The Obliged: Review for The Walking Dead 904 by R.C. Murphy
Watch out, there’s a horde ahead! A horde of episode spoilers, that is.
Sometimes a dream just isn’t obtainable. Could be because said dream cannot be done with the means at hand. Other times Nature puts Her foot down and reminds one of their place in the world. In the case of Rick’s precious bridge, both forces wind up closing down construction. First, over half of the workforce walks out. Then the former Saviors rob the Kingdom and there’s a firefight with numerous casualties. All that bad news comes after the biggest blow of all—the newly risen river will wash away the bridge supports long before the remaining laborers can finish repairs. Everyone from the camp has a near-death, or actual death, experience during this doomed build. Sometimes escaping one near-death situation leads one right into the path of another, though.
And sometimes that path is cut by the people whom you trust the most.
This particular trip started back when Maggie made it clear that Negan’s survival was the final nail in the coffin of her open cooperation with Alexandria, particularly their leader, Rick. She’s had nearly two years since then to subvert certain fail-safe systems put in place to keep her activities in check. Her most important weapon being Rick’s good pal Daryl. Maggie’s second most important weapon is her rage. It keeps her focused on her mission, despite Jesus’ best efforts. While Maggie rides toward Alexandria, Rick is led astray by Daryl. Their inevitable physical encounter over Negan’s fate isn’t all that satisfying when it’s cut short by the pair falling into a pit. While it’s not his original plan, Daryl still gets the job done, delaying Rick long enough for Maggie to get to Alexandria.
The price for Maggie’s “justice” comes at the episode’s end, when shortly after scrambling from the pit, Rick opts to lead the walkers away from the main road on horseback instead of cutting off Maggie’s mission. At a crossroads with heavy debris, Rick accidentally leads one horde into another, spooking his horse. Our hero is impaled, and we’re left to wonder if this is finally it for Rick. We know he’s leaving, just not how he’s leaving. The production team has said it’s not death, but things aren’t looking too promising for Rick’s continued survival at this point.
What does Maggie hope to get out of her scheme? Will she even follow through? Guess we’ll have to wait and see.
Then there’s Michonne, who is barely hanging in there by the skin of her teeth. While the bridge crew works, she remains in Alexandria to make sure everything runs as it should. Unfortunately, not even the mental drain from being everyone’s stern voice of reason is enough to exhaust Michonne, allowing her a good night’s rest. To blow off steam, she does what any woman would do; she decapitates zombies in the middle of the night. One of her daytime chores puts her in charge of forcing Negan to eat during his hunger strike. They make a deal. All she has to do is chat with a lonely man for a little while. Negan digs his mental hooks deep during the conversation. The theme for Michonne’s story arc in this episode is how her life is so similar to Negan’s. There’s even a moment early in the episode where after finding a lynched zombie, Michonne’s attacked and forced to use a baseball bat to defend herself. The hunger strike ends when she admits they have similarities, however her outlook on the future is far, far better than his. We glimpse where Negan’s head is really at during the end of their second conversation when Michonne reveals that Lucille is still in the field where the final battle took place.
In the junkyard, Gabriel does his best to make what are surely his final moments with Anne as pleasant as possible. If one ignores the fact that she’s about to turn him into a walker as payment for transportation on some creepy sounding guy’s helicopter. The lord must have blessed that man’s tongue. All Gabriel’s talk about forgiveness gets to Anne. Instead of turning him, she knocks him out and runs. The only trace of her left behind is a note pinned into Gabriel’s coat.
Looks like we’re saying goodbye to quite a few characters. Either that or this universe is about to expand again.
The Bridge: Review for The Walking Dead 902 by R.C. Murphy
Yup. There’s spoilers in the following review. You’ve been warned.
