Last week “The Walking Dead” took a deep look into what makes Rick tick and how his crew at the prison are preparing for the looming conflict with the Governor and his Woodbury army. So this week, we got a look at what is making the Governor tick and where Andrea’s loyalties will put her during the war. We spent the entire episode with Andrea. Yes, the angst of many fans were heard. However, it was necessary to take the time to truly see where Phillip’s head is at before he launches another attack on our favorite survivors.
***Warning, this review contains spoilers***
An unsung hero in the tension between Woodbury and Rick’s crew is Milton. He lurks in the background, whispers advice in Phillip’s ear, and helps Andrea when she has the driving urge to do something right (which inevitably goes wrong). Milton has been able to keep Phillip’s antisocial behavior under wraps for the most part. He offered himself up as a touchstone for the Governor to lean on in order to see how far from the façade of normalcy he’s put on in order to lead the town successfully. He tries to be Phillip’s Jiminy Cricket, but how can he be a conscious for a man who forfeited his soul to get revenge and power? Unfortunately, Milton isn’t a fighter. Over and over again, he’s run to Andrea for help, sensing her desire to be where Phillip is in the power structure. All so he doesn’t have to grow a pair. He doesn’t think like a warrior and is easily cowed by people in power. Or at least he was before this episode. At least we’re seeing Milton put his foot down and stand up, albeit indirectly, to the powerbase driving the war to yet another senseless battle. He’s working from inside Woodbury to even the playing field. It’d be better if he finished finding his courage and kill Phillip. There’s a history between the two of them. Does Milton recognize his friend in the monster the apocalypse unleashed?
Over the course of this season, we’ve seen the humanity bleed out of the Governor. Sometimes literally, thanks to Michonne. There is a sense of joy in the way he goes about prepping and stocking his little “fun” room, the torture chamber he’s set up in preparation for Michonne’s arrival. There is no doubt in his mind. He will win. Michonne will come back to Woodbury with him. Over the course of weeks, he will be free to torture her. One of the most telling objects in the room wasn’t the bone saws, scalpels, and needles. It was the spool of thread and hooked needle. Several possibilities came to mind, but the one that stuck out the most was, he doesn’t want his victim to have the opportunity to bleed out and die ahead of his schedule. He must have complete control of every aspect of his life. Death is a tool he means to bend to his will. Phillip’s arrogance stems from the complete lack of people questioning his actions. Since day one of Woodbury’s foundation, he’s been the one taking charge. The only people to stand up to him are outsiders, not part of his little herd. He can’t control the new people, so he must eliminate them. And if he just so happens to enjoy himself on an almost sensual level while chasing his prey, well, even sociopaths need a little fun.
Tension is brewing between Tyreese and Phillip. Tyreese is a trusting soul, despite what he’s seen of human nature while battling the undead. Unfortunately, it made him a prime victim for the Governor’s scheming. Thankfully, Tyreese didn’t drink the Flavor-Aid like Andrea did when she first arrived in Woodbury. His instincts may very well keep him and his sister alive. Can’t say as much for their two traveling companions. Allen and his son overcompensate for their lack of power in the apocalypse by being the manliest men Woodbury has ever seen. Allen in particular continuously butts heads with Tyreese, trying to prove he can be an alpha male in order to not appear weak in front of his son. But Tyreese won’t give him the satisfaction of “winning” their arguments. He has a good set of morals that have kept him and his sister relatively safe. If he continues down the path he’s on, questions people who seem . . . off, he may just prove to be the savior Andrea wishes she could be.
Oh, Andrea . . . Sometimes I think we are too hard on her. Then she goes and does something so utterly ridiculous, it is impossible to see the good things she has done. Fans all over loathe Andrea. In part, this may stem from fans wanting to see one of the women step up and take control, without bungling it so badly a man is forced to step in and save her hide. Maggie’s appearance was a breath of fresh air after dealing with Andrea’s attempts to be “one of the boys” as far as work in camp goes. However, whereas Maggie does what is needed to survive, Andrea does what is needed to garner attention and praise. She is a puppy learning new tricks and expects a reward every time she doesn’t piddle on the carpet. Somewhere along the way, Andrea began to equate her happiness with that of the people she’s determined to be hers to save. This way of living left her vulnerable and pliable to the will of someone stronger than her. Phillip took full advantage of her hero complex. All it got her was a very uncomfortable seat. If she’d stuck to running under cover instead of through a huge, open field, maybe she’d be safe with the people in the prison. As it is, well, Andrea won’t be finding any rewards in her new “home.”
