Review of “The Walking Dead” 311 “I Ain’t a Judas”
Reviewer: R.C. Murphy
Season three of “The Walking Dead” so far has caused ample amounts of yelling, throwing things at the TV, and sobbing. Even though episode 311 wasn’t as explosive as the previous episode, there was plenty to yell about as the dynamics between Team Prison and Team Woodbury shifted. It is becoming increasingly difficult to figure out where loyalties lie within the groups and the characters who crossover from one to the other. Only one thing is clear, war isn’t coming—it is already here.
Warning: Spoilers below!
How much of Merle’s attitude adjustment can Rick’s group trust? Sure, he’s still outspoken and laying bits and pieces of doubt for the others to trip over, but he’s also taken up arms to help defend those calling the prison home—twice. He’s offered up insight into how the Governor thinks and runs his city, all of which we know is true. Merle has a depth of soul previously unseen on screen. We met him when he was doped up, talking crazy, and hating the world. When we reconnected with Merle, he was firmly in the Governor’s camp, driven by a sense of loyalty for the man who gave him a safe place to live and enough weaponry to scratch his itch for violence. In Woodbury, Merle’s darker instincts weren’t shunned or contained. He was allowed to run wild and do anything necessary to protect the town. That won’t fly with Rick, though. We already know this. Surprisingly, Merle has a connection of sorts with Hershel. Maybe we’ve found the one person—other than his brother—who can truly reach Merle on a level not based on hate and violence. Only time will tell if he will mesh into the group or continue to try and rip them apart emotionally from within. Merle only knows how to defend himself—with words and weapons.
Daryl is caught in the middle of everyone’s warring emotions. Merle wants his submissive little brother back to do his bidding without question. Rick needs a strong second in command to hold him up while he continues to suffer a mental breakdown. And Carol is determined to see him free himself of his brother’s scheming and mental abuse. Carol is possibly the best thing to happen to Daryl since he was a child. She believes in him. Not what he can do for her or how she can use him. Carol wants to empower Daryl, the same way she has herself since her husband became zombie chow. Most of all, she wants to see him whole so they can finally have a meaningful connection, which is denied to so many during crisis situations. Daryl is hesitant to follow her lead, though. It is understandable. Numerous people have used him and tossed him aside when someone or something better comes along. He doesn’t see his self-worth beyond what he can do with a knife and crossbow. With time Carol can make him understand, but not if Merle is going to trail along behind her, whispering doubt into Daryl’s ear.
Oh Rick . . . bats are still winging around in your belfry, aren’t they? You know it has to be bad when Carl of all people steps up and questions Rick’s ability to be the leader they need in order to survive the war with the Governor. But can Rick step down? Leading his group, keeping them safe, may be the final thing keeping him grounded. His wife is dead. He has no connection with his newborn daughter and his son is turning into a young man he doesn’t recognize because of the rough life they lead. Rick is drifting. Lost. The only time he is coherent is when danger and death knock on the front gates of the prison. He won’t find an easy out, though. Hershel and Glenn will hold him accountable for everything that has happened since Lori’s death—crazy or not.
Between Andrea and the Governor, it is difficult to figure out who fans hate the most. Andrea keeps making bad decision after awful decision and tops it off with a slice of, “What the heck were you thinking?” Phillip is evil. He makes no effort to hide it now, even when faced with Andrea’s endless questions about his intentions. Sure, he’ll say the right things, the kind things, but his eyes—eye—speak the truth. He has been wronged, by Rick, Michonne, and Merle. Nothing will stop him from his vengeance, no matter how pretty and blonde she is. Even poor Milton is helpless to do anything kind and decent in the face of Phillip’s vengeance. Andrea, Milton, and now Tyreese and his crew, are nothing more than weapons the Governor can use in his schemes. He knew Andrea would eventually sneak away from Woodbury and go to the prison. He was counting on her to do it so he could gauge the mental health of the people he is at war with. Phillip fights with everything he’s given, and he just happened to be blessed with a seriously intelligent mind and a taste for death. And now not only does he have a feel for who he is facing, but with Tyreese’s help, he’ll have everything he needs to tackle where he wishes to attack.
Andrea should have done what Carol told her to, don’t you think?
I can’t leave without giving props to the wizards at KNB EFX. Their work on the zombie Andrea mutilates is astounding. Disgusting, yet beautiful to those who are intrigued by special effects.
What do you think is in store for Team Prison? Let us know in the comments below.