For once, the main plot is pretty straight forward on this show. Okay, there’s been a few single group or subject episodes, but the Cool Thing for quite some time has been to pack in as much drama as possible, from as many sources as possible, to overwhelm viewers in order to make an episode feel like it meant something instead of letting interpersonal relationships in a smaller group do the same thing. When the writing team steps back and lets the characters push the tension again—instead of like during All Out War where we clearly saw where they meddled to make the plot work—it’s a slow-paced episode, yet still fully highlights how much drama there is left to milk from the Rick/Savior story line. Infighting from a small, encamped group brings us back to the good ol’ days of squirrel flinging. Who doesn’t like that?
In the episode, the communities have banded together to repair the storm-damaged bridge which detoured the group heading back from D.C. with supplies. They’re over a month in and from all outward appearances, it looks like the various groups are doing well in their makeshift camp beside the river. Everyone’s got someone to smile at in the morning—even Jerry! It doesn’t take long for the shiny veneer to wear thin once Eugene runs down his ever-growing list of problems.
Problem one: Food. Extra labor means extra calories needed to keep the workforce on their feet. Sanctuary still isn’t pulling edible vegetables from their fields. Alexandria has never really recovered from Negan’s last raids, so their pantry is more dust than anything fit for human consumption once they pulled food for the project. Oceanside can only provide so much. Which leaves Hilltop once again footing the bill to keep the masses fed. That may not happen unless they can find the missing fuel from Sanctuary, since all they’ve got other than the tractor is an imprisoned blacksmith and a broken plow. Water looks like another hard spot for the work crew. Keeping fresh, yet purified water on-hand in quantities fit for hard labor can’t be easy with the camp setup.
Problem two: Missing former Saviors. About half a dozen gone without a trace. Even before Alden makes it back with a report that Sanctuary hasn’t seen the men, nor have their families, I knew something smelled fishy. That last scene with Justin confirms what I thought—a serial killer is taking out the ex-Saviors one by one. Yeah, it’s a totally predictable thing to happen, but the intrigue it brings to the show will be great. The added pressure on the reformed baddies to socialize, plus exhaustion from labor, plus concern about their well-being leads to a series of fights throughout the episode, and one near-fatal communication error.
Problem three: Gravity waits for no man. The levee put in place to divert water for the bridge project is failing rapidly. According to Eugene, the only way to make sure they finish on time is to work nonstop. That means not waiting for the walker herds—named using a similar method to hurricanes, I believe—to pass on their own so they can detonate TNT and stay on schedule. Due to tensions with Sanctuary workers, and the incident which cost Aaron his arm, that schedule is pretty much useless. Yet Rick still brags to Negan about having hope at the end of the day. That’s gotta be the exhaustion talking.
Away from the worksite, Michonne takes it upon herself to source the food necessary to get the bridge built. The response is cold at first. Maggie is tired of bleeding supplies needed for her people and getting little to nothing in return. Not only that, but unless the ethanol magically shows up, she has to finally make a decision about Earl’s punishment for attempted homicide or they’ll have no way to get the next round of crops in the ground. It’s the perfect opportunity for Michonne to pitch the idea for standardized laws once again. This time Maggie is listening, not overwhelmed by her anger. But Michonne alone can’t get Earl out of jail. It takes a long, hard conversation about his drinking for Maggie to see that Earl, like her father Hershel, just needs the chance to show his good without the booze doing the talking for him. If Hershel hadn’t gotten another chance, many of the survivors we’ve come to love wouldn’t be with us anymore.
The episode is fashioned as a bragging session from Rick to Negan. It’s so, so tacky for Rick to keep going to this guy, using him like his personal diary. “Dear Negan, Today a guy’s arm was cut off because I somehow magically trusted a man, who got in a fist fight over a kid’s job, to keep some lumberjacks from being eaten alive.” If Negan does break out and kill everyone, Rick’s asked for it by continuously poking the bear when he should have dropped him in an oubliette and walked away.
A New Beginning: Review for The Walking Dead 901 by R.C. Murphy
You know the drill. There’s a ton of spoilers in this review, so proceed accordingly.