Pet peeve time! This is a bonus ranty bit for readers. I will start off by saying, I do not fault the actors at all for this. The final call came from the director and writers, all of whom should know better than to dig up outplayed horror movie tropes. A character can be creepy, downright nightmare-inducing while chasing a victim without: A) Dragging a weapon behind them, raking it across a fence, etc., and B) Whistling a cheery tune. Just . . . stop. The entire chase at the end of the episode lost its power because of these two jarring actions from the Governor. Such a shame, I was looking forward to seeing David Morrissey let loose with his incredible acting skills.
Does the group in the prison have any chance at all of surviving the war with Woodbury? Let us know what you think in the comments below.
Review of “The Walking Dead” 313 – “Arrow on the Doorpost”
Occasionally, the non-stop action of a show has to take a backseat in order to allow characters a chance to build toward something spectacular, like the epic clash on the horizon between Rick’s group and the people of Woodbury. Unfortunately, these “talking head” episodes are full of inaction, intrigue, and contests of wit and strength as characters measure each other for what will surely come in the next episode or two. With only three episodes left in the season, was it wise to allow an entire episode to be spent talking? We’ll see.
**Warning, there be spoilers ahead!**
It’s taken thirteen episodes for Rick and the Governor to share more than bullets flying past each other and angry words spread through third parties. Sadly, the encounter was predictable. Rick stood on his high moral ground and Phillip dug it out from under him. The Governor twisted Rick’s words around, trying to make him the bad guy, taking advantage of Rick’s fragile mental state in order to plant seeds of doubt in his opponent’s mind. Phillip used several tactics to get under Rick’s skin. He tried to play humble, saying he hadn’t appointed himself as governor, but the people chose him to lead them. In the next breath, he went from humble to sadistic. Before we could recover from his evil streak, Phillip flew into a story about how his late wife died before the zombie outbreak happened. But how much of the story is true? How much of his emotions were true? Phillip is a textbook sociopath. He mimics emotions he sees in others, but they never last long. He can charm the pants off everyone. He has absolutely no remorse for the death and destruction he’s caused. It was difficult to keep up with Phillip’s rapid-fire subject changes in his parlay with Rick—which was the point. He was feeling Rick out, getting a bead on his foe to see if he’s mentally capable of out-maneuvering him. Phillip’s power is smoke and mirrors, with a dash of pure intimidation thrown in the mix. Without his intelligence and taste for blood, he’d be just another guy trying to survive.
Rick, for all his mental shortcomings since Lori’s death, managed to keep up with Phillip’s ever-changing conversation. But whereas the Governor talked, bragged, and played his mental games, Rick brooded in silence. He did what so many people fail to do, he listened to the person he is at war with. And through listening, Rick realized one important thing—no matter what deal they strike, Phillip will never allow the people in the prison to live. When Rick did speak, he played right into Phillip’s hands. Only on one occasion did he gain the upper hand, when he told Phillip killing Michonne was beneath him—it wasn’t worth his time to kill one woman. Rick is way out of his depth. The wars he’s fought within his group and the emotional trauma he suffered from the death surrounding them every day, they’ve left him with little resources to deal with the current threat. It wasn’t until Rick returned to the prison that we caught a glimpse of how he planned to play out the war. Rick lied to his group about the Governor’s intentions. And despite what he said to Hershel later, I think he did it to keep a leash on the wildcards in the prison. How quickly would Merle turn around and try to give Michonne to the Governor in order to save his baby brother from the battle ahead? Sure, Rick wanted his people scared, honed for the war, but he also wanted to make sure he was the one holding all the aces so no one could surprise him later on.
