Talk about jerking on our heartstrings. This episode was chalk-full of teary moments. We really need a warning before the episode airs, along with the violence warnings, telling us to grab a box of Kleenex before emotional episodes. For the first time since Rick’s group arrived at the prison, the entire episode took place outside the prison gates nor on the streets of Woodbury. Most notably, there were only four main characters involved. However, the ghosts of many others lingered at the edge of every conversation taking place.
**As usual, there are spoilers below. You’ve been warned.**
In “Clear,” Rick and Carl come full circle as far as their travels go. They’ve been on the run for over a year, yet when things are dire and they need a hand up to get ahead of the Governor’s scheming and army-building, they go home to King County, Georgia to find what they need. The only problem is, the sheriff’s station has been completely cleaned out. There’s nothing left, save a single bullet for Rick’s Colt Python.
Before they even reach King County, Carl questions Michonne’s motives about every single thing she does. At one point, I expected him to ask why she breathed the way she did. Carl is hyper-vigilant. All of the betrayals they’ve suffered warped his growing mind. He’s paranoid, watching everyone they encounter for signs of malice. His paranoia makes him ruthless. He is becoming more and more like Shane, Carl’s mentor before he was forced to put him down like a rabid dog after Shane’s violent encounter with Rick. Carl takes the tough shots and is beyond taking orders from Rick, who he no longer views as a viable leader for the group. However, Carl is young. His emotions range from cold to molten rock at the drop of a hat, much like his father’s. He is still ruled by a child’s lack of impulse control. It could land him in serious water. Again. Hey, is Carl in the house?
Thankfully, Michonne has the presence of mind to keep an eye out for Carl, despite knowing his misgivings about her intentions toward the folks living in the prison. For the most part, we only hear Michonne speak when spoken to, or when she’s laying into Andrea for everything wrong she’s done since walking into Woodbury. However, with Carl she speaks up and gives him someone to connect to when he’s obviously so, so lost without his parents. Daryl did something similar right after Lori died. Why is it the most broken people know how to treat an emotionally fragile child better than his father? We get to see a softer side of Michonne here, not only because of her time alone with Carl. You know what? She’s got a sense of humor on her. The woman is also apparently a ninja, as they observed on Talking Dead after “Clear” aired. It took her seconds to climb a building and just as long to walk around the restaurant to recover the item Carl dropped. Forget rednecks and their prowess with crossbows and automatic weapons, I’ll take Michonne and her sword for the Orange Brigade.
At long last, the number-one question asked by Walking Dead fans can be put to rest. Morgan didn’t end up a footnote lost in the madness of everything that happened after Rick met up with his family outside of Atlanta . . . and there was much rejoicing. Kinda. See, Morgan is nuttier than a basket of kittens. When someone makes Rick and his hallucinations of Lori look sane, there needs to be some serious medication put to work ASAP. Possibly shock treatment. Something, anything to recover Morgan’s wits. It is painfully obvious early on that Morgan is alone. His son Duane’s death is revealed in a scrawled note on the walls of his home, “Duane turned.”
The walls of Morgan’s home are as chaotic as his mind. One word is scribbled over and over again amongst the rambling, “Clear.” We could spend days discussing what this word means to him. Morgan doesn’t use it in a normal sense—all’s clear. The word haunts him, taunts him. He failed to clear the dead from around his house, namely the reanimated corpse of his wife, and it cost him dearly. “Finally was too late,” he says. His failure to clear the way destroyed Morgan’s life as he sees it. He is trapped in King County, not by the dead walking the street, but by the dead walking around in his mind whispering, “Clear.” Was the word one of the last things he said to Duane before he went on the ill-fated search for food? We may never know why everything and everyone must be “cleared” in Morgan’s mind. His lucid moments are few and far between.