Despite the show being back on the air during its normal time frame, it feels like we were away from Rick and the gang for way too long. Or maybe it’s just that 2018 feels like 10 years packed in a single year’s box, held together with cheap packing tape. The Walking Dead gives fans a good way to vanish from the real world for a little while, as it always has. But did the production team manage to grab the waning attention of fans burnt out by the exhausting All Out War story line?
I’m honestly not sure this premiere is strong enough on its own to do that, and it’s a little worrying considering what all we know for sure is coming down the pipeline as far as actor departures from the show.
The bulk of this episode deals with an idea the producers introduced at SDCC this summer: Reclaiming old technology in order to ensure a future for their communities. In the opening montage, it’s clear that Sanctuary’s corn crop failed. The factory’s dirt is sour. All they can do with the produce is turn it into biofuel, and the yield isn’t nearly enough to keep everyone driving out to source supplies to fully replenish Negan’s former home sweet home nearly 2 years after the war ended. To speed up the process of healing the ground, they need a better, faster way to plow. There’s also a few other things they need, so everyone’s off to Washington D.C. to raid the Smithsonian. Makes perfect sense. How many scouting teams would’ve had the time or energy to take things like covered wagons before now? Aside from some minor walker damage, everything in the museum is intact.
The plan to get it all out, not so much.
This episode, like so many before it, is plagued with basic logic errors so great, one cannot help but yell at the television. There’s a vast difference in writing a tense scene in which a beloved character has a close call, and writing a series of foolish calls that are obviously wrong while still (still!) presenting the person giving the orders as the best possible leader for these people. This problem continues into the next set of problems while getting their loot home. How on earth did they create this relay network, yet when it comes to actually planning and executing what should be a moderately easy mission, they do things like fail to make sure all the bridges are secure? The latter oversight cost Ken his life. Always know your exits. It’s a basic lesson all women, police, and military learn.
Perhaps it’s because of all the bad calls that the power struggle is more pronounced this season. The first problem comes from everyone’s need to put an outside in charge of Sanctuary to keep the dissidents in line. Daryl wants out. Being in the building triggers his PTSD, but he stops just shy of admitting as much to Rick. Carol, however, hears and understands why Daryl needs to get away from there. Not sure she’s going to have much better luck, not with guys like Justin lurking on the fringes with his passive aggressive quips, and the constant reminders that someone in the community actively wants Negan back. The second problem comes to light curtesy of the unchecked, crumbling bridge. Turns out Hilltop has it good. Really good. They’re flush with people, produce, and ideas. And for this entire time, they’ve been loaning out supplies right and left to keep everyone afloat. Yet everyone defers to Rick. He gets the praise. Maggie, in a moment I wish to frame and mount on a wall, point-blank tells Rick that the power dynamic will change because she knows her worth, and that of the people under her care. Rick, to his credit, acknowledges it and doesn’t seem all that torn up to have a little pushback. The third problem is proof that Maggie needs the spine of steel we saw in her conversation with Rick because someone’s out for her head. I’ll give you one guess who it is. Gregory was never going to let the election results stand, and Maggie should have known he’d take a funeral as a chance to plot against her. In another show of power, Maggie hangs Gregory in the middle of town using one of the most painful methods ever. It’d take a brave fool to go toe to toe with her anytime soon.
A quick note to wrap up . . . . Can we have a spin-off romantic comedy with Carol and Ezekiel? Seriously, all I want is to see these two happily joking with each other until the end of time. No cameos. No walkers. Just a blissful couple in an empty world being adorable. It’s been a rough year. We deserve this one nice thing.