Andrea’s part in the war is changing. What it is changing to, I have no clue. She had her chance to kill Phillip and she didn’t take it. Hershel invited her to come back to the prison, she got back in the car with the Woodbury folks. How long can she play monkey-in-the-middle before someone (Phillip) gets tired of her indecision and disposes of her for good? Playing both sides of the fence is dangerous. Mostly, it is stupid. Andrea’s little bubble of reality has burst. The man she’s been protecting wants the blood of the people who kept her alive. The only ally she has left is Milton. He knows most of what goes on in Woodbury, but Phillip has been keeping him ill-informed just to throw Andrea off. Yet despite everything, Andrea thinks she alone can prevent the clash between the two survivor groups. I’m not quite sure if she’s been hit on the head one too many times or has allowed the little bit of power Phillip gave her to go to her head. She does not want to be caught in the middle of this conflict. If Andrea were smart, she’d move on and get far away from Woodbury and the prison.
In better news, Glenn and Maggie kissed and made up. Every episode since they were rescued from Woodbury, they fought their own personal war. A war bred from the intensity of the emotions dredged up during their torture and interrogation. Sometimes, no matter how painful it is, a person needs to talk through what is plaguing them. Maggie did her talking, but Glenn was so wrapped up in his inability to protect her and the guilt it raised, he couldn’t let go of the control he’d blanketed himself in to cope. It is refreshing to see them together again. Love is rare in the world they live in. More often than not, it turns into betrayal that is more likely to kill a person than the undead at their doors. Just ask Shane. He thought he loved Lori and his betrayal to Rick morphed into the actions which caused his death.
Is one life worth more than many? Will Rick play the ace up his sleeve and give Michonne over to the Governor in order to save his people? Tell us what you think in the comments below.
Talk about jerking on our heartstrings. This episode was chalk-full of teary moments. We really need a warning before the episode airs, along with the violence warnings, telling us to grab a box of Kleenex before emotional episodes. For the first time since Rick’s group arrived at the prison, the entire episode took place outside the prison gates nor on the streets of Woodbury. Most notably, there were only four main characters involved. However, the ghosts of many others lingered at the edge of every conversation taking place.
**As usual, there are spoilers below. You’ve been warned.**
In “Clear,” Rick and Carl come full circle as far as their travels go. They’ve been on the run for over a year, yet when things are dire and they need a hand up to get ahead of the Governor’s scheming and army-building, they go home to King County, Georgia to find what they need. The only problem is, the sheriff’s station has been completely cleaned out. There’s nothing left, save a single bullet for Rick’s Colt Python.
Before they even reach King County, Carl questions Michonne’s motives about every single thing she does. At one point, I expected him to ask why she breathed the way she did. Carl is hyper-vigilant. All of the betrayals they’ve suffered warped his growing mind. He’s paranoid, watching everyone they encounter for signs of malice. His paranoia makes him ruthless. He is becoming more and more like Shane, Carl’s mentor before he was forced to put him down like a rabid dog after Shane’s violent encounter with Rick. Carl takes the tough shots and is beyond taking orders from Rick, who he no longer views as a viable leader for the group. However, Carl is young. His emotions range from cold to molten rock at the drop of a hat, much like his father’s. He is still ruled by a child’s lack of impulse control. It could land him in serious water. Again. Hey, is Carl in the house?
Thankfully, Michonne has the presence of mind to keep an eye out for Carl, despite knowing his misgivings about her intentions toward the folks living in the prison. For the most part, we only hear Michonne speak when spoken to, or when she’s laying into Andrea for everything wrong she’s done since walking into Woodbury. However, with Carl she speaks up and gives him someone to connect to when he’s obviously so, so lost without his parents. Daryl did something similar right after Lori died. Why is it the most broken people know how to treat an emotionally fragile child better than his father? We get to see a softer side of Michonne here, not only because of her time alone with Carl. You know what? She’s got a sense of humor on her. The woman is also apparently a ninja, as they observed on Talking Dead after “Clear” aired. It took her seconds to climb a building and just as long to walk around the restaurant to recover the item Carl dropped. Forget rednecks and their prowess with crossbows and automatic weapons, I’ll take Michonne and her sword for the Orange Brigade.