Rick cannot cope with Morgan’s mental breakdown. He sees too much of himself reflected in his one-time friend’s eyes. Rick works himself into a panic as he watches the snatches of sanity Morgan regains slip away. If Morgan cannot overcome the grief consuming him, does Rick have any chance at all of resuming his life or is he doomed to wait for the day the rest of his family perishes, slowly losing his mind? His grip on reality and the interpersonal relationships keeping him grounded are slipping. He has no control over Carl, though they have begun speaking to each other again. Rick leaves Judith’s care to the women in the camp for the most part. Carl is the one to think of finding something as simple as a collapsible crib to bring back to the prison. Morgan’s insanity is proof there are depths to which Rick can fall if he doesn’t start fighting to keep his mind in check now.
Morgan claims weak men like him have inherited the earth. With everything happening between the prison group and Woodbury, it’s easy to see what he is talking about. The powerful men, the ones who know how to take charge and organize others into action, make it pretty far in the apocalyptic lifestyle. People need someone to listen to sometimes. Someone who thinks rationally and quickly. But for all of the power the leaders wield, they want more and get caught up in mad power struggles to prove they are the only one worth following in a time of dire need. Rick had this problem with Shane when he joined the group at the quarry. Shane stationed himself as the leader and in walked Rick, doing what he always does—helping folks in need. Shane couldn’t let that stand. He started an emotional war with Rick. What did it cost Shane? Several pints of blood and a huge portion of his skull. And now Rick finds himself embroiled in another war, this one with Phillip. The new war is violent and will consume everyone in its path—including the two powers driving it on. Morgan may have a point. The weak can hide. They hunker down, gather supplies, and fortify their safe haven. For the weak, the only power struggle comes when they must venture out amongst the dead to forage for food. And if they are as well-prepared as Morgan, they have all the power in that war.
Was this broken shell of a man what you were expecting when Morgan finally returned to the show? Let us know what you think in the comments below.
Review of “The Walking Dead” 310 – “Home” By R.C. Murphy
As hard as it is to believe, everything happening so far in season three of “The Walking Dead” was the calm before the storm . . . and the first arm of the hurricane swept through the lives of Rick and his crew in the newest episode. Hope you have something to hang onto. It is going to be a bumpy ride.
Warning: Spoilers below
Let’s get this out of the way, the show hasn’t jumped the shark and added ghosts into the mix. Robert Kirkman clarified it on “Talking Dead” after episode 310 aired. Rick is hallucinating. There are various forms of hallucination. Rick progress from auditory hallucinations—hearing the voices of the group’s dead through the telephone—to visual hallucinations. He picked an image of Lori from a happier time in their lives to cling to. In other words, he’s cracked his gourd and is no use to anyone anymore. Even when Hershel pleads with Rick, he is reluctant to listen to reason. His eyes move constantly, seeking the comfort of his vision of Lori. It isn’t until the last moments of the episode, after the fecal matter hits the fan, when Rick’s eyes lock on anything other than his hallucination. But by then the damage has been done.
Being crazypants pulled Rick out of the running to be the leader for Team Prison. His second-in-command, Daryl, decided to go on a road trip with his brother. That leaves an old man with one leg, a kid, and the funny sidekick to try and keep the others safe. Glenn tried to keep everyone together, working on fortifying the prison. He also came up with the best plan to take care of the Governor—send Michonne to Woodbury to assassinate Phillip and cut the head off the snake slithering their way before it can strike. The problem? Glenn is working from a deep-seated revenge against the Governor. He would, if given the chance, forget about keeping everyone safe in order to avenge what was done to Maggie. Hershel sees this and calls him on it. When trapped in a corner and forced to think, Glenn backs down from his plan. Hershel is no Dale. He tries to guide Glenn to the right decisions. Their history makes it harder to convey what is the right decision, and just like Rick, Glenn is thinking three steps behind Phillip.