Thanks to the stinger at the end of TWD’s season eight, fans knew going into season nine that there would be quite a bit of drama around how, exactly, this newfound peace will be lead and nurtured to last into future generations. In order to make it work, they brought Maggie to the forefront to take over as leader for Hillside. It’s the perfect arrangement, putting the farmer’s daughter in charge of the farming community, and Maggie has the backbone to see that her people not only pull their own weight, but are showed the respect they deserve. “But we’ll see that Maggie is just, you know, she’s not gonna just fall in line with everything Rick’s doing because she has to take care of her own people now. She’s got her own agendas and she’s gonna follow them,” showrunner Angela Kang explained during The Walking Dead Season Nine Preview Special.
Too bad Rick disregarded that respect when he alone made the decision to keep Negan imprisoned in Alexandria.
As seen in a recent teaser, Negan doesn’t plan to sit quietly in a corner to rot under Rick’s watchful eyes. His monologue is manifestation of the fear eating at Maggie since the second Rick gave Negan the role as prisoner of war. The guy will never lay down and stop plotting to save himself. Matter of fact, Rick, Maggie, and their folks built the exact thing Negan strived for—a cooperating network of communities with a constantly flowing supply chain. The main difference is, there’s no preferential treatment in this new society. No room to grow into a management position and lord over everyone. For Negan, that’s a flaw he’ll gladly fix once he finds a way out of Rick’s little prison.
It won’t be an easy fight if Negan does get out. Probably. Maybe. In a clip from one trailer, there’s a call for help from the Saviors, with a reply echoing the group’s standard response when asked who they were. So obviously someone out there is still feeling loyal. But are they enough to upset the applecart this far down the road thanks to the time jump? Hilltop looks pretty secure in the few glances we’ve gotten from the various trailers/teasers. If Alexandria got the same sort of treatment, it might be enough to hold Negan in and his still loyal followers out. But none of that matters if Negan works his magic from the inside, playing with people’s heads. Not to mention, Negan has the added bonus of looking for gaps in everyone’s armor while they deal with the Whisperers.
A little quick casting news, since we’re here discussing Hilltop anyway. The production team announced the addition of two new characters straight from the comics (with a few changes to fit the story). Joining the bustling community for season nine is Brett Butler as Tammy Rose, and John Finn has been cast as Earl, Hilltop’s blacksmith.
Fear the Walking Dead Crawls Back to AMC by R.C. Murphy
Over the course of the fourth season for Fear the Walking Dead, the production team flipped the show on its head. And the season isn’t even halfway finished. Gone is the linear timeline—with no promises from the showrunners to return to the storytelling style from before. Fans were treated to a whole new set of characters and their ever-evolving problems. A strong love story came in, highlighting the need for happiness in the show to keep it feeling fresh. Happiness that wasn’t yet another temporary, overly dramatic, possibly ill-considered relationship for Alicia. Then came the biggest turn in the show’s history: The family is no more. In order to move in a new direction, they cut most of the ties to the past via Madison doing what she did best, right to the very end. Not only was it a shock to the fans, but the cast, as well. Coleman Domingo spoke in an interview about the dual departures, going into how hard it was to lose coworkers who’d been there since day one. What did it take to translate that emotion to the screen? “It required intense amounts of grace, and patience, and frustration, and being honest about your feelings,” Domingo said.
I’ll be honest, I lost track of this show again, despite the appeal of Morgan’s crossover—the character is amazing and I kinda wanted to keep in touch with his story. When the Madison/Nick news dropped, I regretted lagging behind and seriously considered a quick season four catch-up. Other things the cast and production team said during their 2018 San Diego Comic-Con panel made it even more apparent that the deeply problematic show I left behind is not the show that’s on air now.
Not only that, much like the cast from the sister show, those who were onstage for the FtWD SDCC panel appeared happier. More relaxed. The jokes and banter were actually funny. At one point, everyone in the hall wished Alycia Debnam-Carey a happy birthday. More than the renewed joy, even the concepts they spoke about morphed from discussions which highlighted the cringe-worthy, racist nature of the previous seasons’ plots, to pointing out how the incoming storm teased in the trailer is, essentially, a visual representation of Alicia’s grief. It’s a massive difference and makes the show more inviting to new audiences.
