hacker did their parts to kill the communication network which would have eventually allowed the scattered American survivors to band together. What Dr. Sun Mei, Lt. Mong, and their people don’t have, and what their tech cannot give them, is a cure. Their mission is simple: Capture Murphy and fashion a cure from his blood. It’s the same thing tried by so many. There is no cure just sitting in his blood. But they’ll try to synthesize one anyway or die trying. Hope is a powerful tool.
Roberta isn’t the only one making new friends. Citizen Z is out of the blizzard, and into some strange woman’s bed. In what can only be described as a desperate attempt to get the resident geek character laid at last, we’re introduced to Kaya. She’s the one who dragged Citizen Z and Dog through the storm. She also shared body heat to keep the scrawny dude alive. Not to make it awkward while he’s wandering around naked, but her family lives with her; they don’t speak and have the personality of furniture. So, like before, Citizen Z’s story line is filler to toss the ridiculous jokes they couldn’t cram in Murphy or Doc’s dialog. But at least he speaks to more than a dog now.
We’re introduced to a new class of human—Enders. These lunatics want to kill and end everyone’s suffering, undead and alive alike. These Enders see an opportunity to get ahead in the world just a little after Dr. Sun orders her air support to drop her supplies. The delivery has everything, even a vehicle, whatever’s necessary to launch another Great Murphy Hunt. Catch is, that’s the last of their gear. If someone else claims it, the Chinese and anyone who’d benefit from Dr. Sun’s possible cure are good as dead.
The episode is a really drawn out race to the gear, with the main conflict lasting only a blink once everyone finally makes it to the warehouse where the supplies landed. Things progress predictably. The casualties are many, but only one person of any importance keels over.
The episode sets up the three new missions ruling the season’s plot. First mission: Roberta, Addy, Doc, Hector, and Dr. Sun will obtain enough of Murphy’s blood to make a working cure. Mission two: Murphy will take Dr. Sun’s equipment and create a way to spread his blended human/zombie genes in order to stop humanity from devolving, and the undead from devouring each other. Lastly, The Man and his Zona handlers have a mission of their own: Bring in Murphy and use him as their personal fountain of youth.
Why are you gnashing your teeth, readers? I covered everything important. Oh, 10k! Well, about him . . . .
Wonder if he’ll see the irony after a few days enthralled by the big blue guy. I also called this huge character change at the end of his first scene in the episode, though they held off exposing the bite mark until the very end. It shows Murphy has a soft spot for the kid, but also his ability to use anyone and everyone to see his will done.
You all ready for the Murphy World Order? It’s coming. He’s ruthless enough to see his plan through. With his hybrids at his back, not even The Man can touch him. Bring on our blue overlord.
No Mercy Review for Z Nation season 3 premiere By A. Zombie
Once the story smooths out, it’s more than obvious when in their history we’ve landed. Unfortunately, that time frame didn’t give us another chance to see Mack, but we get ample time with Zmurphed Cassandra and newborn Lucy—a pair who shouldn’t be left together, honestly; it leads to weird story beats and makes Cassandra a babysitter instead of any part of the team. Which may explain why, not long after this additional story takes place, 10k has to put her down for good. They couldn’t contain the rabid dog once she completely changed personalities. There’s only so much to do with a primarily non-vocal predator to make her interesting.
Z NATION — “No Mercy” Episode 301-302 — Pictured: Joseph Gatt as The Man — (Photo by: Daniel Sawyer Schaefer/Go2 Z/Syfy)
Since hearing about this flashback I’ve wondered, why take them so far back in the time line? What is so important, it has to be said now? It’s far easier to strip an unused script and redistribute the information throughout the upcoming story than to cut together a movie explaining vital information about the incoming probably-bad guys. Except it seems The Man and his mysterious handler—possibly top-ranked Zona personnel—are vital to upcoming events. The unseen man has the markers for Zona leadership, judging from what Dr. Merch told Murphy before he double-crossed her in the season 2 finale. Two-hours of The Man ramming through a small settlement like a tank is a tad overkill. Entertaining, but overkill. The inevitable outcome was set in stone, leaving much to be desired from The Man—like his bald head on a platter.