If Rick and Glenn are scrambling to keep up with the Governor, Andrea is about a mile behind and running in cement boots. She’s a smart woman, but she’s even more guilty at this point of letting her emotions blind her to the truth—Phillip is a d-bag and will slaughter everyone she’s loved because he has the power. Andrea was so focused on being the savior Woodbury needed, she never saw what she needed to in order to truly save anyone. One can only hope she catches up with the scheming of everyone else, or we’re going to see more graves pop up in the next few episodes. There are no saviors in war. There are people who believe they are doing good and are used as pawns, sacrificed by the kings in order to ensure their survival.
This was a huge episode for the Dixon brothers. From the get-go it was obvious Daryl had his fill of Merle’s Flavor-Aid and started to think for himself again. The brothers have drastic views of what is right and wrong. Daryl, for all his gruffness, genuinely wants to help others. He wants to make a positive difference in the lives of people caught in a bad situation. Merle claims it is Rick’s pansy behavior rubbing off, but I’m not so sure. When we first met Daryl, he was brash, loud, and angry. However, he hunted to feed the camp as a whole, jumped into fights to protect others even after failing to find his brother in Atlanta, and took care to be as gentle as possible with the emotions of the women in the camp—namely Carol. Merle, on the other hand, works from a selfish place and likely has since the day he left Daryl to fend for himself against their abusive father. Merle uses people to make ends meet, and if he can’t get anything from them, well forget those bastards. There is a kinder side to Merle, but so far we’re only seeing it around his brother. That won’t get him far with Team Prison, though.
Lastly, we have to say goodbye to yet another character. Axel’s death was so sudden, it took a good long time for it to sink in. Really, though, we should have seen it coming. Minor characters never get to have nice, cheerful conversations unless they’re going to bite the big one. The writers are horrible about making us like someone, only to splatter their brains across the pavement. Lew Temple really made us love Axel in this episode. It sucks to see him go so soon.
With Daryl back in the mix, who do you think will take the reins for Team Prison? Let us know what you think in the comments below.
Normally we’re all about the undead, but so many of our ZSC commanders have been busy working on awesome projects of their own, we just have to share. Today we’re proud to announce the release of Orange Brigade Commander R.C. Murphy’s novel, Enslaved.
There aren’t man-eating corpses in this book, but it isn’t fluffy like Commander RC’s zombie bunnies, either. Take a look:
The gods are flawed . . . and they make awful parents.
Deryck knows first-hand the cruelty of the gods. Three thousand years after his birth, he is still trapped, forced to service humans as an Incubus—unable to choose who he sleeps with, and living a life completely devoid of love. There is no out for him. No hope. Or so he thought.
Shayla McIntire spent five years getting her life back on track after the accident claiming her husband’s life. She is content to a nice, boring, subdued life free of the abuse she suffered before. Her friends are worried. They want her to find the man of her dreams and move on.
Little do they know, the Powers That Be have decided the man of Shayla’s dreams for her. There’s just one hitch, he’s enslaved to the gods and it will take power she doesn’t know she has to free him. Deryck isn’t the only one hoping Shayla will free him, though.
Click on the cover to grab your copy of Enslaved today!
Review of “The Walking Dead” 309–“The Suicide King”
At last we are free of the special hell AMC dumped us in at the beginning of December when they announced “The Walking Dead” would go on their mid-season hiatus. Rick and his crew were greeted by 12.26 million viewers on Sunday night, breaking their record of 10.87 million viewers during the season 3 premiere. What can we say? We really wanted to see what happened to Team Prison and Team Woodbury.
Let’s get down to business. Warning: There may be spoilers below.