And let’s not forget the drastic uptick in poo jokes thanks to Lennie James and the showrunners, Andrew Chambliss and Ian Goldberg. Believe it or not, it’s completely relevant to the show. Let’s just say they’re bringing in a whole new level of realism to Morgan’s story line and leave it at that.
The second half of season four will find Morgan struggling to figure out if he belongs with these people, or where he belongs if not with them. Alicia’s forced to mourn her family while enduring a storm chalk full of airborne undead. She’ll even have her own character-centric episode at last. Strand grasps for comforts from the days before hell came to Earth and seeks shelter in a mansion, complete with wine cellar. Everyone else from the stadium will use the remaining episodes to find their purpose and place in a world suddenly devoid of their leader. Chambliss told Syfy Wire, “The back half of this season has all of our characters asking themselves . . . ‘What do we do to move forward? Who are we to each other? How can we come back from all these really dark things we did?’ We really view this as an ensemble show, and we’re going to be telling stories throughout the back half of the season that will focus on different characters grappling with those existential questions in different ways.”
On top of the already introduced new characters for season four like Jenna Elfman’s multiple-named character, Maggie Grace’s Althea, and Garret Dillahunt’s John Dorie, there are even more new faces coming onboard to flesh out the ensemble. Aaron Stanford, who just wrapped the astounding Syfy series 12 Monkeys, makes his way over to FtWD for even more genre weirdness. Parks and Recreation‘s Mo Collins has the potential to bring a whole new vibe to the cast with her vast comedic career. Tonya Pinkins, who played Ethel Peabody on Gotham, is also slated to make her appearance soon. Daryl Mitchell, better known for his comedic roles in Galaxy Quest and 10 Things I Hate About You, will bring something different to the franchise—a disabled character played by a disabled actor. It’s about dang time the genre got better about disabled representation, and Mitchell’s on-screen energy makes the casting choice just that much better. Stephen Henderson (Fences) rounds out the new FtWD cast that’s been announced so far. It’s an insanely talented group coming onto the show at a time when everything is in flux.
Oh. Oh, man. So this is what it’s like to be actually excited about the show again. Never thought that sensation would ever return.
Speaking of returns, Fear the Walking Dead returned to AMC on August 12th, so there’s no need to wait any longer. Jump into season four. Go ahead. I think it might actually be worth the time.
The Lost and the Plunderers: Review for The Walking Dead 810 by R.C. Murphy
Before you mosey down this road, just know there’s episode spoilers ahead.
Is now the appropriate time to say that Rick Grimes is literally the worst character to ever be propped up as the hero of a show? His actions alone make Rick a villain, not even a decent one at that because he wastes so many opportunities to better his people and delves into the tiresome lone-wolf terrorist mentality. Dude has a family relying on him, but they’re some of the last he considers. For Pete’s sake, he just buried his kid, then turns around to do some astounding gymnastics. The mental kind, that is. How else could he listen to Carl’s final plea, then have the gall to ask a likewise grieving Michonne what the dying boy meant by begging for peace between the communities? Carl had this entire dream for their people, for all people, which he confessed during a painful, slow death. That still isn’t enough to convince Rick to move on. No, no. He wastes precious time finding guns, which don’t exist anymore, and then boasts about his plans to Negan in the same breath as he uses to absolve the Saviors of Carl’s death.
Negan’s right, folks. Rick Grimes is the sole reason his son perished. But not simply because Rick wasn’t there that one day, but because Rick hasn’t been there for his son since the prison. Not since Carl killed Lori after Judith’s difficult birth. One could make an argument for Rick never really being there for Carl at all—since the day he arrived at the quarry, Rick’s schemed and fought for power within their group, and any other community they come across. Sure, there’s bursts of paternal activity, but Rick has the focus of a child. Without someone or something to force him to focus within his family, he’ll seek other forms of excitement. Rick’s loyalty is to Rick, yet he demands everyone around him be willing to die for his personal morals without question. Carl dies chasing someone else’s moral code, Siddiq’s, and it’s a rock in Rick’s throat that he can’t use this as an excuse to nuke the Saviors and piss on their graves.