At long last, the number-one question asked by Walking Dead fans can be put to rest. Morgan didn’t end up a footnote lost in the madness of everything that happened after Rick met up with his family outside of Atlanta . . . and there was much rejoicing. Kinda. See, Morgan is nuttier than a basket of kittens. When someone makes Rick and his hallucinations of Lori look sane, there needs to be some serious medication put to work ASAP. Possibly shock treatment. Something, anything to recover Morgan’s wits. It is painfully obvious early on that Morgan is alone. His son Duane’s death is revealed in a scrawled note on the walls of his home, “Duane turned.”
The walls of Morgan’s home are as chaotic as his mind. One word is scribbled over and over again amongst the rambling, “Clear.” We could spend days discussing what this word means to him. Morgan doesn’t use it in a normal sense—all’s clear. The word haunts him, taunts him. He failed to clear the dead from around his house, namely the reanimated corpse of his wife, and it cost him dearly. “Finally was too late,” he says. His failure to clear the way destroyed Morgan’s life as he sees it. He is trapped in King County, not by the dead walking the street, but by the dead walking around in his mind whispering, “Clear.” Was the word one of the last things he said to Duane before he went on the ill-fated search for food? We may never know why everything and everyone must be “cleared” in Morgan’s mind. His lucid moments are few and far between.
Rick cannot cope with Morgan’s mental breakdown. He sees too much of himself reflected in his one-time friend’s eyes. Rick works himself into a panic as he watches the snatches of sanity Morgan regains slip away. If Morgan cannot overcome the grief consuming him, does Rick have any chance at all of resuming his life or is he doomed to wait for the day the rest of his family perishes, slowly losing his mind? His grip on reality and the interpersonal relationships keeping him grounded are slipping. He has no control over Carl, though they have begun speaking to each other again. Rick leaves Judith’s care to the women in the camp for the most part. Carl is the one to think of finding something as simple as a collapsible crib to bring back to the prison. Morgan’s insanity is proof there are depths to which Rick can fall if he doesn’t start fighting to keep his mind in check now.
Morgan claims weak men like him have inherited the earth. With everything happening between the prison group and Woodbury, it’s easy to see what he is talking about. The powerful men, the ones who know how to take charge and organize others into action, make it pretty far in the apocalyptic lifestyle. People need someone to listen to sometimes. Someone who thinks rationally and quickly. But for all of the power the leaders wield, they want more and get caught up in mad power struggles to prove they are the only one worth following in a time of dire need. Rick had this problem with Shane when he joined the group at the quarry. Shane stationed himself as the leader and in walked Rick, doing what he always does—helping folks in need. Shane couldn’t let that stand. He started an emotional war with Rick. What did it cost Shane? Several pints of blood and a huge portion of his skull. And now Rick finds himself embroiled in another war, this one with Phillip. The new war is violent and will consume everyone in its path—including the two powers driving it on. Morgan may have a point. The weak can hide. They hunker down, gather supplies, and fortify their safe haven. For the weak, the only power struggle comes when they must venture out amongst the dead to forage for food. And if they are as well-prepared as Morgan, they have all the power in that war.
Was this broken shell of a man what you were expecting when Morgan finally returned to the show? Let us know what you think in the comments below.
Review of “The Walking Dead” 310 – “Home” By R.C. Murphy
As hard as it is to believe, everything happening so far in season three of “The Walking Dead” was the calm before the storm . . . and the first arm of the hurricane swept through the lives of Rick and his crew in the newest episode. Hope you have something to hang onto. It is going to be a bumpy ride.
Warning: Spoilers below
Let’s get this out of the way, the show hasn’t jumped the shark and added ghosts into the mix. Robert Kirkman clarified it on “Talking Dead” after episode 310 aired. Rick is hallucinating. There are various forms of hallucination. Rick progress from auditory hallucinations—hearing the voices of the group’s dead through the telephone—to visual hallucinations. He picked an image of Lori from a happier time in their lives to cling to. In other words, he’s cracked his gourd and is no use to anyone anymore. Even when Hershel pleads with Rick, he is reluctant to listen to reason. His eyes move constantly, seeking the comfort of his vision of Lori. It isn’t until the last moments of the episode, after the fecal matter hits the fan, when Rick’s eyes lock on anything other than his hallucination. But by then the damage has been done.