During one of the (very) few calm moments during the episode, Carol and Carl patrol the fence line, waiting to catch sight of the folks who went to Woodbury to rescue Glenn and Maggie. Aside from their voices and the wildlife around the prison, it is dead quiet. The noises millions of people create leave a void when they’re cut off by the apocalypse. It is one of the many things we take for granted in our everyday lives. The sound of a jet flying over, the hum of cars driving down the street, even the shrieks of children playing instead of crying out in fear. We also take for granted the chance to open up and love freely, without the fear the person who has your heart will end up dead minutes after you kiss them, or they decide to go off on their own without saying goodbye because they feel it is right. Loyalty, much like love, has no real place in the zombiepocalypse. Trust is the last thing to be thrown to the wayside once you’re forced to fight to stay alive every minute of every day. How many times have we seen the living attack Team Prison in three seasons of the show? Far too many. It is sad when you can’t trust the people you should be able to band together with and thrive.
Carol made another great point later in the episode while talking to Beth about Daryl and how she understood where his head was at. Is she right, once you’ve been made a victim, will you always be a victim? So many of Team Prison fit into this mold—Maggie after the Governor finished interrogating her, Rick post-Shane and Lori, Beth was victimized with her desire to take her own life. Then of course there’s Carol herself. She knows full well if her deceased husband walked in the door alive and well, she would fall into old habits and allow him to take control. It was how she lived for so long and it was easier to submit to the will of someone stronger than fight with him all the time. Daryl fell right into step with his brother, just the way Carol hoped she wouldn’t in her own situation. Some things are so deeply ingrained in us, we can’t break free. Can the others fight the victim role or will the strong people around them force them down, even if unconsciously?
Then we have Andrea who tries so hard to make herself seem the victim at all times in order to garner pity, attention, and power. Sorry, was that a tad harsh? Andrea accidentally shot Daryl in her attempt to prove she could be important to Rick’s group, even after being told not to. She fought with Michonne—the woman who kept her safe and alive after she couldn’t move fast enough to catch up with the group before they were forced to abandon the farm—and allowed her to leave Woodbury. Why? Michonne had a hinky feeling about the Governor and didn’t want her or Andrea trapped in his claws. But it was too late, Phillip had already worked his mojo on Andrea. Then when he was injured, angry, and pulled back from the town to lick his wounds and plot revenge, Andrea played the betrayed party and ensured the town sees her as the important one, the person to lean on for strength when they’ve been apparently abandoned by their leader. How far up can someone climb on the backs of others before they fall? She’s got a long trip down if her power play in Woodbury doesn’t pan out.
One of the most anticipated moments in episode 309 was the Dixon reunion. The first thing I noticed was how cowed Daryl looked when confronted with his brother. He wasn’t the alpha survivor we’d seen rise in the ranks of Team Prison. Daryl let Merle take the lead, dictate what would happen—not only when they were trapped in the fight pit in Woodbury. And when push came to shove, when faced with the decision of family vs. safety, he chose family. Merle on the other hand, is well aware the zombie bowels have hit the fan. He plays brave for his brother, but there are hints he’s just as scared. Merle hides behind lewd language to make himself feel bigger, bolder. Unfortunately all his bravado accomplished is sending the Dixons out on the road on their own with one backpack full of supplies and weapons. How far can two lone men go with only their wits and guts to get them through the walkers?
Did Rick try hard enough to keep Daryl by his side? Team Prison started a war with Team Woodbury and he’s allowing his strongest asset to walk out the door without so much as a real fight. He chased off Tyrese’s group, four able-bodied people who were more than willing to assist them no matter what in exchange for a roof over their head. And to make things worse, Rick snapped at Glenn, the one guy who has been on his side since day one when Glenn talked him through the crowded streets of Atlanta to safety inside the department store. Glenn is fed up with everything. He knows Rick isn’t playing with a full deck anymore and hasn’t since Lori died. So many fans tried to say Rick was better after he held the baby and gave her a proper name. I knew better. It takes more than one bittersweet walk with your newborn to get over the losses and betrayals Rick has been through. Unfortunately for Rick, he has no clue how to cope. The path he’s on is a dangerous one, not only for him, but those who trust him to keep them alive.
And who out there recognized this guy?