The story is one we’ve seen before. The gang rolls past a settlement, desperately low on supplies and devolved to bickering nonstop. Unbeknownst to Operation Bitemark, the poor survivors inside are being harassed, threatened by someone far more powerful than them. After a crow-raised boy is abducted, the settlers call on the gang to help, since they’re so ferocious and all. The rest really is just various stages of planning and executing the plan, with some close-calls, another abduction, and mass murder.
Oh, did I mention the glowing, exposed-brain zombies locked in a contaminated laboratory? They’re kinda important. Dr. Howard Teller is the only reason The Man is interested in the settlement to begin with. To The Man, Harold is just another name on a list he’s tasked with gathering. For Harold, there’s so much more at risk. His wife, Sarah, is one of the not-quite-zombies locked in the lab. The reason the fungus-infected lab team aren’t dead is because Harold is the only soul brave enough to feed them. It’s not until Murphy translates their plaintive cries that Harold understands she’s been begging him to give them mercy for four years. Murphy’s interaction with these poor souls is heartbreaking. Kudos to Keith Allan for an incredible performance.
The opening sequence is tense and beautifully shot. People overlook this show often when searching for simply beautiful footage when they shouldn’t. The team behind the camera is brilliant.
On the flip-side, the writing team needs their ability to write puns stripped for a little while. If I took a shot for every crow joke said at the kid’s expense, I’d have no brain or skull left.
I wanted to be irritated over the flashback, but in the end, saw the necessity. It’s still not cool to leave us hanging with 10k’s fate. We want to catch up with the others, too. I mean, Citizen Z finally met another living being without fur! Plus, Warren and her team have a new ally in Hector . . . except he’s also cornered on the beach by Chinese soldiers. Murphy and Vasquez are the only ones with the freedom to do what they want. Will they return to save their former travel companions? Guess we’ll have to tune in on the 23rd to find out.
A. Zombie Reviews . . . Dead Set Episodes 3/4/5 By A. Zombie
It’s no great surprise when the plot runs a predictable course from here on out. Know what? I don’t care. There’s some golden moments when the entire surviving cast is finally together in the BB house.
First, they need to save Angel. Or not. Then they need to save Grayson . . . . Whoops. Okay, third time’s the charm. Kelly and Space are bullied across the studio lot to escort Patrick and Pippa to the house. That’s pretty much the beginning of the end. Once Patrick’s ego enters the room, unrest takes hold and chaos reigns.
How crazy does a guy have to be to sit there laughing like a kookaburra while disemboweling someone he spent weeks watching via the BB cameras? Reality TV producer crazy is the correct answer. This guy is so certain he has the right idea, he never slows while cobbling together his hair-brained plan. Patrick’s ability to manipulate people is the final nail in the coffin. Despite the others attempting to contain His Lunatic Highness, the Force is strong with this one and Patrick convinces Joplin to free him—based solely on the fact that the housemates loathe Joplin.
Things aren’t much better for Tariq, Kelly’s boyfriend, and his skittish savior, Alex. She never sits still. Always scans for trouble. We get little on her background or why she’s more prepared than most to deal with the zombie fallout. The pair are holed up in a farmhouse alongside a river. Alex feels confident they can stay there, but he’s ready to move on toward the studio. A plan Alex wants nothing to do with, yet still she grabs some gear and off they go. She is right to fight against leaving the farmhouse. The act of kindness is repaid when ‘Riq mercy-kills Alex after she’s bitten. Explains why she didn’t get a backstory.
When Riq makes it to the BB lot, it’s surrounded. He barely clears the fence, with zombies on his heels. The studio greeting party needs to work on their gift basket. Marky fires several shots before Kelly stops him, realizing the “zombie” below speaks coherently and is actually her boyfriend.