Being crazypants pulled Rick out of the running to be the leader for Team Prison. His second-in-command, Daryl, decided to go on a road trip with his brother. That leaves an old man with one leg, a kid, and the funny sidekick to try and keep the others safe. Glenn tried to keep everyone together, working on fortifying the prison. He also came up with the best plan to take care of the Governor—send Michonne to Woodbury to assassinate Phillip and cut the head off the snake slithering their way before it can strike. The problem? Glenn is working from a deep-seated revenge against the Governor. He would, if given the chance, forget about keeping everyone safe in order to avenge what was done to Maggie. Hershel sees this and calls him on it. When trapped in a corner and forced to think, Glenn backs down from his plan. Hershel is no Dale. He tries to guide Glenn to the right decisions. Their history makes it harder to convey what is the right decision, and just like Rick, Glenn is thinking three steps behind Phillip.
If Rick and Glenn are scrambling to keep up with the Governor, Andrea is about a mile behind and running in cement boots. She’s a smart woman, but she’s even more guilty at this point of letting her emotions blind her to the truth—Phillip is a d-bag and will slaughter everyone she’s loved because he has the power. Andrea was so focused on being the savior Woodbury needed, she never saw what she needed to in order to truly save anyone. One can only hope she catches up with the scheming of everyone else, or we’re going to see more graves pop up in the next few episodes. There are no saviors in war. There are people who believe they are doing good and are used as pawns, sacrificed by the kings in order to ensure their survival.
This was a huge episode for the Dixon brothers. From the get-go it was obvious Daryl had his fill of Merle’s Flavor-Aid and started to think for himself again. The brothers have drastic views of what is right and wrong. Daryl, for all his gruffness, genuinely wants to help others. He wants to make a positive difference in the lives of people caught in a bad situation. Merle claims it is Rick’s pansy behavior rubbing off, but I’m not so sure. When we first met Daryl, he was brash, loud, and angry. However, he hunted to feed the camp as a whole, jumped into fights to protect others even after failing to find his brother in Atlanta, and took care to be as gentle as possible with the emotions of the women in the camp—namely Carol. Merle, on the other hand, works from a selfish place and likely has since the day he left Daryl to fend for himself against their abusive father. Merle uses people to make ends meet, and if he can’t get anything from them, well forget those bastards. There is a kinder side to Merle, but so far we’re only seeing it around his brother. That won’t get him far with Team Prison, though.
Lastly, we have to say goodbye to yet another character. Axel’s death was so sudden, it took a good long time for it to sink in. Really, though, we should have seen it coming. Minor characters never get to have nice, cheerful conversations unless they’re going to bite the big one. The writers are horrible about making us like someone, only to splatter their brains across the pavement. Lew Temple really made us love Axel in this episode. It sucks to see him go so soon.
With Daryl back in the mix, who do you think will take the reins for Team Prison? Let us know what you think in the comments below.
Normally we’re all about the undead, but so many of our ZSC commanders have been busy working on awesome projects of their own, we just have to share. Today we’re proud to announce the release of Orange Brigade Commander R.C. Murphy’s novel, Enslaved.
There aren’t man-eating corpses in this book, but it isn’t fluffy like Commander RC’s zombie bunnies, either. Take a look:
The gods are flawed . . . and they make awful parents.
Deryck knows first-hand the cruelty of the gods. Three thousand years after his birth, he is still trapped, forced to service humans as an Incubus—unable to choose who he sleeps with, and living a life completely devoid of love. There is no out for him. No hope. Or so he thought.
Shayla McIntire spent five years getting her life back on track after the accident claiming her husband’s life. She is content to a nice, boring, subdued life free of the abuse she suffered before. Her friends are worried. They want her to find the man of her dreams and move on.
Little do they know, the Powers That Be have decided the man of Shayla’s dreams for her. There’s just one hitch, he’s enslaved to the gods and it will take power she doesn’t know she has to free him. Deryck isn’t the only one hoping Shayla will free him, though.
Click on the cover to grab your copy of Enslaved today!