Rick has bats in his belfry. Who should take over leadership of Team Prison? Let us know in the comments below.
Dauntlessis the third book of Shannon Mayer‘s Nevermore trilogy, a Zombie-ish Apocalypse novella series.
In this final installment, be prepared for death to come knocking, as the apocalypse and monsters stretch the bonds of love and friendship, demanding a reckoning of those who are willing to do what they must to survive.
When “I Am Legend” meets “Resident Evil,” the Nevermores in this trilogy are similar to the “vampires” in I Am Legend with their feral pack mentality, and the cause of the change in humans is because of a supposed cure-all drug, similar to the toxin in Resident Evil. The Nevermores aren’t quite zombies, in that they aren’t dead, but they will eat anything and everything.
Minor spoilers:
Dauntless picks up after Bound, continuing Mara’s and Sebastian’s story of love and survival even when everything on the planet is stacked against you. It begins in the mad scientist’s compound, follows their escape, and Mara’s struggle to fight for Sebastian and their child, even when he doesn’t want to continue on. Did Donovan’s cure work? For a good amount of time, Sebastian is sick as hell and on the verge of death. Throughout the trilogy, Mara makes some pretty stupid decisions, which someone points out to her, and yet, she somehow manages to make it. How, we’ll never quite know.
Scout, Mara’s loyal Nevermore, returns to help and in the end, gives his life to save his alphas’ lives. He was a very likable character; one that was written well enough to be remembered for a long time.
The trilogy is essentially one book split into three. There is also a short story, first published in Forever Nocturne e-zine, that goes with the trilogy, centered on two other characters. The entire Nevermore trilogy is a quick and easy read, though it could have used a better copy edit. Some of the mistakes were a little distracting, but the average reader likely won’t notice most of them.
Dauntless was definitely the “love will conquer all” happy ending. I won’t, however, tell you where they’re heading or the surprise that waits.
Thank you, Ms. Mayer, for such an entertaining series. I look forward to your Celtic Legacy series next.
Rated: Not Rated (Extreme Violence and Gore)
Starring: Michael Fuith, Theo Trebs, and Anna Graczyk
Before anyone dives into this film feet first, be aware that it is not in English. There are subtitles. If that prevents you from watching any decent film, you need to brush up on your reading skills and suck it up. More often than not, it is worth the extra effort. Is Rammbock (2010) worth it? Let’s find out.
Synopsis: Michael heads to Berlin to talk with his recent ex-girlfriend with a plan to win her back. But something isn’t right with the city. It is too quiet and Gabi is nowhere to be found. Before he can find her, hell breaks loose in the form of ravenous zombies—quick, dangerous—swarming the apartment complex Gabi lives in. Michael finds himself relying on a young man, Harper, and the complex tenants to help him survive and locate his missing girlfriend.
Rammbock starts off a little slow, building the tension to the first reveal of a new, frightening zombie breed. They’re red-faced, veins bulging under their discolored skin. Foam flows from their mouths. They scream and run as though possessed by demons. In other words, they’re not to be trifled with. The virus that creates them works quickly. Those infected do not die. Instead, an adrenaline rush triggers the change. In theory, if an infected person can remain calm for long enough, their immune system will attack and destroy the virus. It is only a theory; no one can stay calm in the middle of a zombie attack for very long.
The way the virus works was supplied through an age-old zombie film trope—the news feed. It is understandable in the case of Rammbock; the film is just about an hour long. There isn’t enough time to demonstrate the full effect and possibilities of the virus. However, I wish someone would think of a more original way to convey vital information from the government to the people. Use carrier pigeons for all I care, just find another way that doesn’t make the audience begin to zone out after a while.