This episode in particular had a lot of anticipation built up around it long before it aired. Heck, people were excited back before filming began and producers confirmed what the main story arc of the third season would be. Fans were anxious to meet the Governor and see Woodbury outside of the confines of paper and ink. Not to mention, watch an entire episode devoted to Michonne and Andrea. Oh and there was a certain returning character fans begged and pleaded to have back on The Walking Dead. We’ll get to them later.
For three seasons, we’ve been teased with glimpses of a helicopter. In the apocalypse, something like a helicopter builds hope that somehow, some way people are surviving and thriving. At the very least, survivors begin to think there is still some sort of government force at work to keep them safe. It is a false hope, really. But there we were again, watching a helicopter hover over the earth and wondering, “How on earth did any military personnel survive? They were on the front lines when the walkers rose.” Obviously some would make it as long as Rick and his original crew. Seeing them, though, was a little strange. Any sort of government figure is a foreign concept now. Even Rick dropped his sheriff uniform. What point is there when most of the people you swore to serve and protect are dead?
There was very little time wasted introducing the Governor. On first impression, one looks at the way he leads his men and realizes, this is the sort of leader Rick wishes he could be. Unfortunately, Rick has an overwhelming sense of guilt and morality hanging over his head at all times. The more we saw of the Governor in this episode, it became quickly apparent he had neither of Rick’s downfalls holding him back. Can Andrea and Michonne trust the Governor? The answer is a double-edged sword. He fully believes his efforts alone will be what saves humanity and made it perfectly clear he’d do anything necessary to do so. When you know someone’s game plan, you can trust them to follow through. But to rely on him for their safety when he lies about his intentions in other matters? They’d be foolish.
Michonne is more than ready to leave town and make her own path to survival. She is a woman determined to do things on her own. Trust is a huge issue with her, except when it comes to Andrea. However, trouble could be brewing in their friendship if Andrea insists on staying in Woodbury much longer. Michonne’s spidey-senses are tingling. She’s pacing like a caged tiger waiting for someone to get too close to the bars. Danai Gurira is amazing in this role. Michonne rarely speaks, unless she is alone with Andrea, but her misgivings about Woodbury and the Governor are very, very clear thanks to Danai’s stellar performance.
Caution: There may be spoilers below.
The pets. It was difficult watching Michonne dispatch them in order to keep the walkers from giving away their location. It became even more difficult to let them go after seeing her dodge around the question—the one question that’d give everyone a deeper insight into what makes Michonne tick. Who were the walkers she disfigured and kept by her side at all times? It is easy to assume she found a couple random zombies and fashioned them into her personal pack mules/cloaking device. However, once the question was asked, we knew there was a story there. Maybe one day, we’ll even figure it out.
Woodbury seems too good to be true. It has the same sort of vibe as the prison and Hershel’s farm—if the survivors get too comfortable and settle in too deeply, the place will become their grave. Who on earth would even think of utilizing solar power during the Zombiepocalypse? Yet, there it is. Along with well-manicured flowerbeds, gardens, clean sidewalks, hot water, electricity—the works. What of oneself does it cost to live in Woodbury? For the men, they’re conscripted into the Governor’s private militia. We haven’t met many of the women, yet. They simply seem happy to have a safe place to call home. Because of that, they’re not asking the questions nagging at the back of their mind before they go to sleep each night.
Helpful tip: Don’t ignore the nagging voice when your safety is on the line.
Let’s see…was there anything I forgot? Hey, stop throwing stuff! You know I couldn’t forget good ol’ (rotten ol’) Merle Dixon.
The reintroduction of Merle was perfect. Even without showing him, we knew right away who’d snuck up on Andrea and Michonne. This isn’t the same Merle we saw handcuffed to the roof of a department store. His time in Woodbury has given him a clear head. With the Governor calling the shots, directing Merle’s every move, he has no leeway to dive back into his vices. At least, that’s how it seems so far. Who knows, Merle could flip a gasket and start talking to rocks for all we know.
Lesson number one of The Walking Dead fandom, never attempt to predict what any of the characters will do.
I’ll close this out with one last note:
Fish tanks. Eww.
What do you think about the goings-on in Woodbury? Let us know in the comments below.
Any good story is bound to have that one character who is one horse short of being an honest-to-goodness cowboy. I’m not talking about the “shoot ’em up” guys that do it because they have a gun fetish, but the guys that fight to uphold their morals. Morals they learned with a hand on their momma’s apron hem and had drilled into their heads by hard working fathers. Rick Grimes came into existence long after the Cowboy Era, yet he still fits the part. Heck, when he made his first appearance on television they even gave him an actual horse–well until it was eaten by a horde of hungry zombies.