Sounds like a real hero, huh?
The Saviors are in a slightly better position now that they’ve reclaimed Sanctuary from the dead. Time has come to get their house back in order, and Negan wastes no time dispersing his lieutenants to the communities—except Hilltop, which will require a significant show of force to bring to heel. With so much in the air, one man feels it’s his time to shine. Simon demands they make examples of everyone who went against them, starting with the Scavengers. For a hot second, I thought Negan would pop a new hole in Simon’s head and go on with his afternoon. No such luck. Simon doesn’t get his massacre order, just a command to stick to their typical M.O. to reaffirm relations between the communities. Since all the men on this show are so predictable, it’s no surprise when Simon takes offense to Jadis’ stoicism, ordering his men to wipe out the Scavengers. The best part? Simon thinks he can hide it. Boy, that’s not going to be a pretty scene when Negan hears the truth.
Alone for the first time in a long time, Jadis finally lets the gag slip. She’s not some enigmatic, alien-like leader. Art is in her blood, and that love for art made her look at the apocalypse as the best way to art harder, turning the entire landfill into a museum populated by the kind of people she thought should populate her new world. Sure it meant completely changing her dialect pattern, but artists are weird, y’all. I fully believe someone out there might go, “Zombies, huh? Time to become a weird, monosyllabic cult leader who fancies cats.” Whatever works to keep oneself one step ahead of the undead, right?
We can’t talk about the Scavenger’s demise without addressing the meat grinder scene. Okay, I know it’s an industrial grinder, but a whole load of ground people comes out at the end, so my statement stands. Not that I want it to, because I’m fully, totally off ground meat for at least a year. Not only is the gore too much to handle with a snack in-hand, but the acting from Pollyanna McIntosh during Jadis’ final goodbyes is astounding, heartbreaking. And frustrating. If she can put out that kind of performance, why aren’t they using this character better?
On the week of International Women’s Day, we have yet another example of Rick’s machinations leading to undue turmoil within the women-led Oceanside community. Last episode, Enid shot Natania. This episode, they deal with the fallout from that murder. A murder Enid insists she was forced to commit. But, uh, no one told her to go harass these women again. For what? They don’t have the weaponry needed to fight Negan’s army. Enid and Aaron barge into this community with nothing to bargain with, blood on their hands, and the bold demand that these women become cannon fodder in an ego war between Rick and whoever’s in his way this week. To add insult to injury, after Cyndie spares their lives, Aaron plans to subvert Oceanside’s commanders by manipulating fringe members, convincing them to join the fight. Leave these women alone, already. They’ve done nothing to anyone, but over and over again they are forced to sacrifice their well-being to meet men’s demands. This isn’t entertainment anymore. It’s watching some dude’s ego waft around on screen with a soundtrack and occasional explosion.
The war continues despite Carl’s plea. I fully believe Negan would’ve at least signed a temporary cease-fire in the kid’s honor. JDM twisted that knife all over again with Negan’s sincere condolences to Rick. Then Rick blew it off and I found a whole new flavor of hate for the character. So cool that I’m learning new things about myself when it comes to this show eight years down the road, huh? Too bad it’s only confirming that if the main character died, it’d improve my opinion of the show a thousand-fold.