Mixed with the horror of watching these people trapped inside an apartment complex is a lot of very interesting questions about human nature. Who can you trust? Once you realize there is an outbreak, everyone, even your lovers and family become a threat. One scratch, one bite and they’re chowing down on your face. What is the right way to escape? Several times in the film, suicide is mentioned as an option to be free of the painful truth—there is no way out alive. Or is there? Bravery is walking forward, no matter what frightening thing you face. A handful of the characters are extremely brave, almost to a fault. And the final question is: Would you sacrifice yourself to kill your infected lover, sparing yourself the loss and them the indignity of living as a monster? As one of the monsters, I have to say life as a zombie isn’t half bad. To each their own, though.
Overall I’m giving Rammbock three and a half gnawed-on legs out of five. This is a film that will make you seriously stop and think, “Am I ready to face whatever odds, whatever horrors, in order to live?” Well, are you?
Rating: PG-13 (Zombie violence and some adult language)
Starring: Nicholas Hoult, Teresa Palmer, John Malkovich, Rob Corddry
Another zombie film has hit the theaters, which means a day pass for yours truly to get out of the Zombie Survival Crew command center’s detention room for a couple hours. What is the latest zombie flick to hit the big screen? An adaptation of Isaac Marion’s novel Warm Bodies.
Boy meets girl. Boy eats girl’s boyfriend’s brain and absorbs his memories. Boy falls in love with girl and saves her from having her entrails spread over the ground. Girl begs her hard-ass father not to kill her undead love. Sounds romantic, huh? Not if you care about a little thing called necrophilia.
I had a hard time with the premise of Warm Bodies from the start. Not just because of my standing as one of the shambling undead. Zombies are, and have been for decades, soulless reanimated corpses who only want one thing—to feast on the flesh of the living. Going into the theater (hidden under a large Hello Kitty blanket), I knew I wasn’t the target audience for the film. The previews and trailers showed fresh-faced kids traversing the zombie apocalypse and surviving on the strength of their love. Call me jaded, but a gun goes a lot further to keep one safe from being eaten than doe-eyed heroic zombies.
The saving grace for the film is the smart, witty performance from Nicholas Hoult. He took what could have been dead (no pun intended) jokes and made them work with a well-timed glance or shrug. His counterpart, Teresa Palmer, started out the film strong-willed and capable of defending herself, however, as the movie progressed she became whiny, cried more than should be allowed in a zombie movie—even one billed as a teenage chick-flick—and could not keep up with the performance of her co-star. The production company did their best to make Palmer into a blonde Kristin Stewart—which is no surprise since the distributor for the film is responsible for releasing Twilight. Is it too much to ask for a young actress to thrive on her own merits? In a time when Hollywood is all about chasing trends and beating them over the head until their brains ooze across the floor . . . no. The film’s producers wanted a young woman with looks similar to someone who has been proven popular and shoved her in a role written to be dependent on a boy. And when things get too rough for her, she breaks down, cries, and then does some of the stupidest things ever witnessed in a post-apocalyptic film.
Congratulations, you replaced sparkly vampires with shambling corpses. Or did they?
The undead in Warm Bodies are vastly different from traditional zombies. The corpses, as they’re called, retain more of their humanity and are capable of minimal speech. They also move far too fluidly to be truly dead. The minimalistic effects makeup on the corpses made it difficult to tell who was dead and who was alive. I’m not saying they needed to have huge chunks of flesh falling off, but something more than pale skin and visible veins would have been nice. Again, the corpses were awfully similar to vampires.
Warm Bodies was fun to watch for the humor—most of it from R, the main corpse character. There are some cringe-worthy performances; a lot of repeated and unnecessary lines, and John Malkovich’s normal brilliance is buried under teen angst and daddy issues. As one of my undead companions said, it is a chick-flick worthy of a night-in with friends and your beverage of choice.
Overall, I’m going to give Warm Bodies three and a half gnawed-off fingers out of five. It had potential, but fell flat under the pressure to fit the current the teen movie trend of cute and heart-warming monsters instead of standing on its own merits.
I’d like to give a shout out to the Fresno Zombie Society for inviting me out to hang with them for the film’s screening. You guys sure know how to make sure a dead guy has a fun night out.