Who is Rick Grimes? He is a character from The Walking Dead—a series of graphic novels by Robert Kirkman turned into one of the world’s hottest cable television shows by AMC and an insanely talented production crew. They have created cast of characters I have a great deal of love for:
If you aren’t watching the show you should be. From the moment the show begins viewers are taken on the undead ride of a lifetime, watching a cast of beleaguered humans fight not only to survive, but to retain that which makes us most human.
Rick is a man of many morals. With a veritable shopping list of good qualities Rick—payed by Andrew Lincoln—will do almost anything to honor, he is a man to be admired. But his decisions often leave something to be desired. He suffers from tunnel vision that can turn ‘doing the right thing’ into foolhardy or dangerous missions—with the potential for truly disastrous results.
[***WARNING: Spoilers ahead***]
The tie that binds Rick’s principles is the ideal that he must do anything to keep his family safe… or is it? Rick’s dilemma isn’t so much how to keep his family safe, it seems, but more of how will he do it while on a one-man mission to save every stray person they encounter. He spreads himself too thin trying to be there for everyone, often leaving his wife and son to fend for themselves. He even went so far as to leave their sides the day after they learned he hadn’t died in the hospital to save, of all people, Merle Dixon– the man that’d nearly gotten them all eaten alive in Atlanta during a supply run. Was the risk to his family worth it to save one man? A lot of the other characters said no. They felt let down, even if his wife understood that he felt obligated to a man he’d just met and had been threatened by.
Rick’s sense of responsibility—and guilt—can be a very real danger to the main survivor group as we saw in the case of the situation with Sophia. Lori was right when she said no one else in the main survivor group jumped to leave their hiding place and race to her aid like Rick did. It was a great moment for Rick and the preservation of humanity in a world gone mad. But what followed…was disaster. Shane was right when he said Rick was leading the group on a search for her long past a timeframe when finding her alive and well was likely. Rick’s persistence nearly cost Daryl Dixon his life. Would Rick show the same determination for any member of the group? Did he push a continued search for Merle? In both cases, Rick was, at least, partially responsible for the predicament…yet, Merle’s fate remains unknown.
Rick felt obligated to Hershel for the use of his land as a safe haven for his crew of survivors and for the medical help–without which they’d have lost both Carl, T-Dog and Daryl. Hershel is a strict man, runs his house with an iron fist, and expects to be obeyed. Rick’s approach is honorable, it’s the cowboy way…but there has to be a limit somewhere. I’m going to argue a barn full of zombies qualifies. Rick’s response had me nearly in tears—I began to think he was as deluded as Herschel. Did he truly believe, for even a second, that those zombies were anything less than a deadly and immediate threat?
And then Rick pulled the trigger.
I’d bet the farm that the closing scene of season two’s mid-season finale gave us more answers than most viewers were able to see through the shock and horror. When Shane ripped open the barn to force the group to deal with the zombies within (think closet. think skeletons.) Andrea, T-Dog, Glenn and Daryl swallowed bile to step up to the line, …and hold. Rick did not. It was only when a zombified Sophia lurched across the fallen mass of walker remains that Rick raised his weapon.
Many fans have said that this proves Rick can make the hard decisions. I disagree. If Shane had not been there to initiate, Rick would have avoided confrontation and put the group in more danger. Rick, unfortunately, was responsible for Sophia’s demise. Unfortunate because he really was trying to do the right thing. That was his blood to claim. The blood of an innocent child, smeared all over the hands and spirit of a truly righteous man. Rick had to pull the trigger, he had to pay the soul-shattering debt.
That he was willing to step forward and take on that responsibility may simultaneously give him strength—and rip him apart.
Temperamental and rash, Andrea is determined to prove herself. But she remains prone to emotional outbursts that cloud better judgment, and result in foolish half-thought actions. That Andrea does have natural strength and the gumption to use it make her missteps all the more painful to watch. And often in the case of her fellow survivors, that pain is literal.
Who is Andrea? She is a character from The Walking Dead—a series of graphic novels by Robert Kirkman turned into one of the world’s hottest cable television shows by AMC and an insanely talented production crew. They have created cast of characters I have a great deal of love for:
If you aren’t watching the show you should be. From the moment the show begins viewers are taken on the undead ride of a lifetime, watching a cast of beleaguered humans fight not only to survive, but to retain that which makes us most human.