Review of “The Walking Dead” 309–“The Suicide King”
At last we are free of the special hell AMC dumped us in at the beginning of December when they announced “The Walking Dead” would go on their mid-season hiatus. Rick and his crew were greeted by 12.26 million viewers on Sunday night, breaking their record of 10.87 million viewers during the season 3 premiere. What can we say? We really wanted to see what happened to Team Prison and Team Woodbury.
Let’s get down to business. Warning: There may be spoilers below.
During one of the (very) few calm moments during the episode, Carol and Carl patrol the fence line, waiting to catch sight of the folks who went to Woodbury to rescue Glenn and Maggie. Aside from their voices and the wildlife around the prison, it is dead quiet. The noises millions of people create leave a void when they’re cut off by the apocalypse. It is one of the many things we take for granted in our everyday lives. The sound of a jet flying over, the hum of cars driving down the street, even the shrieks of children playing instead of crying out in fear. We also take for granted the chance to open up and love freely, without the fear the person who has your heart will end up dead minutes after you kiss them, or they decide to go off on their own without saying goodbye because they feel it is right. Loyalty, much like love, has no real place in the zombiepocalypse. Trust is the last thing to be thrown to the wayside once you’re forced to fight to stay alive every minute of every day. How many times have we seen the living attack Team Prison in three seasons of the show? Far too many. It is sad when you can’t trust the people you should be able to band together with and thrive.
Carol made another great point later in the episode while talking to Beth about Daryl and how she understood where his head was at. Is she right, once you’ve been made a victim, will you always be a victim? So many of Team Prison fit into this mold—Maggie after the Governor finished interrogating her, Rick post-Shane and Lori, Beth was victimized with her desire to take her own life. Then of course there’s Carol herself. She knows full well if her deceased husband walked in the door alive and well, she would fall into old habits and allow him to take control. It was how she lived for so long and it was easier to submit to the will of someone stronger than fight with him all the time. Daryl fell right into step with his brother, just the way Carol hoped she wouldn’t in her own situation. Some things are so deeply ingrained in us, we can’t break free. Can the others fight the victim role or will the strong people around them force them down, even if unconsciously?
Then we have Andrea who tries so hard to make herself seem the victim at all times in order to garner pity, attention, and power. Sorry, was that a tad harsh? Andrea accidentally shot Daryl in her attempt to prove she could be important to Rick’s group, even after being told not to. She fought with Michonne—the woman who kept her safe and alive after she couldn’t move fast enough to catch up with the group before they were forced to abandon the farm—and allowed her to leave Woodbury. Why? Michonne had a hinky feeling about the Governor and didn’t want her or Andrea trapped in his claws. But it was too late, Phillip had already worked his mojo on Andrea. Then when he was injured, angry, and pulled back from the town to lick his wounds and plot revenge, Andrea played the betrayed party and ensured the town sees her as the important one, the person to lean on for strength when they’ve been apparently abandoned by their leader. How far up can someone climb on the backs of others before they fall? She’s got a long trip down if her power play in Woodbury doesn’t pan out.
One of the most anticipated moments in episode 309 was the Dixon reunion. The first thing I noticed was how cowed Daryl looked when confronted with his brother. He wasn’t the alpha survivor we’d seen rise in the ranks of Team Prison. Daryl let Merle take the lead, dictate what would happen—not only when they were trapped in the fight pit in Woodbury. And when push came to shove, when faced with the decision of family vs. safety, he chose family. Merle on the other hand, is well aware the zombie bowels have hit the fan. He plays brave for his brother, but there are hints he’s just as scared. Merle hides behind lewd language to make himself feel bigger, bolder. Unfortunately all his bravado accomplished is sending the Dixons out on the road on their own with one backpack full of supplies and weapons. How far can two lone men go with only their wits and guts to get them through the walkers?