Try as he might, Riq can’t get Patrick to believe him about the destruction beyond the gate. Once the producer’s plan rolls into motion, it’s just a matter of waiting for the inevitable. There’s never a chance that Joplin and Patrick can get it together enough to make it past the horde at the gate. Nor is there chance the bumbling housemates, plus Tariq, will rescue Kelly when Patrick holds her hostage as leverage to get outside. The story is told once the gates open, we simply hang around to watch the bloody outcome.
The latter half of this miniseries is much more palatable. I won’t say it’s because the obnoxious housemates started dying like moths around a campfire, but it is a bonus. Going into the first episode, I was sure it’d be the worst. Thankfully, there’s ample gore to balance the reality aspect in the plot. Paired with decent special effects and satisfying character deaths, it produces an entertaining couple of hours.
I give Dead Set an overall three and three-quarters butchered reality stars out of five.
A. Zombie Reviews . . . Dead Set Episodes 1 & 2 By A. Zombie
I’ll tell you right now, two episodes into Dead Set and I still have nothing emotionally invested in the show’s contestants. That’s not to say I haven’t found someone to root for during the end days—Kelly steals every scene she’s in, vastly improving what could have been five episodes of uninspiring reality stars wandering around until they were eaten.
I’d totally cheer if they were all eaten. I might even wave pompoms.
The show opens with a typical afternoon leading up to another eviction from the BB house, as dictated by fan votes. The household prepares, some touching up their nails, others banging out their nerves behind closed doors. In the production office, Kelly delivers an endless stream of coffee to the crew. The producer, Patrick, demonstrates what a skuzzball he really is while cutting together highlight reels for the event and barking orders at his frazzled staff. Nothing is amiss until we catch snippets from news reports—strange deaths, attacks on police, etc. The reports grow in severity, leading Patrick to worry his precious eviction episode will be preempted in favor of a news bulletin. God forbid.
Eventually, the chaos reaches the remote location for the BB house and production office. The first zombie to arrive is a company driver—injured and brought to the studio by a production assistant who was sent with him to fetch a guest for the show. From there, the infection spreads through the gathered BB fans. By the time the evicted housemate, Pippa, makes it to the interview room, most of the crowd has turned. It takes mere minutes for the undead to overrun the offices.
The housemates hear the screams and think Pippa is a smash hit with the crowd. They crack open a few bottles, a few drinks to celebrate surviving to see another eviction night.
Little do they know, they’re probably the only ones celebrating in the UK.
The real story isn’t the housemates or their skeezy producer. Kelly provides the heartbeat, and common sense, for the show. While her love life is a feature in the beginning, it’s a non-issue by the time the second episode rolls out. There are a few amazing solo scenes with Kelly doing whatever it takes to survive. It’s not until she takes refuge in the BB house with the remaining cast that we realize she’s the entire braintrust. Where they are keen to believe for as long as possible that the weird things going on are staged, she’s ready to beat anyone to death who so much as looks undead. She’s also the only one with a plan to get medical supplies when a housemate is bitten.
The zombies themselves are minimally made-up, background creatures relying on pale faces, a few wounds, and blood to convey the undead message. We see a few hero zombies with better makeup, mostly in the second episode. There’s great detail in the close-up gore shots, though they’re so shaky, it’s like a toddler was thrown into the fight scenes with a Go Pro strapped to their head. These are also some seriously fast undead. It raises the stakes drastically when the living cannot outrun the dead. Something missing from other shows relying on compelling characters to drive the plot. Who needs to relate to the characters? Just give us zombie action.
While I’m enjoying Kelly’s story, and it’s the only reason I’ll watch the three remaining episodes, this would be much more entertaining with a better-written cast behind her. Patrick is a toad, utterly disgusting and should’ve died in the initial murders. The housemates barely have a brain cell between them. It makes their scenes difficult to endure to get to the actual story. Hopefully with Kelly breaking the barrier between the BB production team and the housemates, it’ll make their scenes bearable.
In a wicked case of, “Too soon, a-hole,” I was given Burying the Ex to review not long after Anton Yelchin’s passing. Guilt ate at me until I finally watched. It’d be a disservice to an incredible actor to not watch everything he did on the screen. Spoilers, this film delivers exactly what it promises—a lighthearted horror romance with plenty of off-kilter jokes.