And it is Andrea—more than any other character on the show—that has left me screaming at my television set in equal parts empathy, rage and frustration.
Andrea is The Walking Dead’s most deadly female. Unlike the other women in the main survivor group she is very able to pull the trigger—and this ability is a vital component to both individual, and group, survival. But she is struggling to develop the mental maturity to deal with the new realities of a zombie-infested world. She has the guts. Her physical reactions to danger are never brought into question. Once the proverbial mess hits the fan, she is transformed into a tough-as-nails woman who does whatever is needed of her to draw her next breath. It remains to be seen whether she will survive long enough to become the face of “female power” on the show.
[***WARNING: Spoilers ahead***]
Andrea is a survivor. Anyone who has been through a war zone, natural disaster or other catastrophic event can tell you, no individual really knows how they’ll react in a life-threatening situation until they’re staring down the barrel of an AK-47. Some people freeze, some panic. Some go into survival mode to just get through it, while others become something akin to a battled-hardened army officer—alert, organized, able to take command of the situation. Andrea is able—no doubt thanks in no small part to massive adrenaline rushes—to batten down the emotional hatches and get through jut about anything.
But Andrea’s survival methods are also somewhat dangerous.
She is willing to push herself, but may take on more than she can handle. When walkers bit, infected and killed her last surviving family member, Andrea showed the depth of her constitution. She stayed by her sister Amy’s side—wracked with fear, guilt, sorrow and rage—until the zombification process took hold. It was Andrea who pulled the trigger to end Amy’s zombie existence. It was a moment of great strength, one that most of us would hope our loved ones would have were we to fall to a zombie horde. But it cost Andrea dearly, left her flailing and lashing out….and, yes, potentially dangerous to the other survivors.
She doesn’t listen. In the rush to demonstrate her ability to do more than wash the group’s laundry, Andrea ignored the entreaties of others in the group to take a shot at a possible walker headed towards Herschel’s farm. Now if we ignore the fact that the shot she took was aimed at one of the fan favorites Daryl Dixon and set off a pretty massive outpouring of hate, it remains a stupid move, at best. One walker. A half-dozen able-bodied men with weapons moving to intercept said walker. Why on earth would anyone consider it a good idea to take the shot and risk alerting every zombie for miles? Andrea’s desire to prove herself could cost the group lives.
Andrea is out for revenge. Few of us ever have someone specific to blame when a loved one dies; a mainstay of the human condition that can cause debilitating levels of sorrow. Andrea knows who killed her sister. Walkers. And she will take out every walker she can. In order to avoid the pitfalls usually associated with revenge, Andrea has to find a way to channel her pain strategically and not take ill-advised pot shots at ear-necklace-wearing rednecks.
There is a delicate dance to the life Andrea is molding herself to fit. She must remain level-headed enough to take clean, precise shots at the walkers. However, being able to say, “Now is not the time to fight” and retreat with the people she’s now sworn to protect is a huge skill to utilize. Can Andrea continue to grow into the ultimate zombie slayer? Will she be able to look past her thirst for revenge to do what is needed for the betterment of the group? She is unpredictable at best, downright dangerous to herself at worst. If Andrea falls into the darkness, nothing Dale or the others do will pull her out of a self-destructive tailspin. It is the danger we all face when put into world-altering events.
Everyone, whether fictional or flesh and blood, needs a person they can go to in times of emotional turmoil. That person holds up a mirror to reflect their true self. Without them, we are doomed to keep repeating mistakes, or worse, destroying who we really are by trying to pretend we’re someone different and going against our nature. Dale is that man. He speaks the truth, no matter how hard it is to hear.
If you aren’t watching the show you should be. From the moment the show begins viewers are taken on the undead ride of a lifetime, watching a cast of beleaguered humans fight not only to survive, but to retain that which makes us most human.
Dale is The Walking Dead’s yoda…or Gandalf, if you prefer. Wise and caring, Dale acts as an elder statesman within the group –tending to group members’ emotional wellbeing, settling disputes and providing a sense of stability and direction in a world gone mad. But as we’ve seen in season two Dale, played so beautifully by Jeffrey DeMunn, is only human. His wisdom is of great value, but—truthfully—is sometimes compromised by his own feelings.
[***WARNING: Spoilers ahead***]
He is a dying breed. More so than the others in the main survivors group Dale –an elder well-educated, worldly man who chooses to remain optimistic and forward thinking—may truly be the last of his kind in the post-zombiepocalyptic world. The group needs Dale, desperately, to keep them morally and ethically grounded. He may not be perfect, no one is, but Dale is the personification of those characteristics from the “old way of living” that must.be.protected. to truly maintain the humanity that binds us all.