Did Rick try hard enough to keep Daryl by his side? Team Prison started a war with Team Woodbury and he’s allowing his strongest asset to walk out the door without so much as a real fight. He chased off Tyrese’s group, four able-bodied people who were more than willing to assist them no matter what in exchange for a roof over their head. And to make things worse, Rick snapped at Glenn, the one guy who has been on his side since day one when Glenn talked him through the crowded streets of Atlanta to safety inside the department store. Glenn is fed up with everything. He knows Rick isn’t playing with a full deck anymore and hasn’t since Lori died. So many fans tried to say Rick was better after he held the baby and gave her a proper name. I knew better. It takes more than one bittersweet walk with your newborn to get over the losses and betrayals Rick has been through. Unfortunately for Rick, he has no clue how to cope. The path he’s on is a dangerous one, not only for him, but those who trust him to keep them alive.
And who out there recognized this guy?
Rick has bats in his belfry. Who should take over leadership of Team Prison? Let us know in the comments below.
Rating: PG-13 (Zombie violence and some adult language)
Starring: Nicholas Hoult, Teresa Palmer, John Malkovich, Rob Corddry
Another zombie film has hit the theaters, which means a day pass for yours truly to get out of the Zombie Survival Crew command center’s detention room for a couple hours. What is the latest zombie flick to hit the big screen? An adaptation of Isaac Marion’s novel Warm Bodies.
Boy meets girl. Boy eats girl’s boyfriend’s brain and absorbs his memories. Boy falls in love with girl and saves her from having her entrails spread over the ground. Girl begs her hard-ass father not to kill her undead love. Sounds romantic, huh? Not if you care about a little thing called necrophilia.
I had a hard time with the premise of Warm Bodies from the start. Not just because of my standing as one of the shambling undead. Zombies are, and have been for decades, soulless reanimated corpses who only want one thing—to feast on the flesh of the living. Going into the theater (hidden under a large Hello Kitty blanket), I knew I wasn’t the target audience for the film. The previews and trailers showed fresh-faced kids traversing the zombie apocalypse and surviving on the strength of their love. Call me jaded, but a gun goes a lot further to keep one safe from being eaten than doe-eyed heroic zombies.
The saving grace for the film is the smart, witty performance from Nicholas Hoult. He took what could have been dead (no pun intended) jokes and made them work with a well-timed glance or shrug. His counterpart, Teresa Palmer, started out the film strong-willed and capable of defending herself, however, as the movie progressed she became whiny, cried more than should be allowed in a zombie movie—even one billed as a teenage chick-flick—and could not keep up with the performance of her co-star. The production company did their best to make Palmer into a blonde Kristin Stewart—which is no surprise since the distributor for the film is responsible for releasing Twilight. Is it too much to ask for a young actress to thrive on her own merits? In a time when Hollywood is all about chasing trends and beating them over the head until their brains ooze across the floor . . . no. The film’s producers wanted a young woman with looks similar to someone who has been proven popular and shoved her in a role written to be dependent on a boy. And when things get too rough for her, she breaks down, cries, and then does some of the stupidest things ever witnessed in a post-apocalyptic film.
Congratulations, you replaced sparkly vampires with shambling corpses. Or did they?
The undead in Warm Bodies are vastly different from traditional zombies. The corpses, as they’re called, retain more of their humanity and are capable of minimal speech. They also move far too fluidly to be truly dead. The minimalistic effects makeup on the corpses made it difficult to tell who was dead and who was alive. I’m not saying they needed to have huge chunks of flesh falling off, but something more than pale skin and visible veins would have been nice. Again, the corpses were awfully similar to vampires.
Warm Bodies was fun to watch for the humor—most of it from R, the main corpse character. There are some cringe-worthy performances; a lot of repeated and unnecessary lines, and John Malkovich’s normal brilliance is buried under teen angst and daddy issues. As one of my undead companions said, it is a chick-flick worthy of a night-in with friends and your beverage of choice.
Overall, I’m going to give Warm Bodies three and a half gnawed-off fingers out of five. It had potential, but fell flat under the pressure to fit the current the teen movie trend of cute and heart-warming monsters instead of standing on its own merits.
I’d like to give a shout out to the Fresno Zombie Society for inviting me out to hang with them for the film’s screening. You guys sure know how to make sure a dead guy has a fun night out.
It has been extremely difficult to keep our excitement about the newest addition to the Zombie Survival Crew Command team quiet. But we’ve been given the green light to let you guys in on the secret. Our newest ZSC Second Lieutenant is….