Catching Up with Fear the Walking Dead by R. C. Murphy
Mandatory Credit: Photo by Rob Latour/REX/Shutterstock (8970351m) Mercedes Mason and Michael Greyeyes ‘Fear the Walking Dead’ TV show panel, Comic-Con International, San Diego, USA – 21 Jul 2017
The main cast each got a little time to talk about where their character has come since the season started, and how the actors feel about where they’ll go in the upcoming episodes. Kim Dickens was quite impressed with how the show’s writers went back to ground Madison’s seemingly unrealistic decision process in severe childhood abuse. She said the reveal was a “beautiful moment where a parent becomes human to their child.” Colman Domingo relished in the chance to rebuild Strand after the yacht joined the other deceased FtWD characters in the great beyond. Frank Dillane wasn’t too clear on what’s pushing Nick now, but showrunner Dave Erickson was there to give the panel’s audience a glimpse into what the production thinks about Nick’s amazing ability to adapt thanks to his troubled past. Alicia was on the outside looking in for family bonding time, according to actress Alycia Debnam-Carey, and has no plans to rely on Madison or Nick to get ahead in their new circumstances at the ranch. She, along with co-star Sam Underwood, defended Alicia’s undefined romantic relationship with Underwood’s character Jake. They were adamant that the relationship will never become that horrible codependent trap all young women on TV fall into at some point, and pointed out how the show has never shied from take-charge women who don’t need men to survive. Daniel Sharman took a minute to quell rumblings that Troy was being taken advantage of or unwittingly influenced by Madison. Their tension isn’t what some assume, but a well-calculated game of manipulation chess. Dayton Callie was on hand to say farewell to the FtWD chaos in his own particular way. Mercedes Mason offered some insight into the changes we’ll see from Ofelia. She’s finally accepted that she’s her father’s daughter, became a total badass in order to survive, but will be very much herself, still. Newcomer Michael Greyeyes gushed about being a fan of the franchise before accepting the role as Qaletqa Walker. What drew him to the character? The fact that Walker was written as an intellectual, a former lawyer. He enjoyed the chance to bring that kind of representation to the small screen.
SAN DIEGO, CA – JULY 21: (L-R) Actors Frank Dillane, Alycia Debnam-Carey and Sam Underwood speak onstage at the “Fear The Walking Dead” panel during Comic-Con International 2017 at San Diego Convention Center on July 21, 2017 in San Diego, California. (Photo by Kevin Winter/Getty Images)
There were a few fan questions at the end. Most were rehashes of every comic-con panel question ever, so I’ll spare you. Erickson did drop one small tidbit—we’ll never see deadTravis on-screen due to scheduling conflicts and story direction.
I wish we’d gotten more from this panel. It was somewhat lackluster, and downright insulting during one portion where it devolved into a free-for-all about certain actors’ accents. Maybe the footage they showed made up for the shortened discussion time with the actors.
So naked Rick and Michonne don’t turn Jesus into swiss cheese.
Matter of fact, once the cavalry arrives to restrain Jesus again, they somehow end up listening to what he has to say. They’re totally onboard with sending the town’s ruling council and the majority of their top-tier fighters with this stranger, as well, even after hearing he’d taken full stock of their supplies and people before essentially turning himself in to Rick. They were more suspicious of Morgan, the man who may be the sole reason Rick saw more than a week outside the hospital after his coma. Yes, Morgan snapped his Slim Jim after his son passed, but he is fully not crazy now and Carol still watches the man like he’s about the club them all to death and make sachets from their skin.
With no real concern whatsoever, Rick, Michonne, Glenn, Maggie, Daryl, Abe, and Jesus climb into an RV—there’s always one which just happens to be nearby—and take off toward an undisclosed location with only their vague threats to keep Jesus from driving them into a trap.
Which exactly what it looks like not long after we rejoin the gang on the road. A car, one Jesus swears belongs to his people, crashed on the roadside moments before they drove past. Now, not only are the fighters separated from the group, they’re being put directly in harm’s way for people who may still turn around and put bullets in their brain pans. There’s an urgent rescue. One of the guys, Dr. Carson, thanks Maggie and Glenn by being probably the only OB left alive in the state and offering to care for their baby. How’s that for luck?