Dale sees all. The other members of the main survivors group try repeatedly to get one over on him, to fly under the Dale radar so they don’t have to own up to their behavior. It rarely, if ever, works. T-Dog, for instance, tried desperately to hide how severe his injuries were in the first episodes of the season. In his infection-fueled fever T-Dog became uber paranoid about his place in the group. Who would want to rely on a crippled minority and an old fart, right? Dale set him straight, showing him exactly where he was needed, while also trying what he could to tend to the more pressing matter, the fever about to fry his friend’s brain. In that moment, Dale became like a father to T-Dog. Sometimes we need our parents, even when we don’t realize it.
Dale may not be able to pull the trigger…but is still susceptible to the horrors within. In Shane, Dale finally found the one soul he cannot follow down their chosen path. Shane’s methods in ensuring the people he cares for are shocking to some. He is the trigger man Dale could never be. At the same time, during their confrontations in season two, it is apparent Dale wants to reach that level of practicality Shane is at, the one where he could do to Shane what Shane did to Otis and be able to justify it by saying he did it to keep Andrea safe. But would it really be an effort to neutralize the competition? We still don’t know if Dale’s fatherly nature has given away to more when it comes to her…and how far it could take him.
There was a moment in the season one finale where I literally bit a hole in my index finger to keep from screaming. Dale did what I hope all of us would do in a difficult situation to protect our common humanity. He chose to make the ultimate sacrifice. Andrea later accused him of being selfish. I disagree. Dale’s decision to remain behind at the soon-to-explode CDC if Andrea was staying was a moment of true bravery—one we could all aspire to having (though maybe not in such dire circumstances).
As with many of The Walking Dead characters—and most people in the real world—Dale is defined by the choices he makes. That he consistently errs on the side of traditional morality makes him a force to be reckoned with. He is the group’s greatest defender…the protector of their collective soul.
Season three of “The Walking Dead” so far has caused ample amounts of yelling, throwing things at the TV, and sobbing. Even though episode 311 wasn’t as explosive as the previous episode, there was plenty to yell about as the dynamics between Team Prison and Team Woodbury shifted. It is becoming increasingly difficult to figure out where loyalties lie within the groups and the characters who crossover from one to the other. Only one thing is clear, war isn’t coming—it is already here.
This episode in particular had a lot of anticipation built up around it long before it aired. Heck, people were excited back before filming began and producers confirmed what the main story arc of the third season would be. Fans were anxious to meet the Governor and see Woodbury outside of the confines of paper and ink. Not to mention, watch an entire episode devoted to Michonne and Andrea. Oh and there was a certain returning character fans begged and pleaded to have back on The Walking Dead. We’ll get to them later.
There was very little time wasted introducing the Governor. On first impression, one looks at the way he leads his men and realizes, this is the sort of leader Rick wishes he could be. Unfortunately, Rick has an overwhelming sense of guilt and morality hanging over his head at all times. The more we saw of the Governor in this episode, it became quickly apparent he had neither of Rick’s downfalls holding him back. Can Andrea and Michonne trust the Governor? The answer is a double-edged sword. He fully believes his efforts alone will be what saves humanity and made it perfectly clear he’d do anything necessary to do so. When you know someone’s game plan, you can trust them to follow through. But to rely on him for their safety when he lies about his intentions in other matters? They’d be foolish.
Michonne is more than ready to leave town and make her own path to survival. She is a woman determined to do things on her own. Trust is a huge issue with her, except when it comes to Andrea. However, trouble could be brewing in their friendship if Andrea insists on staying in Woodbury much longer. Michonne’s spidey-senses are tingling. She’s pacing like a caged tiger waiting for someone to get too close to the bars. Danai Gurira is amazing in this role. Michonne rarely speaks, unless she is alone with Andrea, but her misgivings about Woodbury and the Governor are very, very clear thanks to Danai’s stellar performance.
The reintroduction of Merle was perfect. Even without showing him, we knew right away who’d snuck up on Andrea and Michonne. This isn’t the same Merle we saw handcuffed to the roof of a department store. His time in Woodbury has given him a clear head. With the Governor calling the shots, directing Merle’s every move, he has no leeway to dive back into his vices. At least, that’s how it seems so far. Who knows, Merle could flip a gasket and start talking to rocks for all we know.