Yes, we were all heart-broken when Madison said her farewell on The Walking Dead. However, she has been very busy since then, traveling to conventions across the country to visit with loyal Walking Dead fans and filming new projects—on top of a couple under cover missions for the ZSC.
Catch Madison in Parental Guidance with Billy Crystal and Bette Midler, which releases on December 25th. She is also appearing on the new show, Nashville, airing Wednesdays on ABC.
An unsung hero in the tension between Woodbury and Rick’s crew is Milton. He lurks in the background, whispers advice in Phillip’s ear, and helps Andrea when she has the driving urge to do something right (which inevitably goes wrong). Milton has been able to keep Phillip’s antisocial behavior under wraps for the most part. He offered himself up as a touchstone for the Governor to lean on in order to see how far from the façade of normalcy he’s put on in order to lead the town successfully. He tries to be Phillip’s Jiminy Cricket, but how can he be a conscious for a man who forfeited his soul to get revenge and power? Unfortunately, Milton isn’t a fighter. Over and over again, he’s run to Andrea for help, sensing her desire to be where Phillip is in the power structure. All so he doesn’t have to grow a pair. He doesn’t think like a warrior and is easily cowed by people in power. Or at least he was before this episode. At least we’re seeing Milton put his foot down and stand up, albeit indirectly, to the powerbase driving the war to yet another senseless battle. He’s working from inside Woodbury to even the playing field. It’d be better if he finished finding his courage and kill Phillip. There’s a history between the two of them. Does Milton recognize his friend in the monster the apocalypse unleashed?
Over the course of this season, we’ve seen the humanity bleed out of the Governor. Sometimes literally, thanks to Michonne. There is a sense of joy in the way he goes about prepping and stocking his little “fun” room, the torture chamber he’s set up in preparation for Michonne’s arrival. There is no doubt in his mind. He will win. Michonne will come back to Woodbury with him. Over the course of weeks, he will be free to torture her. One of the most telling objects in the room wasn’t the bone saws, scalpels, and needles. It was the spool of thread and hooked needle. Several possibilities came to mind, but the one that stuck out the most was, he doesn’t want his victim to have the opportunity to bleed out and die ahead of his schedule. He must have complete control of every aspect of his life. Death is a tool he means to bend to his will. Phillip’s arrogance stems from the complete lack of people questioning his actions. Since day one of Woodbury’s foundation, he’s been the one taking charge. The only people to stand up to him are outsiders, not part of his little herd. He can’t control the new people, so he must eliminate them. And if he just so happens to enjoy himself on an almost sensual level while chasing his prey, well, even sociopaths need a little fun.
Tension is brewing between Tyreese and Phillip. Tyreese is a trusting soul, despite what he’s seen of human nature while battling the undead. Unfortunately, it made him a prime victim for the Governor’s scheming. Thankfully, Tyreese didn’t drink the Flavor-Aid like Andrea did when she first arrived in Woodbury. His instincts may very well keep him and his sister alive. Can’t say as much for their two traveling companions. Allen and his son overcompensate for their lack of power in the apocalypse by being the manliest men Woodbury has ever seen. Allen in particular continuously butts heads with Tyreese, trying to prove he can be an alpha male in order to not appear weak in front of his son. But Tyreese won’t give him the satisfaction of “winning” their arguments. He has a good set of morals that have kept him and his sister relatively safe. If he continues down the path he’s on, questions people who seem . . . off, he may just prove to be the savior Andrea wishes she could be.
I had a hard time with the premise of Warm Bodies from the start. Not just because of my standing as one of the shambling undead. Zombies are, and have been for decades, soulless reanimated corpses who only want one thing—to feast on the flesh of the living. Going into the theater (hidden under a large Hello Kitty blanket), I knew I wasn’t the target audience for the film. The previews and trailers showed fresh-faced kids traversing the zombie apocalypse and surviving on the strength of their love. Call me jaded, but a gun goes a lot further to keep one safe from being eaten than doe-eyed heroic zombies.
Undead Zombies Are the 99% in Propaganda Posters for Undead Romance Warm Bodies