The relationship between Max and Evelyn is beyond ridiculous . . . yet not completely off-base in some areas. Keep in mind, Evelyn doesn’t go off the deep, deep end until magic changes the terms of their relationship. The earlier issues Max has with Evelyn are grounded in reality. She’s holding him back from his dream to own his own horror prop shop. All their meals are vegan. Though, Evelyn does have Max’s back when it comes to his hyper-sexual, skuzzball half-brother, Travis. Brotherly love does not extend to banging chicks on your half-brother’s floor just so they don’t know where you live, just saying. There’s no love between girlfriend and half-brother. Evelyn chews Travis out every time he lets himself into their apartment.
Evelyn’s magically-amplified jealousy left a bad taste in my mouth after Olivia’s introductory scene. Evie was unhinged and so neurotic over ice cream, it hit ludicrous fast. The point was to show Evelyn spiraling out of control, eventually leading to her death. Instead, the scene killed all pity for the character and made Olivia the side chick for trying to do her job. Hell, she didn’t ask for Max’s phone number or offer him a lap dance. They both just happen to know a lot about kid’s horror-themed cereal. The clunky jealousy bleeds over to zombie Evelyn’s on-screen time, but isn’t as problematic until the film’s climax.
On the flipside, the secondary romance story is something which would make one sigh, save Max being distracted by a friggen zombie who won’t move out of his apartment. Olivia is the cool, but weird chick most people write as death-obsessed, practically sleeping in a coffin Goth. She’s funny, refreshing, Most importantly, at no point did her scenes become, “Everything you can do, I can do better,” with Olivia doing out of character things just to prove she’s not Evelyn.
On the effects side, things are a little light. Evelyn’s makeup morphs wonderfully from freshly risen to mottled, withered walking dead as the film’s second half plays out. What few other practical effects are in the film are graphic. Viewers can dang near feel the sticky embalming fluid vomit. By the way, there’s a post-credit add-on showing the FX team pumping the goo into Yelchin’s face. He reacted out of character about the same as he did in character.
Burying the Ex is an “It gets better,” note to any weirdo feeling stuck in every aspect of their life. Sure, they won’t end up with an unhinged, jealous zombie sharing their bed, but Max did eventually move on from everything holding him back and making him miserable. I give the film three and a three-quarters cracked skulls out of five.
Team Zombie rolled into San Diego for Comic-Con 2016, looking quite sharp, I might add. Wardrobe aside, the gang was down a man. Robert Buckley couldn’t make it. However, newly-christened series regular Aly Michalka joined the cast, along with show creators Rob Thomas and Diane Russiero-Wright. They were in good spirits, despite the usual chaos at the con. For a good reason, they began filming for season three this week. Matter of fact, I think I saw Rose McIver post a video from the set on Wednesday with Buckley in tow. The zombie ball is rolling. But how are they going to deal with the fallout from the season two finale?
We said goodbye to our main Big Bad. His company was taken over by Vivian Stoll and her undead army. Rob Thomas said Stoll comes into the show in a unique position. “I’m not sure I file her under Big Bad” Going into season three, Stoll is a reactionary presence to the impending zombie problems once the public finds out. Only, instead of having a standing army to defend humans, this army is made from the undead to carve out a place in the world for them once the truth flies. Power like that can be corrupted. It’ll be interesting to see which side of the fence Stoll lands on, or if she can carefully navigate the line between and remain lawful neutral. Adding so many new zombies to the mix poses some ethical questions for Liv. An example given later in the panel pits Liv’s shocking white hair and pale skin against Stoll’s brood who strive to always blend in, covering the very thing which makes Liv unique.