Yellow Brigade CommanderJinxie Ghas another new book out that’s also loaded with vampyres, werewolves, and the gods. Why? Because it’s the sequel to The Dracove. I give you Gods & Vampyres.
This paranormal read picks up right where The Dracove left off, with a kidnapped Kylie, pissed off vampyres yelling at each other, and the entrance of a major player.
War is on the horizon…
Jinxie is gearing up for her 5-day FREE eBook event!
January 30th through February 1st, you will be able to download Gods & Vampyres for FREE. What’s even better? From February 2nd through February 3rd, The Dracove will be FREE again.
You can get the first two books in the Prophecy series for FREE this week and this week ONLY.
Kylie O’Rourke has unwittingly walked into the path of two vampyres—one who wants to use her as a sacrifice, and one who only wishes to win her heart. As she is pulled into their clandestine world, she learns more about her history and the reason behind her horrible nightmares.
Master vampyre Cianán searches for the one woman who could take his immortality to the next level—godhood. But, when he finds his Chosen One, his progeny Grantlund stumbles onto the Master’s plan . . . again. As if losing his first sacrifice to the bastard wasn’t enough, the Fates were to torment him with a second time.
The act never changes, only its players over thousands of years.
When Kylie is taken for use as a sacrifice in an ancient ritual, Grantlund races to save her life, but he has to wait for that perfect moment or all will be lost. Not only does he have to go up against his former Master, Cianán, one of the oldest and most powerful vampyres on Earth, but now the gods are involved, and Cianán has a very prominent one in his corner.
Grant will do anything to stop Cianán from destroying his lover and this world, but what price is he willing to pay? Death at the hands of the woman he loves?
An epic battle is about to begin, and not even the gods know who will come out the victor.
Click on the images for direct links to the books. This promotion has already started, so share, share, share, folks! Word of mouth is an author’s best advertising!
Jinxie plans to work hard to get the next Prophecy series book out—Gemini – Book III of the Prophecy series. She says it needs some editing, and perhaps some dissection, where a novella may come of it.
Also, don’t forget to check the Just Ink Press website for Special Content.
Today, we have The Walking Dead, Being Human, Warm Bodies, and World War Z for you, as well as natural disasters, databases to keep yourself updated and out of harm’s way, and a nationwide earthquake drill. Will you participate?
The third installment of the Emmy award-winning zombie fest series, The Walking Dead, features an |array of exciting and intriguing new characters. Among them is seasoned British actor David Morrissey as The Governor. Debashine Thangevelo found out how he feels about depicting the villainous comic book character…
I DON’T think David Morrissey imagined he would bag the role of The Governor – an immensely popular character with fans of The Walking Dead comic books – when he visited his friend in Los Angeles.
Having been a zombie for Romero, I can tell you first-hand that a lot goes into playing one of the undead. Oh, how I wish I would have had someone of the caliber of Warm Bodies‘ Rob Corddry to guide me through it all.
Starring Nicholas Hoult, Rob Corddry, Teresa Palmer, and John Malkovich, Warm Bodies follows an existentially tormented zombie named “R” (Hoult) who begins an unlikely friendship with the girlfriend of one of his victims (Palmer). It’s based on the book by Isaac Marion.
In “Clear,” Rick and Carl come full circle as far as their travels go. They’ve been on the run for over a year, yet when things are dire and they need a hand up to get ahead of the Governor’s scheming and army-building, they go home to King County, Georgia to find what they need. The only problem is, the sheriff’s station has been completely cleaned out. There’s nothing left, save a single bullet for Rick’s Colt Python.