During the entire episode, Jesus is essentially Google—feeding Rick and Maggie exactly what they need to manipulate Gregory, Hilltop’s chicken-livered and misogynistic leader. It’s all too easy, this plot. Somehow we end up at the right place at the right time for these unfortunate people to demonstrate the kind of antics keeping Negan top dog in the county. But with all the bad Negan has done—namely, his men murdering a sixteen year old boy upon The Saviors’ first meeting with Hilltop—Jesus seems not concerned at all about being in the room with two men confessing to blowing up quite a few of the boogeyman’s goons. If that were me, I’d wash my hands of Alexandria, not matter how badly we needed another trading post.
Hilltop itself is designed to resemble a walled medieval estate during wartime, with all the folk from the farms and homes under care of the lord encamped within the walls. It’s so blatant, Gregory turning out to be a world class jerk doesn’t surprise me in the least. It’s even less surprising that one of his own men would then stab him, hoping Gregory’s death would secure the release of a man Negan took captive. Why did he take this guy and kill another Hilltop citizen? Gregory sent his people to deliver their usual payoff knowing it wouldn’t be enough. It’s never enough. Negan will demand more and more. Though Gregory survives, this hasn’t done a thing to teach him to grow a pair and take on the man running their lives from afar.
In comes Rick and his band of killers.
Seriously? This is where the story goes? They veer from attempting to set up a functioning ecosystem in Alexandria to hired mercenaries who’ll just kill and take what they want. These are the people Rick wants to kill, usually. But when it suits them, murder is on the table. They wouldn’t need to kill Negan so soon if they’d stopped to do the boring things like clear fields. But they need food now. Hilltop has a functioning system in place which produces enough food to send half to Negan without forcing strict rationing in Hilltop. If Negan doesn’t need that food being dead and all, Alexandria will take it. Now. Half of whatever is on-hand is cheaper than the cumulative price to keep Negan at bay via bribes.
But again, this is all too easy to follow to the conclusions the writers want. They’re trying to make fans guess who’s going to die. Is it Glenn? Negan and Glenn’s comic book story is well known, spread by every reviewer trying to make the show into something it’ll never be—an accurate reflection of the comics. They drive more nails into Glenn’s coffin during this episode, finally giving us a glimpse at his and Maggie’s child in an ultrasound. Every happy character dies on this show. It’s no surprise. Abraham seems a tad happy himself after some soul searching and a near-death experience, but he’s mostly in the story now to fire large weapons and make us question Glenn’s fate going into the season’s end. Some say golden boy Dixon will bite the big one. It makes sense, seeing as he did blow up Negan’s people.
It’s all so boring, this weird dead pool going on in the fandom. I never watched the show to see who would die. I kept watching because the characters made rational decisions in an interesting setting and the story pace never lagged so much, I wanted to wander off for a snack ten minutes into an episode. They’ve killed the Negan story line before it begins.
Going through Zombie withdrawal? Need a quick fix to get you through to February? Look no further … Wither by Amy Miles
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We here at Zombie Survival Crew Command are just now managing to crawl out from under the horde of zombies unleashed by The Walking Dead season premiere Sunday night!!! Wow, what an adrenaline rush! By the time the premiere ended the Command Center was littered with ice cream wrappers, handfuls of tossed popcorn and a pile of bloody machetes!
We were scheduled to announce the country winners for the T-Dog’s Next Line contest right after the premiere aired –and we do apologize for the delay. Those popcorn kernals were really hard to get out of the Command computer keyboard!!!
So now, without any further ado, here are the medal-winning countries in the in T-Dog’s Next Line contest!!!
Gold – U.S.A.
Silver – Ireland
Bronze – France
There were entries that made us laugh, cry…cringe. The Walking Dead fans are definitely a creative bunch! And we’re now continuing to sift through all the entries and will post individual category winners on October 28!
Until then, stay tuned to The Walking Dead Sunday nights on AMC…if you dare!