Team Z will regroup stronger than ever. Liv is determined to keep everyone on the same page. No secrets. Out the gate, they dig into Stoll’s company. Some B-stories aren’t following through right away. The Boss story line will take a back-burner to establish new characters and dynamics. Major will search for Natalie and fulfil his promise to her. Not sure if that’s a solo mission or not. I’d assume not since they finally have everyone on the same page. We’re not done cleaning up the Chaos Killer mess, either. There’s one more Popsicle to defrost. Robert Knepper will return as Angus DeBeers in episode one this season. I’m thrilled. The DeBeers family reunions are a things of beauty.
The creators promise a shift in the story style. Season three will play out more like episodes of Law and Order, where Liv and Clive catch the bad guys, Peyton prosecutes. It looks like more of the crimes will tie into the zombie thing, at least from the way Thomas phrased the style rundown.
Other random tidbits dropped during the panel include a promise from the creators to McIver that they will not kill Liv’s next romantic interest, even if it is Major. This isn’t Supernatural. The hot lead actor can’t keep dying and coming back via some miracle.
Yes, there’s a love triangle with Ravi, Peyton, and Blaine. No, none of them know where it’s going. Though the cast joked about making it an open relationship, including Clive, and dragging Liv along as the fifth wheel.
Don’t get your hopes up for a working cure. Thomas said if Ravi creates a cure, the show is over. He also enjoys writing Blaine’s memory loss too much to give up cure 2.0’s side-effects and move on to 3.0 just yet.
We learned that McIver got to veto one potential brain for season three. From a list of about fifty. Then the night before the SDCC panel, they informed her she would get to play dominatrix this season. Guess that one isn’t up for negotiation. It better be the most integral part of the story this season or I’m going to roll my eyes at yet another excuse to dress Liv down in any way.
The new zombie blood will shake things up for the show, along with a new story format. If they keep the momentum from the finale rolling through the first couple episodes, it should be a fun ride. iZombie returns to CW in October.
Much like Bruce Campbell the second he hit the San Diego Comic-Con stage, I cannot and will not contain my giddy fangirl squeal over Lee Majors joining the cast for AvED’s second season. A few scant years ago, Campbell told fans he would play Ash again when monkeys flew out his backside, and now he’s got the Six Million Dollar Man playing his pops on TV. Campbell did look a tad sheepish when someone toward the panel’s end brought up that very statement. I’m sure many, many fans are grateful he was wrong.
A surefire way to make a buck at the con over the weekend was to either sit on the panel with Campbell, or sic your children at him from the front row. The star first bribed his costars to say the right things, even Majors and the panel moderator. Then once the questions started, he paid three children to take off their DC villains costumes and get jobs. Yes, folks, Bruce Campbell took several moments to stop and parent someone else’s kids after discovering the first, a ten year old, watched the show. Pro tip: Don’t be that dad. You can see which one in the panel footage Starz posted.
On to the juicy details. Really juicy. Creator Sam Raimi says season two has more intensity. Which in their language means more blood. Good thing Starz is cool with whatever these good people want to put on screen. Campbell praised the cable network for staying hands-off. If Raimi, Tapert, and Campbell attempted to revive the franchise with another film, it wouldn’t have happened, according to the star. Sam Raimi elaborated on the Starz topic. “They want to provide something that’s not just out there, but can’t be found anywhere else on television, anywhere on cable. They want it to be a unique experience so that nobody is providing anything like it.” Well, ain’t that an understatement? Not seeing many networks lining up to show Campbell’s ass or someone smoking weed from a shotgun.
Lucy Lawless returns as Ruby. This season she’s finally a fleshed-out character and in need of Ash and his team. Or as she put it, “…fully in this ferocious second season.” While, yes, Ruby played a large part in season one, they created her as they went. Lawless said the character didn’t even have a last name until episode nine. Having Ruby along will make things a little more balanced for Kelly. We can expect to see some, “girl power thing,” from the ladies this season.
Ted Raimi rejoins the Evil Dead crew. He plays Chet Kaminski, Ash’s childhood friend. When discussing why they brought Ted back, Campbell said, “This is stupid. Where’s Ted? We’ve got to torment someone else on this show.” Aside from the apparent 30 year-old Kick Me sign on Ted’s back, he brings a fun dynamic to the crew missing in the previous season. The energy they had during the panel was insane. Except Majors. He seemed content to take it all in quietly. I don’t blame him. Those panels are overwhelming the first time around. Dana DeLorenzo and Ray Santiago were likewise awestruck when they sat after being introduced.