Thankfully, Michonne has the presence of mind to keep an eye out for Carl, despite knowing his misgivings about her intentions toward the folks living in the prison. For the most part, we only hear Michonne speak when spoken to, or when she’s laying into Andrea for everything wrong she’s done since walking into Woodbury. However, with Carl she speaks up and gives him someone to connect to when he’s obviously so, so lost without his parents. Daryl did something similar right after Lori died. Why is it the most broken people know how to treat an emotionally fragile child better than his father? We get to see a softer side of Michonne here, not only because of her time alone with Carl. You know what? She’s got a sense of humor on her. The woman is also apparently a ninja, as they observed on Talking Dead after “Clear” aired. It took her seconds to climb a building and just as long to walk around the restaurant to recover the item Carl dropped. Forget rednecks and their prowess with crossbows and automatic weapons, I’ll take Michonne and her sword for the Orange Brigade.
At long last, the number-one question asked by Walking Dead fans can be put to rest. Morgan didn’t end up a footnote lost in the madness of everything that happened after Rick met up with his family outside of Atlanta . . . and there was much rejoicing. Kinda. See, Morgan is nuttier than a basket of kittens. When someone makes Rick and his hallucinations of Lori look sane, there needs to be some serious medication put to work ASAP. Possibly shock treatment. Something, anything to recover Morgan’s wits. It is painfully obvious early on that Morgan is alone. His son Duane’s death is revealed in a scrawled note on the walls of his home, “Duane turned.”
Rick cannot cope with Morgan’s mental breakdown. He sees too much of himself reflected in his one-time friend’s eyes. Rick works himself into a panic as he watches the snatches of sanity Morgan regains slip away. If Morgan cannot overcome the grief consuming him, does Rick have any chance at all of resuming his life or is he doomed to wait for the day the rest of his family perishes, slowly losing his mind? His grip on reality and the interpersonal relationships keeping him grounded are slipping. He has no control over Carl, though they have begun speaking to each other again. Rick leaves Judith’s care to the women in the camp for the most part. Carl is the one to think of finding something as simple as a collapsible crib to bring back to the prison. Morgan’s insanity is proof there are depths to which Rick can fall if he doesn’t start fighting to keep his mind in check now.
Rated: Not Rated (Extreme Violence and Gore)
Rammbock starts off a little slow, building the tension to the first reveal of a new, frightening zombie breed. They’re red-faced, veins bulging under their discolored skin. Foam flows from their mouths. They scream and run as though possessed by demons. In other words, they’re not to be trifled with. The virus that creates them works quickly. Those infected do not die. Instead, an adrenaline rush triggers the change. In theory, if an infected person can remain calm for long enough, their immune system will attack and destroy the virus. It is only a theory; no one can stay calm in the middle of a zombie attack for very long.
The way the virus works was supplied through an age-old zombie film trope—the news feed. It is understandable in the case of Rammbock; the film is just about an hour long. There isn’t enough time to demonstrate the full effect and possibilities of the virus. However, I wish someone would think of a more original way to convey vital information from the government to the people. Use carrier pigeons for all I care, just find another way that doesn’t make the audience begin to zone out after a while.
I had a hard time with the premise of Warm Bodies from the start. Not just because of my standing as one of the shambling undead. Zombies are, and have been for decades, soulless reanimated corpses who only want one thing—to feast on the flesh of the living. Going into the theater (hidden under a large Hello Kitty blanket), I knew I wasn’t the target audience for the film. The previews and trailers showed fresh-faced kids traversing the zombie apocalypse and surviving on the strength of their love. Call me jaded, but a gun goes a lot further to keep one safe from being eaten than doe-eyed heroic zombies.
Today, we have The Walking Dead, Being Human, Warm Bodies, and World War Z for you, as well as natural disasters, databases to keep yourself updated and out of harm’s way, and a nationwide earthquake drill. Will you participate?
The third installment of the Emmy award-winning zombie fest series, The Walking Dead, features an |array of exciting and intriguing new characters. Among them is seasoned British actor David Morrissey as The Governor. Debashine Thangevelo found out how he feels about depicting the villainous comic book character…