Ash vs Evil Dead returns to Starz in October. In the meantime, slake your bloodlust with the trailer.
After seeing the Red Hand’s message strung across freeway overpasses, one would think Roberta’s instinct drags her far from the battle-torn warehouse nearby and the jumpy men occupying it who’re in the Red Hand’s sights. Joke’s on her. Not only is she now ensconced in a fight she has no side in, but apparently it’s being led by the guy she’s taken on as her right-hand man. Oh and there’s no weapons to be found anywhere, lest they fancy throwing bags of flaming rubber dog poo—which they don’t, to my disappointment. To say they’ve really stepped in it is an understatement. They’re surrounded by people throwing Molotov cocktails, who aren’t afraid to strap dynamite to zombies. At least no one needs to clean up these messes in the apocalypse.
At the fun factory, things take a twist. The people who’d painted themselves the victims aren’t. They’re the ones being punished. This faux Escorpion fashions their persona after Robin Hood, punishing the greedy and protecting those who simply want to survive. The message reaches far, with the Red Hand’s numbers beyond what anyone can accurately tally. They certainly know how to run a guerilla-style battle, hitting hard and fast before disappearing just as quickly. There’s no evidence who’s in the militia, let alone the identity of their leader—except for one injured Red Hand member they pry for information before she dies, and her information is inconclusive. Is Escorpion 2.0 someone we’ve seen before or a new person who admires Hector’s ruthless ways? That’s a mystery for another day. Once the real bad guys are dealt with, the fight with the Red Hand is over. It’s a little too easy for our heroes. I’m leaning toward this imposter being friend, not foe.
Tensions in the Murphy Chasing Squad are tightening. Addy’s distrust of Dr. Sun nearly cost her life during this episode. Having a second Escorpion on the warpath can’t sit well with Roberta. How much does she really know about Hector? He appeared out of the blue when they reached the bar on the coast with supplies to last them all a month. If he pre-meditated providing vital gear for the bedraggled crew in their ultimate time of need, could he orchestrate the Red Hand from their midst? That’s a tad far-fetched, but this show is rife with break-neck plot twists. There’s just enough intrigue to make yet another Let’s-Get-Murphy story line to feel somewhat fresh, but if they don’t make contact soon, this season will drag on and on.
Pablo and Kelly sling beer at a dive bar in Jacksonville, FL while Ash makes himself the life of the party. For one of them, life after the deadite invasion is golden. There’s plenty of hot chicks, alcohol, and his little lizard buddy is there to play wingman. Ash’s happiness is hollow and fleeting, like a chocolate bunny left in an oven. Things are amiss with the dark side. They’re gonna need the bumbling savior once again.
There’s no waffling around, when Ash reaches Elk Grove, he stops by the old homestead. Enter Brock Williams—Ash’s cantankerous, unsupportive father, who greets house guests by firing a warning shot past their ear. There’s no love in his heart for his wayward, murdering son or his sidekick, Pablo, but he really wants a date with Kelly. The offer is shot down before he finishes asking her out.
Up north, but not too far north, Murphy and his mobile world-domination unit set their eyes on Spokane, WA as Ground Zero for the Murphy World Order. First, they have to get through horrible rush-hour traffic. Okay, it’s one car, but it’s in Murphy’s way and he’ll have none of it. A couple’s sick child is on the brink and the father knows they have to give her mercy. Impatient, Murphy solves all their problems by biting the girl so they can all move on with their day in gorgeous Washington. The way he talks about Spokane, one can tell he’s spent time there during far, far better days. Can you imagine tiny Murphy bullying his way down the path to see the river first? It’s almost endearing. Then the moment’s broken when 10k and Murphy butt heads yet again over this whole zmurph takeover thing. The naysaying does not a thing to color Murphy’s excitement. He practically skips into town, his sights set on the perfect building to call home. They are settling in nicely. But what’s this? Guests at the door already. Someone else wants on the zmurph side of life, and he’s not going to deny them.
Way, way up north, the housing situation isn’t nearly as ideal. Simon, a.k.a. Citizen Z, hasn’t a clue what to do. Kaya insists he can recover, get back on the air, and make a difference. The closest they come to touching the outside world is discovering a music broadcast and hearing Addy call over the radio, but it’s a one-way street. Addy doesn’t hear Simon before the battery Dr. Sun provides dies. Now everyone is officially cut off from the other groups. Not one to despair, Simon sets to fixing the one problem he knows is possible—food. Kaya, her family, and Dog join Simon for a trek through a snowstorm to the one place he knows still has supplies.
The problems in McCloud don’t really start until Becker’s true relationship with the dead townspeople is questioned. Then the non-zombie corpses are found at the post office. Becker’s a shorts-wearing, card-carrying psychopath. Shunned by the town while they lived, his resentment boiled over on outbreak day when he realized they’d eventually become a threat. So he shot every single one. Because that makes sense if you want to keep supplies intended for a thousand-plus people for yourself while simultaneously punishing innocent people for living without pandering to your ego.
Ditching some of the played-out character story lines may be wise rolling into season three. They’ve brought in another surviving “super-power” with the Chinese. They number only two-hundred-thousand total, but they’ve at least got functional technology—sign me up for one of those laser-guided zombie grenades. Murphy and the unknown hacker did their parts to kill the communication network which would have eventually allowed the scattered American survivors to band together. What Dr. Sun Mei, Lt. Mong, and their people don’t have, and what their tech cannot give them, is a cure. Their mission is simple: Capture Murphy and fashion a cure from his blood. It’s the same thing tried by so many. There is no cure just sitting in his blood. But they’ll try to synthesize one anyway or die trying. Hope is a powerful tool.
We’re introduced to a new class of human—Enders. These lunatics want to kill and end everyone’s suffering, undead and alive alike. These Enders see an opportunity to get ahead in the world just a little after Dr. Sun orders her air support to drop her supplies. The delivery has everything, even a vehicle, whatever’s necessary to launch another Great Murphy Hunt. Catch is, that’s the last of their gear. If someone else claims it, the Chinese and anyone who’d benefit from Dr. Sun’s possible cure are good as dead.
The episode sets up the three new missions ruling the season’s plot. First mission: Roberta, Addy, Doc, Hector, and Dr. Sun will obtain enough of Murphy’s blood to make a working cure. Mission two: Murphy will take Dr. Sun’s equipment and create a way to spread his blended human/zombie genes in order to stop humanity from devolving, and the undead from devouring each other. Lastly, The Man and his Zona handlers have a mission of their own: Bring in Murphy and use him as their personal fountain of youth.
Once the story smooths out, it’s more than obvious when in their history we’ve landed. Unfortunately, that time frame didn’t give us another chance to see Mack, but we get ample time with Zmurphed Cassandra and newborn Lucy—a pair who shouldn’t be left together, honestly; it leads to weird story beats and makes Cassandra a babysitter instead of any part of the team. Which may explain why, not long after this additional story takes place, 10k has to put her down for good. They couldn’t contain the rabid dog once she completely changed personalities. There’s only so much to do with a primarily non-vocal predator to make her interesting.
The story is one we’ve seen before. The gang rolls past a settlement, desperately low on supplies and devolved to bickering nonstop. Unbeknownst to Operation Bitemark, the poor survivors inside are being harassed, threatened by someone far more powerful than them. After a crow-raised boy is abducted, the settlers call on the gang to help, since they’re so ferocious and all. The rest really is just various stages of planning and executing the plan, with some close-calls, another abduction, and mass murder.
The opening sequence is tense and beautifully shot. People overlook this show often when searching for simply beautiful footage when they shouldn’t. The team behind the camera is brilliant.
First, they need to save Angel. Or not. Then they need to save Grayson . . . . Whoops. Okay, third time’s the charm. Kelly and Space are bullied across the studio lot to escort Patrick and Pippa to the house. That’s pretty much the beginning of the end. Once Patrick’s ego enters the room, unrest takes hold and chaos reigns.
Things aren’t much better for Tariq, Kelly’s boyfriend, and his skittish savior, Alex. She never sits still. Always scans for trouble. We get little on her background or why she’s more prepared than most to deal with the zombie fallout. The pair are holed up in a farmhouse alongside a river. Alex feels confident they can stay there, but he’s ready to move on toward the studio. A plan Alex wants nothing to do with, yet still she grabs some gear and off they go. She is right to fight against leaving the farmhouse. The act of kindness is repaid when ‘Riq mercy-kills Alex after she’s bitten. Explains why she didn’t get a backstory.
Try as he might, Riq can’t get Patrick to believe him about the destruction beyond the gate. Once the producer’s plan rolls into motion, it’s just a matter of waiting for the inevitable. There’s never a chance that Joplin and Patrick can get it together enough to make it past the horde at the gate. Nor is there chance the bumbling housemates, plus Tariq, will rescue Kelly when Patrick holds her hostage as leverage to get outside. The story is told once the gates open, we simply hang around to watch the bloody outcome.
The latter half of this miniseries is much more palatable. I won’t say it’s because the obnoxious housemates started dying like moths around a campfire, but it is a bonus. Going into the first episode, I was sure it’d be the worst. Thankfully, there’s ample gore to balance the reality aspect in the plot. Paired with decent special effects and satisfying character deaths, it produces an entertaining couple of hours.
The show opens with a typical afternoon leading up to another eviction from the BB house, as dictated by fan votes. The household prepares, some touching up their nails, others banging out their nerves behind closed doors. In the production office, Kelly delivers an endless stream of coffee to the crew. The producer, Patrick, demonstrates what a skuzzball he really is while cutting together highlight reels for the event and barking orders at his frazzled staff. Nothing is amiss until we catch snippets from news reports—strange deaths, attacks on police, etc. The reports grow in severity, leading Patrick to worry his precious eviction episode will be preempted in favor of a news bulletin. God forbid.
The real story isn’t the housemates or their skeezy producer. Kelly provides the heartbeat, and common sense, for the show. While her love life is a feature in the beginning, it’s a non-issue by the time the second episode rolls out. There are a few amazing solo scenes with Kelly doing whatever it takes to survive. It’s not until she takes refuge in the BB house with the remaining cast that we realize she’s the entire braintrust. Where they are keen to believe for as long as possible that the weird things going on are staged, she’s ready to beat anyone to death who so much as looks undead. She’s also the only one with a plan to get medical supplies when a housemate is bitten.
In a wicked case of, “Too soon, a-hole,” I was given Burying the Ex to review not long after Anton Yelchin’s passing. Guilt ate at me until I finally watched. It’d be a disservice to an incredible actor to not watch everything he did on the screen. Spoilers, this film delivers exactly what it promises—a lighthearted horror romance with plenty of off-kilter jokes.
Evelyn’s magically-amplified jealousy left a bad taste in my mouth after Olivia’s introductory scene. Evie was unhinged and so neurotic over ice cream, it hit ludicrous fast. The point was to show Evelyn spiraling out of control, eventually leading to her death. Instead, the scene killed all pity for the character and made Olivia the side chick for trying to do her job. Hell, she didn’t ask for Max’s phone number or offer him a lap dance. They both just happen to know a lot about kid’s horror-themed cereal. The clunky jealousy bleeds over to zombie Evelyn’s on-screen time, but isn’t as problematic until the film’s climax.
On the effects side, things are a little light. Evelyn’s makeup morphs wonderfully from freshly risen to mottled, withered walking dead as the film’s second half plays out. What few other practical effects are in the film are graphic. Viewers can dang near feel the sticky embalming fluid vomit. By the way, there’s a post-credit add-on showing the FX team pumping the goo into Yelchin’s face. He reacted out of character about the same as he did in character.
